Leonard Bernstein Edition: The Vocal Works

St Matthew Passion, BWV 244, Part I: No. 1: Chorus "Come, ye daughters"

St Matthew Passion, BWV 244, Part I: No. 2: Recitative "When Jesus had Finished"

St Matthew Passion, BWV 244, Part I: No. 3: Chorale "O Blessed Jesus"

St Matthew Passion, BWV 244, Part I: No. 4: Recitative "Then Assembled the Chief Priests"

St Matthew Passion, BWV 244, Part I: No. 5: Chorus "Not Upon the Feast"

St Matthew Passion, BWV 244, Part I: No. 13: Recitative "Now on the First Day"

St Matthew Passion, BWV 244, Part I: No. 14: Chorus "Where wilt Thou"

St Matthew Passion, BWV 244, Part I: No. 15: Recitative "He Said: Go ye into the City"

St Matthew Passion, BWV 244, Part I: No. 15: Chorus "Lord, is it I?"

St Matthew Passion, BWV 244, Part I: No. 16: Chorale "Tis I Who Should be Sharing"

St Matthew Passion, BWV 244, Part I: No. 17: Recitative "He Answered Them, and Said"

St Matthew Passion, BWV 244, Part I: No. 18: Accompanied Recitative "Although my Heart and Eyes o'Erflow"

St Matthew Passion, BWV 244, Part I: No. 19: Aria "Lord, to Thee my Heart I Proffer"

St Matthew Passion, BWV 244, Part I: No. 20: Recitative "And When They Had Sung"

St Matthew Passion, BWV 244, Part I: No. 21: Chorale "Acknowledge Me, My Keeper"

St Matthew Passion, BWV 244, Part I: No. 22: Recitative "Then Answered Peter"

St Matthew Passion, BWV 244, Part I: No. 23: Chorale "Near Thee would I be Staying"

St Matthew Passion, BWV 244, Part I: No. 24: Recitative "Then Cometh Jesus with Them"

St Matthew Passion, BWV 244, Part I: No. 25: Accompanied Recitative "O Grief, How Throbs"

St Matthew Passion, BWV 244, Part I: No. 26: Aria "I Would Beside my Lord be Watching"

St Matthew Passion, BWV 244, Part I: No. 27: Recitative "And he Went a Little Father"

St Matthew Passion, BWV 244, Part I: No. 28: Accompanied Recitative "The Saviour, Low Before His Father Bending"

St Matthew Passion, BWV 244, Part I: No. 29: Aria "Gladly Would I Be Enduring"

St Matthew Passion, BWV 244, Part I: No. 30: Recitative "And He Came to His Disciples"

St Matthew Passion, BWV 244, Part I: No. 31: Chorale "The will of God be alway done"

St Matthew Passion, BWV 244, Part I: No. 32: Recitative "And He Came Again"

St Matthew Passion, BWV 244, Part I: No. 33: Duet "Behold, my Saviour Now is Taken"

St Matthew Passion, BWV 244, Part I: No. 34: Recitative "And Behold, One of Them"

St Matthew Passion, BWV 244, Part I: No. 35: Chorale "O Man, Bewail thy Grievous Sin!"

St Matthew Passion, BWV 244, Part II: No. 36: "Ah! Now is my Saviour Gone"

St Matthew Passion, BWV 244, Part II: No. 37: Recitative "And They That Laid Hold on Jesus"

St Matthew Passion, BWV 244, Part II: No. 46: Chorus "Truly, Thou Also Art One of Them"

St Matthew Passion, BWV 244, Part II: No. 46: Recitative "And Then Did He Begin to Curse and to Swear"

St Matthew Passion, BWV 244, Part II: No. 47: Aria "Have Pity, Lord, On Me"

St Matthew Passion, BWV 244, Part II: No. 53: Chorale "Whate'er May Vex or Grieve Thee"

St Matthew Passion, BWV 244, Part II: No. 54: Recitative "Now at that Feast"

St Matthew Passion, BWV 244, Part II: No. 54: Double Chorus "Barabbas!"

St Matthew Passion, BWV 244, Part II: No. 54: Recitative "Then Pilate Said to Them"

St Matthew Passion, BWV 244, Part II: No. 54: Chorus "Let Him be Crucified!"

St Matthew Passion, BWV 244, Part II: No. 56: Recitative "The Governor Answered"

St Matthew Passion, BWV 244, Part II: No. 57: Accompanied Recitative "To All Men Jesu Good Hath Done"

St Matthew Passion, BWV 244, Part II: No. 58: Aria "In Love my Saviour Now is Dying"

St Matthew Passion, BWV 244, Part II: No. 59: Recitative "But They Cried Out the More"

St Matthew Passion, BWV 244, Part II: No. 59: Chorus "Let Him Be Cruified"

St Matthew Passion, BWV 244, Part II: No. 59: Recitative "Then Released He Barabbas"

St Matthew Passion, BWV 244, Part II: No. 60: Accompanied Recitative "O Gracious God"

St Matthew Passion, BWV 244, Part II: No. 62: Recitative "And Then Did the Soldiers of the Governor"

St Matthew Passion, BWV 244, Part II: No. 62: Double Chorus "We Hail Thee, King of the Jews"

St Matthew Passion, BWV 244, Part II: No. 62: Recitative "And Then They Spat on Him"

St Matthew Passion, BWV 244, Part II: No. 63: Chorale "O Thou, With Hate Surrounded"

St Matthew Passion, BWV 244, Part II: No. 64: Recitative "And After They Had Mocked Him"

St Matthew Passion, BWV 244, Part II: No. 69: Accompanied Recitative "Ah, Golgotha!"

St Matthew Passion, BWV 244, Part II: No. 70: Aria "Look Ye, Jesu Waiting Stands"

St Matthew Passion, BWV 244, Part II: No. 71: Recitative "Now From the Sixth Hour"

St Matthew Passion, BWV 244, Part II: No. 71: Chorus "He Calleth for Elijah"

St Matthew Passion, BWV 244, Part II: No. 71: Recitative "And Straighaway One of Them Ran"

St Matthew Passion, BWV 244, Part II: No. 71: Chorus "Wait, And See if Elijah Cometh to Save Him"

St Matthew Passion, BWV 244, Part II: No. 71: Recitative "And Again Jesus Cried Aloud"

St Matthew Passion, BWV 244, Part II: No. 71: Chorale "When I Too Am Departing"

St Matthew Passion, BWV 244, Part II: No. 73: Accompanied Recitative "And Then, Behold, the Veil of the Temple"

St Matthew Passion, BWV 244, Part II: No. 73: Chorus "Truly, This Was the Son of God"

St Matthew Passion, BWV 244, Part II: No. 73: Recitative "At Eventide There Came a Rich Man"

St Matthew Passion, BWV 244, Part II: No. 74: Accompanied Recitative "At Evening, Hour of Calm and Peace"

St Matthew Passion, BWV 244, Part II: No. 75: Aria "Make the Clean, My Heart, from Sin"

St Matthew Passion, BWV 244, Part II: No. 77: Soli and Chorus "And Now the Lord to Rest is Laid"

St Matthew Passion, BWV 244, Part II: No. 78: Double Chorus "In Deepest Grif, Here Sit we Weeping"

Leonard Bernstein Discusses the Musical and Dramatic Structure of the St. Matthew Passion

Missa Solemnis in D major, op. 123: I. Kyrie: "Kyrie eleison"

Missa Solemnis in D major, op. 123: I. Kyrie: "Christe eleison"

Missa Solemnis in D major, op. 123: I. Kyrie: "Kyrie eleison" cont.

Missa Solemnis in D major, op. 123: II. Gloria: "Gloria in excelsis Deo"

Missa Solemnis in D major, op. 123: II. Gloria: "Qui tollis peccata mundi"

Missa Solemnis in D major, op. 123: II. Gloria: "Quoniam tu solus sanctus"

Missa Solemnis in D major, op. 123: III. Credo: "Credo in unum Deum"

Missa Solemnis in D major, op. 123: III. Credo: "Et incarnatus est"

Missa Solemnis in D major, op. 123: III. Credo: "Crucifixus"

Missa Solemnis in D major, op. 123: III. Credo: "Et resurrexit"

Missa Solemnis in D major, op. 123: III. Credo: "Credo in Spiritum Sanctum"

Missa Solemnis in D major, op. 123: III. Credo: "Et vitam venturi"

Missa Solemnis in D major, op. 123: IV. Sanctus: "Sanctus Dominus"

Missa Solemnis in D major, op. 123: IV. Sanctus: "Plenti sunt caeli"

Missa Solemnis in D major, op. 123: IV. Sanctus: "Praeldudium. Sostenuto, ma non troppo"

Missa Solemnis in D major, op. 123: IV. Sanctus: "Benedictus qui venit"

Missa Solemnis in D major, op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi"

Missa Solemnis in D major, op. 123: V. Agnus Dei: "Dona nobis pacem"

Fantasia in C minor, op. 80: I. Adagio

Fantasia in C minor, op. 80: II. Finale. Allegro - Meno Allegro - Allegretto ma non troppo, quasi andante con moto

Mass in B-flat major, Hob. XXII:12 "Theresia": I. Kyrie: "Kyrie eleison"

Mass in B-flat major, Hob. XXII:12 "Theresia": II. Gloria: "Gloria in excelsis Deo"

Mass in B-flat major, Hob. XXII:12 "Theresia": II. Gloria: "Gratia agimus tibi"

Mass in B-flat major, Hob. XXII:12 "Theresia": II. Gloria: "Quoniam tu solus sanctus"

Mass in B-flat major, Hob. XXII:12 "Theresia": III. Credo: "Credo in unum Deum"

Mass in B-flat major, Hob. XXII:12 "Theresia": III. Credo: "Et incarnatus est"

Mass in B-flat major, Hob. XXII:12 "Theresia": IV. Sanctus: "Sanctus, sanctus"

Mass in B-flat major, Hob. XXII:12 "Theresia": V. Benedictus: "Benedictus qui venit"

Mass in B-flat major, Hob. XXII:12 "Theresia": VI. Agnus Dei: "Agnus Dei - Dona nobis pacem"

Requiem, Op. 5: I. Requiem et Kyrie. Introitus - Andante un poco lento

Requiem, Op. 5: II. Dies Irae. Prosa. Moderato - Poco animato

Requiem, Op. 5: II. Dies Irae. Andante maestoso - Tuba mirum

Requiem, Op. 5: III. Quid Sum Miser - Andante un poco lento

Requiem, Op. 5: IV. Rex Tremendae - Andante maestoso - Poco animato - Ancora un poco animato - Tempo I

Requiem, Op. 5: V. Quaerens Me - Andante sostenuto

Requiem, Op. 5: VI. Lacrimosa - Andante non troppo lento

Requiem, Op. 5: VII. Offertorium - Moderato

Requiem, Op. 5: VIII. Hostias - Andante non troppo lento

Requiem, Op. 5: IX. Sanctus - Andante un poco sostenuto e maestoso

Requiem, Op. 5: X. Agnus Dei - Andante un poco lento - Un poco piu lento

Shéhérazade, M. 41: I. Asie

Shéhérazade, M. 41: II. La Flûte enchantée

Shéhérazade, M. 41: III. L'Indifférent

La mort de Cléopâtre, H 36: Allegro vivace con impeto

La mort de Cléopâtre, H 36: Recitativo: "C'en est donc fait !"

La mort de Cléopâtre, H 36: Lento cantabile - "Ah ! qu'ils sont loin ces jours"

La mort de Cléopâtre, H 36: Recitativo: "Au comble des revers"

La mort de Cléopâtre, H 36: Méditation. Largo misterioso - "Grands Pharaons"

La mort de Cléopâtre, H 36: Allegro assai agitato - "Non !... non, de vos demeures"

La mort de Cléopâtre, H 36: Allegro non troppo - Recitativo misurato: Dieux du Nil"

Trouble in Tahiti (An Opera in 7 Scenes): Prelude: "Daa-Doa Day ... Mornin' Sun Kisses the Windows"

Trouble in Tahiti (An Opera in 7 Scenes): Scene I: "How Could You Say the Thing That You Did"

Trouble in Tahiti (An Opera in 7 Scenes): Scene II: "Yes? Oh, Mister Partridge!"

Trouble in Tahiti (An Opera in 7 Scenes): Scene III: "I Was Standing in a Garden!"

Trouble in Tahiti (An Opera in 7 Scenes): Scene IIIa: "Then Desire Took Hold Inside Me"

Trouble in Tahiti (An Opera in 7 Scenes): Scene IV: "Well, of All People ... I'm On My Way"

Trouble in Tahiti (An Opera in 7 Scenes): Interlude: "Skit a Lit Day"

Trouble in Tahiti (An Opera in 7 Scenes): Scene V: "There's a Law"

Trouble in Tahiti (An Opera in 7 Scenes): Scene VI: "What a Movie!"

Trouble in Tahiti (An Opera in 7 Scenes): Scene VIa: "There's a Law That a Man Has to Pay for What He Gets"

Trouble in Tahiti (An Opera in 7 Scenes): Scene VII: "Evenin' Shadows Are Spreadin' Softly"

Chichester Psalms for Chorus and Orchestra: I. Psalm 108 (Verse 2) & Psalm 100 (Complete)

Chichester Psalms for Chorus and Orchestra: II. Psalm 23 (Complete) & Psalm 2 (Verses 1-4)

Chichester Psalms for Chorus and Orchestra: III. Psalm 131 (Complete) & Psalm 133 (Verse 1)

I Hate Music: No. 1, My Name is Barbara

I Hate Music: No. 2, Jupiter Has Seven Moons

I Hate Music: No. 3, I Hate Music!

I Hate Music: No. 4, A Big Indian and a Little Indian (Riddle Song)

I Hate Music: No. 5, I'm a Person Too

La bonne cuisine (Four Recipes): No. 1, Plum Pudding

La bonne cuisine (Four Recipes): No. 2, Queues de boeuf

La bonne cuisine (Four Recipes): No. 3, Tavouk guenksis

La bonne cuisine (Four Recipes): No. 4, Civet à toute vitesse

Mass - A Theatre Piece for Singers, Players and Dancers: I. Devotions before Mass: 1. Antiphon: Kyrie eleison

Mass - A Theatre Piece for Singers, Players and Dancers: I. Devotions before Mass: 2. Hymn and Psalm: "A Simple Song"

Mass - A Theatre Piece for Singers, Players and Dancers: I. Devotions before Mass: 3. Responsory - Alleluia

Mass - A Theatre Piece for Singers, Players and Dancers: II. First Introit (Rondo): 1. Prefatory Prayers

Mass - A Theatre Piece for Singers, Players and Dancers: II. First Introit (Rondo): 2. Thrice-Triple Canon - Dominus vobiscum

Mass - A Theatre Piece for Singers, Players and Dancers: III. Second Introit: 1. In nomine Patris

Mass - A Theatre Piece for Singers, Players and Dancers: III. Second Introit: 2. Prayer for the congregation (Chorale: "Almighty Father")

Mass - A Theatre Piece for Singers, Players and Dancers: III. Second Introit: 3. Epiphany

Mass - A Theatre Piece for Singers, Players and Dancers: IV. Confession: 1. Confiteor

Mass - A Theatre Piece for Singers, Players and Dancers: IV. Confession: 2. Trope: "I Don't Know"

Mass - A Theatre Piece for Singers, Players and Dancers: IV. Confession: 3. Trope: "Easy"

Mass - A Theatre Piece for Singers, Players and Dancers: V. Meditation No. 1

Mass - A Theatre Piece for Singers, Players and Dancers: VI. Gloria: 1. Gloria tibi

Mass - A Theatre Piece for Singers, Players and Dancers: VI. Gloria: 2. Gloria in excelsis

Mass - A Theatre Piece for Singers, Players and Dancers: VI. Gloria: 3. Trope: "Half of the People"

Mass - A Theatre Piece for Singers, Players and Dancers: VI. Gloria: 4. Trope: "Thank You"

Mass - A Theatre Piece for Singers, Players and Dancers: VII. Meditation No. 2

Mass - A Theatre Piece for Singers, Players and Dancers: VIII. Epistle: "The Word of the Lord"

Mass - A Theatre Piece for Singers, Players and Dancers: IX. Gospel-Sermon: "God Said"

Mass - A Theatre Piece for Singers, Players and Dancers: X. Credo: 1. Credo in unum Deum

Mass - A Theatre Piece for Singers, Players and Dancers: X. Credo: 2. Trope: "Non Credo"

Mass - A Theatre Piece for Singers, Players and Dancers: X. Credo: 3. Trope: "Hurry"

Mass - A Theatre Piece for Singers, Players and Dancers: X. Credo: 4. Trope: "World Without End"

Mass - A Theatre Piece for Singers, Players and Dancers: X. Credo: 5. Trope "I Believe in God"

Mass - A Theatre Piece for Singers, Players and Dancers: XI. Meditation No. 3 (De profundis, Part 1)

Mass - A Theatre Piece for Singers, Players and Dancers: XII. Offertory (De profundis, Part 2)

Mass - A Theatre Piece for Singers, Players and Dancers: XIII. The Lord's Prayer: 1. Our Father...

Mass - A Theatre Piece for Singers, Players and Dancers: XIII. The Lord's Prayer: 2. Trope: "I Go On"

Mass - A Theatre Piece for Singers, Players and Dancers: XIV. Sanctus

Mass - A Theatre Piece for Singers, Players and Dancers: XV. Agnus Dei

Mass - A Theatre Piece for Singers, Players and Dancers: XVI. Fraction: "Things Get Broken"

Mass - A Theatre Piece for Singers, Players and Dancers: XVII. Pax: Communion ("Secret Songs")

Avodath Hakodesh: Part I: Meditation (Prelude). Moderato - Ma tovu. Poco meno mosso

Avodath Hakodesh: Part I: Borechu. Moderato - Shema yisroel. Moderato

Avodath Hakodesh: Part I: Andante moderato. Ve'ohavto. Tranquillo - Moderato

Avodath Hakodesh: Part I: Mi Chomocho. Allegro moderato

Avodath Hakodesh: Part I: Tzur Yisroel (Traditional)

Avodath Hakodesh: Part II: Kedusha (Sanctification): Nekadeish. Moderato

Avodath Hakodesh: Part III: Silent Devotion (Prelude) and Response. Andante moderato - Yih'yu letrotzon. Andante moderato

Avodath Hakodesh: Part III: Taking the Scroll from the Ark (Interlude). Quieto - Toroh tzivoh. Quieto

Avodath Hakodesh: Part IV: Returning the Scroll to the Ark. Moderato - Gad'lu ladonoy. Moderato

Avodath Hakodesh: Part IV: Eitz Chayim (Peace Song). Molto quieto

Avodath Hakodesh: Part V: Epilogue: Va'anachnu (Adoration). Andante moderato

Avodath Hakodesh: Part V: Kaddish Prayer (Memorial Service). Poco più lento

Avodath Hakodesh: Part V: Yevorechechoh Adonoy (Benediction). Molto moderato

In the Beginning

The Second Hurricane (A Play Opera in Two Acts): Act I: Choral Overture

The Second Hurricane (A Play Opera in Two Acts): Act I: We Don't Know, We Don't Know

The Second Hurricane (A Play Opera in Two Acts): Act I: What's Happened, Where Are They?

The Second Hurricane (A Play Opera in Two Acts): Act I: Gyp's Song

The Second Hurricane (A Play Opera in Two Acts): Act I: How Childish They Are

The Second Hurricane (A Play Opera in Two Acts): Act I: Like A Giant Bomb

The Second Hurricane (A Play Opera in Two Acts): Act II: Introduction

The Second Hurricane (A Play Opera in Two Acts): Act II: Two Willow Hill

The Second Hurricane (A Play Opera in Two Acts): Act II: Sextet

The Second Hurricane (A Play Opera in Two Acts): Act II: Jeff's Song

The Second Hurricane (A Play Opera in Two Acts): Act II: Queenie's Song

The Second Hurricane (A Play Opera in Two Acts): Act II: The Capture of Burgoyne

The Second Hurricane (A Play Opera in Two Acts): Act II: Finale

Le martyre de Saint Sébastian, L. 124: Prologue: Gentle People We Bid You Silence...

Le martyre de Saint Sébastian, L. 124: I. The Court of Lilies: Frère, que sera-t-il le monde

Le martyre de Saint Sébastian, L. 124: I. The Court of Lilies: Glory! Glory to Christ the King - Sébastien! Sébastian! Sébastian!

Le martyre de Saint Sébastian, L. 124: I. The Court of Lilies: Ecstatic Dance of Sebastian on the Live Coals - Oh Twin Brothers, Sing your hymn... - Hymnes, toute l'ombre s'efface

Le martyre de Saint Sébastian, L. 124: II. The Magic Chamber: Within a Vast Elliptical Vault...

Le martyre de Saint Sébastian, L. 124: II. The Magic Chamber: Song of the VIrgin Erigone "Je fauchais l'épi de froment"

Le martyre de Saint Sébastian, L. 124: II. The Magic Chamber: And Suddenly a New Voice Sings from Beyond the Magic Door & Qui pleure mon enfant si doux

Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: "A Huge Gilded Hall..."

Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: Suddenly, the Emperor Speaks! - Hail, Beauteous Youth

Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: Intone Your Hymn! - Païan, Lyre d'or

Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: Caesar, I Refuse Your Lyre... - Ah, Tu pleures le Bien-Animé!

Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: Who is This Young Man So White... - Cessez, ô pleureuses!

Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: Sing! Exult! - Io! Io! Adoniastes!

Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: He Dies, the Archer of Lebanon - Il est mort, le bel Adonis

Le martyre de Saint Sébastian, L. 124: IV. The Wounded Laurel: But Gentle People...

Le martyre de Saint Sébastian, L. 124: IV. The Wounded Laurel: I Feel in the Palm of My Hand the Stigmata Burn...

Le martyre de Saint Sébastian, L. 124: IV. The Wounded Laurel: From the Depths, Archers, I Call Upon Your Love - Hélas! Ah! Pleurez, ô femmes de Syrie

Le martyre de Saint Sébastian, L. 124: V. Paradise: A Pearly Radiance Spreads in the Sky...

Le martyre de Saint Sébastian, L. 124: V. Paradise: Gloria

Time Cycle (Orchestral Version): I. We're Late

Time Cycle (Orchestral Version): Improvised Interlude No. 1

Time Cycle (Orchestral Version): II. When the Bells Justle

Time Cycle (Orchestral Version): Improvised Interlude No. 2

Time Cycle (Orchestral Version): III. Sechzehnter Januar

Time Cycle (Orchestral Version): Improvised Interlude No. 3

Time Cycle (Orchestral Version): IV. O Mensch, gib Acht

Song of Songs: Biblical Cantata for Voice and Orchestra: I. Awake, O North Wind

Song of Songs: Biblical Cantata for Voice and Orchestra: II. Come, My Beloved

Song of Songs: Biblical Cantata for Voice and Orchestra: III. By Night on My Bed

Song of Songs: Biblical Cantata for Voice and Orchestra: IV. Set Me As a Seal

Messiah, HWV 56, Part I: No. 1, Symphony. Grave - Allegro moderato

Messiah, HWV 56, Part I: No. 2, Accompagnato "Comfort Ye My People"

Messiah, HWV 56, Part I: No. 3, Air "Ev'ry Valley Shall be Exalted"

Messiah, HWV 56, Part I: No. 4, Chorus "And the Glory of the Lord Shall be Revealed"

Messiah, HWV 56, Part I: No. 5, Accompagnato "Thus Saith the Lord of Hosts"

Messiah, HWV 56, Part I: No. 6, Air "But Who May Abide the Day of His Coming"

Messiah, HWV 56, Part I: No. 7, Chorus "And He Shall Purify the Sons of Levi"

Messiah, HWV 56, Part I: No. 7, Recitative "Behold, a Virgin Shall Conceive"

Messiah, HWV 56, Part I: No. 8, Air & Chorus "O Thou That Tellest Good Tidings"

Messiah, HWV 56, Part I: No. 11, Chorus "For Unto Us a Child is Born"

Messiah, HWV 56, Part I: No. 12, Pifa - Pastoral Symphony

Messiah, HWV 56, Part I: No. 12, Recitative "There Were Shepherds Abiding in the Field"

Messiah, HWV 56, Part I: No. 13, Accompagnato "And lo, the Angel of the Lord Came Upon Them"

Messiah, HWV 56, Part I: No. 13, Recitative "And The Angel Said Unto Them"

Messiah, HWV 56, Part I: No. 14, Accompagnato "And Suddenly There Was With The Angel"

Messiah, HWV 56, Part I: No. 15, Chorus "Glory to God in the Heighest"

Messiah, HWV 56, Part I: No. 16, Air "Rejoice Greatly"

Messiah, HWV 56, Part I: No. 16, Recitative "Then Shall the Eyes of the Blind be Open'd"

Messiah, HWV 56, Part I: No. 17, Air "He Shall Feed His Flock"

Messiah, HWV 56, Part II: No. 30, Chorus "Lift Up Your Heads, O Ye Gates"

Messiah, HWV 56, Part II: No. 36, Air "Why Do the Nations So Furiously Rage"

Messiah, HWV 56, Part II: No. 37, Chorus "Let Us Break Their Bonds Asunder"

Messiah, HWV 56, Part II: No. 37, Recitative "He That Dwelleth in Heaven"

Messiah, HWV 56, Part II: No. 38, Air "Thou Shalt Break Them"

Messiah, HWV 56, Part II: No. 39, Chorus "Hallelujah!"

Messiah, HWV 56, Part II: No. 19, Chorus "Behold the Lamb of God"

Messiah, HWV 56, Part II: No. 20, Air "He Was Despised"

Messiah, HWV 56, Part II: No. 22, Chorus "And With His Stripes We Are Healed"

Messiah, HWV 56, Part II: No. 23, Chorus "All We Like Sheep Have Gone Astray"

Messiah, HWV 56, Part II: No. 24, Accompagnato "All They That See Him"

Messiah, HWV 56, Part II: No. 25, Chorus "He Trusted in God"

Messiah, HWV 56, Part II: No. 26, Accompagnato "They Rebuke Hath Broken His Heart"

Messiah, HWV 56, Part II: No. 27, Arioso "Behold, And See, If There Be Any Sorrow"

Messiah, HWV 56, Part II: No. 28, Accompagnato "He Was Cut Off Out of the Land"

Messiah, HWV 56, Part III: No. 40, Air "I Know That My Redeemer Liveth"

Messiah, HWV 56, Part III: No. 41, Chorus "Since By Man Came Death"

Messiah, HWV 56, Part III: No. 42, Recitative "Behold, I Tell You a Mystery"

Messiah, HWV 56, Part III: No. 42, Air "The Trumpet Shall Sound"

Messiah, HWV 56, Part III: No. 47, Chorus "Worthy Is The Lamb That Was Slain - Amen"

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": Overture

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": Recitative: "From harmony" (Tenor)

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 1 Accompanied Recitative: "When Nature" (Tenor)

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 2: "From Harmony, from Heav'nly Harmony" (Chorus)

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 3 Aria: "What Passion Cannot Music Raise" (Soprano)

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 4: "The Trumpet's Loud Clangour" (Tenor, Chorus)

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 5: March

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 6a Aria: "The Soft Complaining Flute"

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 7 Aria: "Sharp Violins Proclaim Their Jealous Pangs" (Tenor)

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 8 Aria "But Oh! What Art Can Teach!" (Soprano, Organ Obbligato)

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 9 Aria: "Orpheus Could Lead the Savage Race" (Soprano)

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 10 Accompanied Recitative: "But Bright Cecilia" (Soprano)

Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 11: "As From the Pow'r of Sacred Lays"

Die Schöpfung, Hob. XXI:2, Part I, The First Day. No. 1 Orchestral Prelude: The Representation of Chaos - Recitative and Chorus: "Im Anfange schuf Got Himmel und Erde" (Raphael, Uriel)

Die Schöpfung, Hob. XXI:2, Part I, The First Day. No. 2 Aria and Chorus: "Nun schwanden vor dem heiligen Strahle" (Uriel)

Die Schöpfung, Hob. XXI:2, Part I, The Second Day. No. 3 Recitative: "Und Gott machte das Firmament" (Raphael)

Die Schöpfung, Hob. XXI:2, Part I, The Second Day. No. 4 Solo and Chorus: "Mit Staunen sieht das Wunderwerk" (Gabriel) - "Und laut ertönt aus ihren Kehlen"

Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 5 Recitative: "Und Gott sprach: Es sammle sich das Wasser" (Raphael)

Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 6 Aria: "Rollend in schäumenden Wellen" (Raphael)

Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 7 Recitative: "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel)

Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 8 Aria: "Nun beut die Flur das frische Grün" (Gabriel)

Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 9 Recitative: "Und die himmlischen Heerscharen verkündigten" (Uriel)

Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 10 Chorus: "Stimmt an die Saiten"

Die Schöpfung, Hob. XXI:2, Part I, The Fourth Day. No. 11 Rectiative: "Und Gott sprach: Es sei'n Lichter an der Feste des Himmels" (Uriel)

Die Schöpfung, Hob. XXI:2, Part I, The Fourth Day. No. 12 Recitative: "In vollem Glanze steiget jetzt" (Uriel)

Die Schöpfung, Hob. XXI:2, Part I, The Fourth Day. No. 13 Chorus and Soli: "Die Himmel erzählen die Ehre Gottes" (Gabriel, Uriel, Raphael) - "Dem kommenden Tage sagt es der Tag"

Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 14 Recitative: "Und Gott sprach: Es bringe das Wasser in der Füller hervor" (Gabriel)

Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 15 Aria: "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel)

Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 16 Recitative: "Und Gott schuf große Walfische" (Raphael)

Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 17 Recitative: "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael)

Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 18 Trio: "In holder Anmut stehn" (Gabriel, Uriel, Raphael)

Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 19 Chorus and Soli: "Der Herr ist groß in seiner Macht" (Gabriel, Uriel, Raphael)

Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 20 Recitative: "Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe" (Raphael)

Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 21 Recitative: "Gleich öffnet sich der ERde Schoß" (Raphael)

Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 22 Aria: "Nun scheint in vollem Glanze der Himmel" (Raphael)

Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 23 Recitative: "Und Gott schuf den Menschen nach seinem Bilde" (Uriel)

Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 24 Aria: "Mit Würd' und Hoheit angetan" (Uriel)

Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 25 Recitative: "Und Gott sah jedes Ding" (Raphael)

Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 26 Chorus: "Vollendet ist das große werk"

Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 27 Trio: "Zu dir, o Herr, blickt alles auf" (Gabriel, Uriel, Raphael)

Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 28 Chorus: "Vollendet ist das große Werk"

Die Schöpfung, Hob XXI:2: Part III. No. 29 Orchestral Introduction and Rectiative: "Aus Rosenwolken bricht" (Uriel)

Die Schöpfung, Hob XXI:2: Part III. No. 30 Duet and Chorus: "Vor deiner Güt', o Herr und Gott" (Eva, Adam) - "Gesseegnet sei des Herren Macht"

Die Schöpfung, Hob XXI:2: Part III. No. 31 Recitative: "Nun ist die erste Pflicht erfüllt" (Adam, Eva)

Die Schöpfung, Hob XXI:2: Part III. No. 32 Duet: "Holde Gattin, dir zur Seite" (Adam, Eva)

Die Schöpfung, Hob XXI:2: Part III. No. 33 Recitative: "O glücklich Paar" (Uriel)

Die Schöpfung, Hob XXI:2: Part III. No. 34 Chorus and Soli: "Singt dem Herren alle Stimmen!"

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": I. Kyrie, Kyrie eleision. Poco adagio

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIa. Gloria, Gloria in excelsis Deo. Vivace assai

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIb. Gloria, Gratias agimus tibi. Allegretto

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIc. Gloria, Quoniam tu solus sanctus. Allegro spiritoso

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIIa. Credo, Credo in unum Deum. Vivace

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIIb. Credo, Et incarnatus est. Adagio

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIIc. Credo, Et ressurrexit. Vivace

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIId. Credo, Et vitam venturi. Vivace

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IV. Sanctus, Sanctus, sanctus. Adagio - Allegro

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": V. Benedictus, Benedictus qui venit. Allegro molto - Allegro

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": VIa. Agnus Dei, Agnus Dei. Adagio

Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": VIb. Agnus Dei, Dona nobis pacem. Allegro con spirito

Missa in Tempore Belli, Hob. XXII/9: I. Kyrie. Largo - Allegro moderato

Missa in Tempore Belli, Hob. XXII/9: IIa. Gloria. Gloria in excelsis Deo. Vivace

Missa in Tempore Belli, Hob. XXII/9: IIb. Gloria. Qui tollis peccata mundi. Adagio

Missa in Tempore Belli, Hob. XXII/9: IIc. Gloria. Quoniam tu solus sanctus. Allegro

Missa in Tempore Belli, Hob. XXII/9: IIIa. Credo. Credo in unum Deum. Allegro

Missa in Tempore Belli, Hob. XXII/9: IIIb. Credo. Et incarnatus est. Adagio

Missa in Tempore Belli, Hob. XXII/9: IIIc. Credo. Et resurrexit. Allegro

Missa in Tempore Belli, Hob. XXII/9: IIId. Credo. Et vitam venturi. Vivace

Missa in Tempore Belli, Hob. XXII/9: IV. Sanctus. Adagio

Missa in Tempore Belli, Hob. XXII/9: V. Benedictus. Andante

Missa in Tempore Belli, Hob. XXII/9: VIa. Agnus Dei. Agnus Dei, qui tollis peccata mundi. Adagio

Missa in Tempore Belli, Hob. XXII/9: VIb. Agnus Dei. Dona nobis pacem. Allegro con spirito

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": I. Kyrie. Allegro moderato

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": II. Gloria: Gloria in excelsis Deo. Allegro

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": II. Gloria: Qui tollis peccata mundi. Adagio

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": II. Gloria: Quoniam tu solus sanctus. Allegro

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": III. Credo: Credo in unum Deum. Allegro con spirito

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": III. Credo: Et incarnatus est. Largo

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": III. Credo: Et resurrexit. Vivace

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": IV. Sanctus: Adagio - Allegro

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": V. Benedictus: Allegretto

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": V. Benedictus: Osanna in excelsis. Allegro

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": VI. Agnus Dei. Adagio

Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": VI. Agnus Dei: Dona nobis pacem

Magnificat in D Major, BWV 243: No. 1 Chorus: Magnificat

Magnificat in D Major, BWV 243: No. 2 Aria: Ex exultavit

Magnificat in D Major, BWV 243: No. 3 Aria: Quia respexit humilitatem - Chorus: Omnes generationes

Magnificat in D Major, BWV 243: No. 4 Aria: Quia fecit mihi magna

Magnificat in D Major, BWV 243: No. 5 Duet: Et misericordia

Magnificat in D Major, BWV 243: No. 6 Chorus: Fecit potentiam

Magnificat in D Major, BWV 243: No. 7 Aria: Deposuit potentes

Magnificat in D Major, BWV 243: No. 8 Aria: Esurientes implevit bonis

Magnificat in D Major, BWV 243: No. 9 Trio: Suscepit Israel

Magnificat in D Major, BWV 243: No. 10 Chorus: Sicut locutus est - Gloria Patri

Glagolitic Mass, JW 3/9: I. Úvod - Introduction

Glagolitic Mass, JW 3/9: II. Gospodi pomiluj - Kyrie

Glagolitic Mass, JW 3/9: III. Slava - Gloria

Glagolitic Mass, JW 3/9: IV. Veruju - Credo

Glagolitic Mass, JW 3/9: V. Svet - Sanctus

Glagolitic Mass, JW 3/9: VI. Agnece Bozij - Agnus Dei

Glagolitic Mass, JW 3/9: VII. Varhany solo

Glagolitic Mass, JW 3/9: VIII. Intrada - Exodos

Gloria, FP 177: I. Gloria. Maestoso

Gloria, FP 177: II. Laudemus te. Très vitet et joyeux

Gloria, FP 177: III. Domine Deus. Très lent et calme

Gloria, FP 177: IV. Domine Fili unigenite. Très lent et calme

Gloria, FP 177: V. Domine Deus, Agnus Dei. Bien lent

Gloria, FP 177: VI. Qui sedes as dexteram Patris. Maestoso - Allegretto - Très calme - Extraordinairement calme

Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso

Symphony No. 2 in C Minor "Resurrection": II. Andante moderato

Symphony No. 2 in C Minor "Resurrection": III. Scherzo. In ruhig fliessender Bewegung

Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht

Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend

Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde

Das Lied von der Erde: II. Der Einsame im Herbst

Das Lied von der Erde: III. Von der Jugend

Das Lied von der Erde: IV. Von der Schönheit

Das Lied von der Erde: V. Der Trunkene im Frühling

Das Lied von der Erde: VI. Der Abschied

Symphony No. 5 in C-sharp Minor: IV. Adagietto (Recorded at RFK's Memorial Service)

Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n

Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen

Kindertotenlieder: III. Wenn dein Mütterlein

Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen

Kindertotenlieder: V. In diesem Wetter

Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend

Des Knaben Wunderhorn: Der Schildwache Nachtlied

Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?

Des Knaben Wunderhorn: Der Tamboursg'sell

Des Knaben Wunderhorn: Rheinlegendchen

Des Knaben Wunderhorn: Lied des Verfolgten im Turm

Des Knaben Wunderhorn: Urlicht

Des Knaben Wunderhorn: Revelge

Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt

Des Knaben Wunderhorn: Verlorne Müh'

Des Knaben Wunderhorn: Wo die schönen Trompeten blasen

Des Knaben Wunderhorn: Lob des hohen Verstandes

Des Knaben Wunderhorn: Das irdische Leben

Des Knaben Wunderhorn: Trost im Unglück

Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n

Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen

Kindertotenlieder: III. Wenn dein Mütterlein

Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen

Kindertotenlieder: V. In diesem Wetter, in diesem Braus

Rückert-Lieder: II. Ich atmet' einen linden Duft

Rückert-Lieder: III. Ich bin der Welt abhanden gekommen

Das Knaben Wunderhorn: V. Das iridische Leben

Rückert-Lieder: IV. Um Mitternacht

Des Knaben Wunderhorn: Der Schildwache Nachtlied

Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?

Des Knaben Wunderhorn: Trost im Unglück

Des Knaben Wunderhorn: Revelge

Des Knaben Wunderhorn: Wo die schönen Trompeten blasen

Des Knaben Wunderhorn: Das irdische Leben

Des Knaben Wunderhorn: Lied des Verfolgten im Turm

Des Knaben Wunderhorn: Der Tamboursg'sell

Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt

Des Knaben Wunderhorn: Rheinlegendchen

Des Knaben Wunderhorn: Verlor'ne Müh

Des Knaben Wunderhorn: Urlicht

Des Knaben Wunderhorn: Lob des hohen Verstandes

Rückert-Lieder: Ich atmet' einen linden Duft

Rückert-Lieder: Blicke mir nicht in die Lieder!

Rückert-Lieder: Ich bin der Welt abhanden gekommen

Rückert-Lieder: Um Mitternacht

Lieder und Gesänge aus der Jugendzeit: Nicht wiedersehen!

Lieder und Gesänge aus der Jugendzeit: Serenade aus Don Juan

Lieder und Gesänge aus der Jugendzeit: Zu Straßburg auf der Schanz

Lieder und Gesänge aus der Jugendzeit: Scheiden und Meiden

Lieder und Gesänge aus der Jugendzeit: Selbstgefühl

Lieder und Gesänge aus der Jugendzeit: Um schlimme Kinder artig zu machen

Lieder und Gesänge aus der Jugendzeit: Ablösung im Sommer

Lieder und Gesänge aus der Jugendzeit: Phantasie aus Don Juan

Lieder und Gesänge aus der Jugendzeit: Erinnerung

Lieder und Gesänge aus der Jugendzeit: Ich ging mit Lust durch einen grünen Wald

Lieder und Gesänge aus der Jugendzeit: Frühlingsmorgen

Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht

Lieder eines fahrenden Gesellen: Ging heut' morgens übers Feld

Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer

Lieder eines fahrenden Gesellen: Die zwei blauen Augen

Les Choéphores, Op. 24: I. Vocifération funèbre

Les Choéphores, Op. 24: II. Libation

Les Choéphores, Op. 24: III. Incantation

Les Choéphores, Op. 24: IV. Présages

Les Choéphores, Op. 24: V. Exhortation

Les Choéphores, Op. 24: VI. La justice et la lumière

Les Choéphores, Op. 24: VII. Conclusion

3 Petites Liturgies de la Présence Divine: I. Antienne de la Conversation Intérieure: Dieu présent en nous

3 Petites Liturgies de la Présence Divine: II. Séquence du Verbe, Cantique Divin: Dieu présent en lui-meme

3 Petites Liturgies de la Présence Divine: III. Psalmodie de l'Ubiquité par Amour: Dieu présent en toutes choses

Shéhérazade (3 Poems for Voice and Orchestra): I. Asie

Shéhérazade (3 Poems for Voice and Orchestra): II. La Flûte enchantée

Shéhérazade (3 Poems for Voice and Orchestra): III. L'Indifférent

Songs and Dances of Death: I. Trepak

Songs and Dances of Death: II. Lullaby

Songs and Dances of Death: III. Serenade

Songs and Dances of Death: IV. Field Marshal

Banalités, FP 107: No. 2, Hôtel

Banalités, FP 107: No. 4, Voyage à Paris

Deux poèmes de Louis Aragon, FP 122: No. 1, C

Der Rosenkavalier, op. 59: Akt I. Prelude

Der Rosenkavalier, op. 59: Akt I. “Wie du warst! Wie du bist!” (Octavian, Marschallin)

Der Rosenkavalier, op. 59: Akt I. “Marie Theres'!” - “Octavian!” (Octavian, Marschallin)

Der Rosenkavalier, op. 59: Akt I. “Quinquin, es ist mein Mann!” (Marschallin, majordomo, Baron)

Der Rosenkavalier, op. 59: Akt I. “Selbstverständlich empfängt mich Ihro Gnaden” (Baron, footmen, Marschallin, majordomo)

Der Rosenkavalier, op. 59: Akt I. “Hat Sie schon einmal mit einem Kavalier” (Baron, Octavian, Marschallin)

Der Rosenkavalier, op. 59: Akt I. “Nein, Er agiert mir gar zu gut!” (Marschallin, Baron, Octavian)

Der Rosenkavalier, op. 59: Akt I. “I komm' glei” - “Drei arme adelige Waisen” (Octavian, 3 orphans, milliner, deal in animals, Marschallin, Valzacchi)

Der Rosenkavalier, op. 59: Akt I. “Di rigori armato il seno” (singer)

Der Rosenkavalier, op. 59: Akt I. “Als Morgengabe - ganz separatim jedoch” (Baron, notary, singer)

Der Rosenkavalier, op. 59: Akt I. “Mein lieber Hippolyte” (Marschallin, Valzacchi, Baron, Annina)

Der Rosenkavalier, op. 59: Akt I. “Da geht er hin” (Marschallin)

Der Rosenkavalier, op. 59: Akt I. “Ach, du bist wieder da!” (Marschallin, Octavian)

Der Rosenkavalier, op. 59: Akt I. “Die Zeit, die ist ein sonderbar Ding” (Marschallin, Octavian)

Der Rosenkavalier, op. 59: Akt I. “Ich werd' jetzt in die Kirchen gehn” (Marschallin, Octavian)

Der Rosenkavalier, op. 59: Akt I. “Ich hab' ihn nicht einmal geküsst” (Marschallin, 4 footmen)

Der Rosenkavalier, op 59: Akt II. Prelude - “Ein ernster Tag, ein großer Tag!” (Faninal, duenna, majordomo)

Der Rosenkavalier, op 59: Akt II. “In dieser feierlichen Stunde der Prüfung” (Sophie, duenna, 3 footmen)

Der Rosenkavalier, op 59: Akt II. “Mir ist die Ehre widerfahren” (Octavian, Sophie)

Der Rosenkavalier, op 59: Akt II. “Ich kenn' Ihn schon recht wohl” (Sophie, Octavian)

Der Rosenkavalier, op 59: Akt II. “Jetzt aber kommt mein Herr Zukünftiger” (Sophie, Faninal, Baron, Octavian, duenna)

Der Rosenkavalier, op 59: Akt II. “Eh bien! Nun plauder' Sie uns eins” (Baron, Sophie, Faninal, Octavian, duenna)

Der Rosenkavalier, op 59: Akt II. “Wird Sie das Mannsbild da heiraten, ma cousine?” (Octavian, Sophie, majordomo, duenna)

Der Rosenkavalier, op 59: Akt II. “Herr Baron von Lerchenau!” (Valzacchi, Annina, Baron, Sophie, Octavian)

Der Rosenkavalier, op 59: Akt II. “Mord! Mord! Mein Blut! Zu Hilfe!” (Baron, chorus, Octavian, Sophie)

Der Rosenkavalier, op 59: Akt II. “Herr Schwiegersohn! Wie ist Ihm denn?” (Faninal, Baron, Octavian, Sophie)

Der Rosenkavalier, op 59: Akt II. “Blamage! Mir auseinander meine Eh'” (Faninal, Sophie, Octavian, duenna, Baron)

Der Rosenkavalier, op 59: Akt II. “Is gut! Is gut! Ein Schluck von was zum Trinken!” (Baron, Faninal)

Der Rosenkavalier, op 59: Akt II. “Da lieg' ich!” (Baron, chorus)

Der Rosenkavalier, op 59: Akt II. “Ohne mich, ohne mich” (Baron, Annina)

Der Rosenkavalier, op. 59: Akt III. Prelude and Pantomime

Der Rosenkavalier, op. 59: Akt III. “Hab'n Euer Gnaden noch weitre Befehle?” (landlord, waiters, Baron)

Der Rosenkavalier, op. 59: Akt III. “Nein, nein, nein, nein! I trink' kein Wein” (Octavian, Baron)

Der Rosenkavalier, op. 59: Akt III. “Es is ja eh all's eins, es is ja eh all's eins” (Octavian, Baron)

Der Rosenkavalier, op. 59: Akt III. “Da und da und da und da!” (Baron, Annina, Octavian, waiters, landlord, 4 children, Valzacchi)

Der Rosenkavalier, op. 59: Akt III. “Halt! Keiner rührt sich! Was ist los?” (police commissioner, Baron, landlord, Valzacchi, Octavian)

Der Rosenkavalier, op. 59: Akt III. “Zur Stelle! Was wird von mir gewünscht?” (Faninal, Baron, police commissioner, 4 children, chorus, Sophie)

Der Rosenkavalier, op. 59: Akt III. “Sind desto eher im klaren. Ich zahl', i geh'!” (Baron, police commissioner, Octavian, landlord)

Der Rosenkavalier, op. 59: Akt III. “Bin glücklich über Maßen” (Baron, Octavian, Marschallin, police commissioner, Sophie)

Der Rosenkavalier, op. 59: Akt III. “Lass Er nur gut sein und verschwind' Er auf eins, zwei!” (Marschallin, Baron, police commissioner, Sophie, Octavian)

Der Rosenkavalier, op. 59: Akt III. “Leopold, wir gehn!” (Baron, Annina, 4 children, waiters, landlord, Valzacchi, chorus)

Der Rosenkavalier, op. 59: Akt III. “Mein Gott, es war nicht mehr als eine Farce” (Sophie, Octavian, Marschallin)

Der Rosenkavalier, op. 59: Akt III. “Marie Theres'!” - “Hab mir's gelobt” (Octavian, Marschallin, Sophie)

Der Rosenkavalier, op. 59: Akt III. “Ist ein Traum, kann nicht wirklich sein” (Sophie, Octavian, Faninal, Marschallin)

Oedipus Rex: Prologue: "Your Are About to Hear a Latin Version of Oedipus the King

Oedipus Rex: Act I: "Caedit nos pestis"

Oedipus Rex: Act I: "Liberi vos liberabo"

Oedipus Rex: Act I: "This is Creon, Brother-In-Law of Oedipus

Oedipus Rex: Act I: "Respondit Deus"

Oedipus Rex: Act I:" Oedipus Questions the Fountain of Truth

Oedipus Rex: Act I: "Dicere non possum"

Oedipus Rex: Act I: "Gloria!"

Oedipus Rex: Act II: The Dispute of the Princess Attracts the Attention of Jocasta

Oedipus Rex: Act II: "Nonn'erubescite, reges"

Oedipus Rex: Act II: "Ne Probentur Oracula"

Oedipus Rex: Act II: "Ego senem cecici"

Oedipus Rex: Act II: The Witness to the Murder Comes Out of the Shadow

Oedipus Rex: Act II "Adest omniscius pastor"

Oedipus Rex: Act II: "Nonne monstru rescituri"

Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog

Oedipus Rex: Act II: "Divum locastae caput mortuum!"

Oedipus Rex: Act II: "Ecce! Regem Oedipoda"

Falstaff: Act I, Scene 1. “Falstaff!” - “Olà!” (Dr. Cajus, Falstaff, Bardolfo, Pistola)

Falstaff: Act I, Scene 1. “Sei polli: sei scellini” (Falstaff, Bardolfo, Pistola)

Falstaff: Act I, Scene 1. “Ma è tempo d'assottigliar” (Falstaff, Bardolfo, Pistola)

Falstaff: Act I, Scene 1. “L'onore! Ladri!” (Falstaff)

Falstaff: Act I, Scene 2. “Alice.” - “Meg.” - “Nannetta.” (Meg, Alice, Quickly, Nannetta)

Falstaff: Act I, Scene 2. “Fulgida Alice! Amor t'offro” (Meg, Alice, Quickly, Nannetta, Dr. Cajus, Bardolfo, Pistola, Fenton, Ford)

Falstaff: Act I, Scene 2. “In due parole: l'enorme Falstaff” (Pistola, Dr. Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly)

Falstaff: Act I, Scene 2. “Pst, pst, Nannetta” (Fenton, Nannetta, Alice, Meg, Quickly)

Falstaff: Act I, Scene 2. “Udrai quanta egli sfoggia” (Bardolfo, Ford, Pistola, Dr. Cajus, Alice, Meg, Nannetta, Quickly, Fenton)

Falstaff: Act II, Scene 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff, Quickly)

Falstaff: Act II, Scene 1. “Va', vecchio John” (Falstaff, Bardolfo)

Falstaff: Act II, Scene 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)

Falstaff: Act II, Scene 1. “C'è a Windsor una dama” (Ford, Falstaff)

Falstaff: Act II, Scene 1. “È sogno? O realtà?” (Ford, Falstaff)

Falstaff: Act II, Scene 2. “Presenteremo un bill” (Alice, Quickly, Meg, Nannetta)

Falstaff: Act II, Scene 2. “Gaie comari di Windsor!” (Alice, Meg, Quickly, Nannetta)

Falstaff: Act II, Scene 2. “Afin t'ho colto, raggiante fior” (Falstaff, Alice)

Falstaff: Act II, Scene 2. “Quand'ero paggio del Duca di Norfolk” (Falstaff, Alice, Quickly)

Falstaff: Act II, Scene 2. “Mia signora!” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola, Cajus, Nannetta, Fenton)

Falstaff: Act II, Scene 2. “C'è!” - “C'è!” (Ford, Dr. Cajus, Quickly, Meg, Falstaff, Bardolfo, Pistola, Ford, Fenton, Nannetta, Alice, chorus)

Falstaff: Act III, Scene 1. “Ehi! Taverniere!” (Falstaff)

Falstaff: Act III, Scene 1. “Reverenza. La bella Alice” (Quickly, Falstaff, Alice, Ford, Meg, Dr. Cajus, Nannetta)

Falstaff: Act III, Scene 1. “Bada! Tu pur ti meriti qualche castigatoia!” (Alice, Ford, Meg, Fenton, Nannetta, Dr. Cajus, Quickly)

Falstaff: Act III, Scene 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta, Alice, Quickly, Meg)

Falstaff: Act III, Scene 2. “Una, due, tre, quattro” (Falstaff, Alice, Meg)

Falstaff: Act III, Scene 2. “Ninfe! Elfi! Silfi!” (Nannetta, Falstaff, Alice, chorus)

Falstaff: Act III, Scene 2. “Alto là!” - “Chi va là?” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Ford, Dr. Cajus, chorus)

Falstaff: Act III, Scene 2. “Ogni sorta di gente dozzinale” (Falstaff, Ford, Alice, Dr. Cajus, Bardolfo, Fenton, Nannetta, Meg, Quickly, Pistola, chorus)

Falstaff: Act III, Scene 2. “Tutto nel mondo è burla” (Falstaff, Alice, Nannetta, Meg, Quickly, Fenton, Ford, Dr. Cajus, Bardolfo, Pistola, chorus)

Requiem: I. Requiem & Kyrie

Requiem: II. Dies Irae: Dies Irae, Dies Illa

Requiem: II. Dies Irae:Tuba Mirum Spargens Sonum

Requiem: II. Dies Irae:Liber Scriptus Proferetur

Requiem: II. Dies Irae:Quid Sum Miser

Requiem: II. Dies Irae:Rex Tremendae Majestatis

Requiem: II. Dies Irae:Recordare, Jesu Pie

Requiem: II. Dies Irae:Ingemisco Tamquam Reus

Requiem: II. Dies Irae:Confutatis Maledictis

Requiem: II. Dies Irae:Lacrymosa Dies Illa

Requiem: III. Offertorio

Requiem: IV. Sanctus

Requiem: V. Agnus Dei

Requiem: VI. Lux Aeterna

Requiem: VII. Libera Me

Götterdämmerung: Final Scene (Immolation Scene)

Wesendonck Lieder: I. Der Engel

Wesendonck Lieder: II. Stehe still!

Wesendonck Lieder: III. Im Treibhaus

Wesendonck Lieder: IV. Scherzen

Wesendonck Lieder: V. Träume

Bachianas brasileiras No. 5, W 389: I. Ária

Bachianas brasileiras No. 5, W 389: II. Dança

Luonnotar, Op. 70

Shéhérazade (3 Poems for Mezzo-Soprano and Orchestra): I. Asie

Shéhérazade (3 Poems for Mezzo-Soprano and Orchestra): II. La Flûte enchantée

Shéhérazade (3 Poems for Mezzo-Soprano and Orchestra): III. L'Indifférent

Songfest: IV. To My Dear and Loving Husband

Take Care of This House (From "1600 Pennsylvania Avenue")

The Star Spangled Banner - National Anthem of the United States of America

Address by John D. Rockefeller III, Chairman of the Board

Gloria from Missa Solemnis in D Major

Connotations for Orchestra

Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): Andante sostenuto

Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "How sweet the moonlight sleeps"

Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Look how the floor of heaven is thick inlaid"

Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Come, ho! and wake Diana with a hymn"

Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "I am never merry when I hear sweet music"

Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Music! Hark!"

Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "How many things by season"

Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Soft stillness and the night"

Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Veni, creator spiritus!

Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Imple superna gratia

Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Infirma nostri corporis I

Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Tempo I. Allegro, etwas hastig

Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Infirma nostri corporis II

Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Accende lumen sensibus

Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Qui Parcalitus deceris

Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Gloria Patri Domino

Nine Sacred Pieces, TH. 78, No. 6: Pater Noster

Messiah, HWV 56, Pt. II, No. 44: Hallelujah Chorus

haTikvah

Liederkreis, op. 39, No. 1: In der Fremde

Liederkreis, op. 39, No. 2: Intermezzo

Liederkreis, op. 39, No. 3. Waldesgespräch

Liederkreis, op. 39, No. 4: Die Stille

Liederkreis, op. 39, No. 5: Mondnacht

Liederkreis, op. 39, No. 6: Schöne Fremde

Liederkreis, op. 39, No. 7: Auf einer Burg

Liederkreis, op. 39, No. 8: In der Fremde

Liederkreis, op. 39, No. 9: Wehmut

Liederkreis, op. 39, No. 10: Zwielicht

Liederkreis, op. 39, No. 11: Im Walde

Liederkreis, op. 39, No. 12: Frühlingsnacht

Allerseelen, op 10/8

Noch', op. 60/9

Zabït' tak skoro, TH 94

Kolïbel'naya pesn', op. 16/1

Pogodi! op. 16/2

Sred' mrachnïkh dney, op. 73/5

Ne poy, krasavitsa! op. 4/4

La Vie antérieure

Fêtes galantes Set I: I. En sourdine

Fêtes galantes Set I: II. Fantoches

Fêtes galantes Set I: III. Clair de lune

3 Mélodies: I. La Statue de bronze

3 Mélodies: II. Daphénéo

3 Mélodies: III. Le Chapelier

Oh! quand je dors, S 282

Air vif, FP 46/4

La Périchole : Acte I. « Ô mon cher amant » (Air de la lettre)

La Périchole : Acte I. « Ah ! Quel dîner je viens de faire »

Zigeunerlieder, op. 103, No. 1: He, Zigeuner, greife

Zigeunerlieder, op. 103, No. 2: Hochgetürmte Rimaflut

Zigeunerlieder, op. 103, No. 3: Wisst ihr, wann mein Kindchen

Zigeunerlieder, op. 103, No. 4: Lieber Gott, du weißt

Zigeunerlieder, op. 103, No. 5: Brauner Bursche führt zum Tanze

Zigeunerlieder, op. 103, No. 6: Röslein dreie in der Reihe

Zigeunerlieder, op. 103, No. 7: Kommt dir manchmal in den Sinn

Zigeunerlieder, op. 103, No. 8: Rote Abendwolken ziehn

Der Tod, das ist die kühle Nacht, op. 96/1

Immer leiser wird mein Schlummer, op. 105/2

Feldeinsamkeit, op. 86/2

Ständchen, op. 106/1

Liebestreu, op. 3/1

Mädchenlied, op. 107/5

Sapphische Ode, op. 94/4

Ruhe, Süßliebchen, op. 33/9

Die Mainacht, op. 43/2

Von ewiger Liebe, op. 43/1

O Come, All Ye Faithful

The Twelfth Night Song

Away in a Manger

Carol of the Bells

The Animal Carol

The Twelve Days of Christmas

O Little Town of Bethlehem

Patapan

Joy to the World

Lullay, My Liking (I Saw a Maiden)

God Rest Ye Merry, Gentlemen

La Virgen Lava Pañales

Deck the Halls With Boughs of Holly

Joseph lieber, Joseph mein

Once in Royal David's City

Silent Night

Symphonie fantastique, op. 14: I. Rêveries. Passions. Largo - Allegro agitato e appassionato assai

Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo

Symphonie fantastique, op. 14: III. Scène aux champs. Adagio

Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo

Symphonie fantastique, op. 14: V. Songe d'une nuit du sabbat. Larghetto - Allegro

Berlioz Takes a Trip

Symphony no. 5 in B-flat major, op. 100: I. Andante

Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato

Symphony no. 5 in B-flat major, op. 100: III. Adagio

Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso

Symphony No. 5 in D Minor, Op. 47: I. Moderato (Live in Japan)

Symphony No. 5 in D Minor, Op. 47: II. Allegretto (Live in Japan)

Symphony No. 5 in D Minor, Op. 47: III. Largo (Live in Japan)

Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo (Live in Japan)

Symphony No. 4 in F Minor, Op. 36, TH 27: I. Andante sostenuto - Moderato con anima

Symphony No. 4 in F Minor, Op. 36, TH 27: II. Andantino in modo di canzona

Symphony No. 4 in F Minor, Op. 36, TH 27: III. Scherzo. Pizzicato ostinato

Symphony No. 4 in F Minor, Op. 36, TH 27: IV. Finale. Allegro con fuoco

Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: I. Allegro brillante

Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: II. In modo d'una marcia. Un poco largamente - Agitato

Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: III. Scherzo. Molto vivace - Trio I - Trio II - Coda

Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: IV. Allegro, ma non troppo

Quartet for Piano, Violin, Viola and Cello in G minor, K 478: I. Allegro

Quartet for Piano, Violin, Viola and Cello in G minor, K 478: II. Andante

Quartet for Piano, Violin, Viola and Cello in G minor, K 478: III. Rondo. Allegro moderato

Concerto for Piano and Orchestra, in G major: I. Allegramente

Concerto for Piano and Orchestra, in G major: II. Adagio assai

Concerto for Piano and Orchestra, in G major: III. Presto

7 Anniversaries (for Piano): I. For Aaron Copland

7 Anniversaries (for Piano): II. For My Sister, Shirley

7 Anniversaries (for Piano): III. In Memoriam: Alfred Eisner

7 Anniversaries (for Piano): IV. For Paul Bowles

7 Anniversaries (for Piano): V. In Memoriam: Nathalie Koussevitzky

7 Anniversaries (for Piano): VI. For Serge Koussevitzky

7 Anniversaries (for Piano): VII. For William Schuman

Piano Sonata: I. Molto moderato - attacca

Piano Sonata: II. Vivace - attacca

Piano Sonata: III. Andante sostenuto

Dusty Sun

Afterthought

I Hate Music: I. My Name Is Barbara. Moderato

I Hate Music: II. Jupiter Has Seven Moons. Allegretto vivace

I Hate Music: III. I Hate Music! Sostenuto – Allegro molto – Tempo I

I Hate Music: IV. A Big Indian and a Little Indian (Riddle Song). Con brio

I Hate Music: V. I’m a Person Too. Moderato, alla marcia – Andante – Tempo I

The Airborne Symphony: I. Theory of Flight

The Airborne Symphony: I. Ballad of History and Mythology

The Airborne Symphony: I. Kittyhawk

The Airborne Symphony: I. The Airborne

The Airborne Symphony: II. The Enemy

The Airborne Symphony: II. Threat and Approach

The Airborne Symphony: II. Ballad of Cities

The Airborne Symphony: II. Morning Poem

The Airborne Symphony: III. Ballad of Hurry-up

The Airborne Symphony: III. Night Music. Ballad of the Bombardier

The Airborne Symphony: III. Recitative

The Airborne Symphony: III. Chorus of the Rendezvous

The Airborne Symphony: III. The Open Sky

Facsimile

Symphony No. 1 "Jeremiah": I. Prophecy. Largamente

Symphony No. 1 "Jeremiah": II. Profanation. Vivace con brio

Symphony No. 1 "Jeremiah": III. Lamentation. Lento

On the Town - Dances: Lonely Town - Pas de deux

On the Town - Dances: Act I, Times Square

On the Town - Dances: Subway Ride

On the Town - Dances: The Great Lover Displays Himself

On the Town - Dances: Ivy and Gabey - Pas de deux

Billy the Kid - Ballet Suite: Prelude: The Open Prairie

Billy the Kid - Ballet Suite: Street in a Frontier Town

Billy the Kid - Ballet Suite: Waltz

Billy the Kid - Ballet Suite: Card Game

Billy the Kid - Ballet Suite: The Fight

Billy the Kid - Ballet Suite: Celebration Dance

Billy the Kid - Ballet Suite: Epilogue

Statements for Orchestra, No. 5: Jingo

An American in Paris

Histoire du soldat: The Soldier’s March

Histoire du soldat: Music to Scene I

Histoire du soldat: The Royal March

Histoire du soldat: Music to Scene II

Histoire du soldat: The Little Concert

Histoire du soldat: 3 Dances: Tango – Waltz – Ragtime

Histoire du soldat: Little Chorale

Histoire du soldat: The Devil's Dance

Histoire du soldat: Great Chorale

Histoire du soldat: Triumphal March of the Devil

Octet for Wind Instruments: I. Sinfonia

Octet for Wind Instruments: II. Tema con variazioni

Octet for Wind Instruments: III. Finale

La Création du monde, Ballet, op. 81

Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace

Symphony No. 7 in A Major, Op. 92: II. Allegretto

Symphony No. 7 in A Major, Op. 92: III. Presto

Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio

On the Town: Act I. Opening: New York, New York - Gabey's Comin’ - Dance: Miss Turnstiles (Variations) (Gabey, Chip, Ozzie, ensemble, announcer)

On the Town: Act I. Taxi Number: Come Up to My Place (Hildy, Chip)

On the Town: Act I. Carried Away (Claire, Ozzie)

On the Town: Act I. Lonely Town - High School Girls - Pas de deux (ballet music) (Gabey)

On the Town: Act I. Carnegie Hall Pavane (Do‐Do‐Re‐Do) (ensemble)

On the Town: Act I. I Can Cook, Too (Hildy)

On the Town: Act I. Lucky to Be Me (Gabey, ensemble)

On the Town: Act I. Times Square Ballet: Finale, Act I

On the Town: Act II. Nightclub Sequence: a) So Long, Baby - b) I’m Blue - c) Ya Got Me (ensemble, nightclub singer, Hildy, Claire, Chip, Ozzie)

On the Town: Act II. I Understand (Pitkin)

On the Town: Act II. Ballet: The Imaginary Coney Island: a) Subway Ride - b) The Great Lover Displays Himself - c) Pas de deux

On the Town: Act II. Some Other Time (Claire, Hildy, Chip, Ozzie)

On the Town: Act II. Dance: The Real Coney Island - Finale (Coney Island barker, ensemble)