The Leonard Bernstein Collection, Volume 2

Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich

Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich

Symphony no. 1 in D major: III. Feierlich und gemeßsen, ohne zu schleppen

Symphony no. 1 in D major: IV. Stürmisch bewegt

Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Mit durchaus ernstem und feierlichem Ausdruck

Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Sehr mäßig und zurückhaltend

Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Schnell

Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Tempo I

Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Tempo sostenuto

Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Sehr gemächlich

Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Nicht eilen. Sehr gemächlich

Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. In Tempo I zurückkehren

Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Energisch bewegt

Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Wieder ins Tempo zurückgehen. Tempo I

Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. In ruhig fließender Bewegung

Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. Sehr getragen und gesangvoll

Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. Zum Tempo I zurückkehren – attacca:

Symphony no. 2 in C minor, "Resurrection": IV. »Urlicht«. Sehr feierlich, aber schlicht · »O Röschen rot« (Alt‐Solo) – attaca:

Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzos. Wildherausfahrend

Symphony no. 2 in C minor, "Resurrection": V. Langsam

Symphony no. 2 in C minor, "Resurrection": V. Im Anfang sehr zurückgehalten

Symphony no. 2 in C minor, "Resurrection": V. Wieder sehr breit

Symphony no. 2 in C minor, "Resurrection": V. Molto ritenuto. Maestoso

Symphony no. 2 in C minor, "Resurrection": V. Wieder zurückhaltend

Symphony no. 2 in C minor, "Resurrection": V. Sehr langsam und gedehnt

Symphony no. 2 in C minor, "Resurrection": V. Langsam. Misterioso »Auferstehn, ja auferstehn wirst du (Sopran‐Solo, Chor)

Symphony no. 2 in C minor, "Resurrection": V. Langsam ppp. Nicht schleppen »Weider aufzublühn wirst du gesät« (Sopran‐Solo, Chor)

Symphony no. 2 in C minor, "Resurrection": V. Etwas bewegter »O glaube, mein Herz, o glaube« (Alt‐Solo, Sopran‐Solo, Chor)

Symphony no. 2 in C minor, "Resurrection": V. Mit Aufschwung, aber nicht eilen »O Schmerz, du Alldurchdringer« (Alt‐Solo, Sopran‐Solo, Chor)

Symphony no. 3 in D minor: Ia. Kräftig. Entschieden

Symphony no. 3 in D minor: Ib. Immer das gleiche Tempo

Symphony no. 3 in D minor: Ic.Tempo I

Symphony no. 3 in D minor: Id. Zeit lassen

Symphony no. 3 in D minor: Ie. Zeit lassen

Symphony no. 3 in D minor: If. Immer dasselbe Tempo (Marsch). Nicht eilen

Symphony no. 3 in D minor: Ig. Im alten Marschtempo (Allegro Moderato)

Symphony no. 3 in D minor: Ih. Tempo I

Symphony no. 3 in D minor: IIa. Tempo di Menuetto. Sehr mässig

Symphony no. 3 in D minor: IIb. L'istesso tempo

Symphony no. 3 in D minor: IIc. A tempo (Wie im Anfang)

Symphony no. 3 in D minor: IId. Ganz plötzlich gemächlich. Tempo di Menuetto

Symphony no. 3 in D minor: IIIa. Comodo. Scherzando. Ohne Hast

Symphony no. 3 in D minor: IIIb. Wieder sehr gemächlich, wir zu Anfang

Symphony no. 3 in D minor: IIIc. Etwas zurückhaltend

Symphony no. 3 in D minor: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast

Symphony no. 3 in D minor: IIIe. Wieder sehr gemächlich, beinahe langsam

Symphony no. 3 in D minor: IVa. Sehr langsam. Misterioso. Durchaus ppp: "O Mensch! Gib acht!"

Symphony no. 3 in D minor: IVb. Più mosso subito

Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm bamm / Es sungen drei Engel"

Symphony no. 3 in D minor: VIa. Langsam. Ruhevoll. Empfunden

Symphony no. 3 in D minor: VIb. Nicht mehr so breit

Symphony no. 3 in D minor: VIc. Tempo I. Ruhevoll

Symphony no. 3 in D minor: VId. Nicht mehr so breit

Symphony no. 3 in D minor: VIe. Tempo I

Symphony no. 3 in D minor: VIf. Langsam. Tempo I

Symphony no. 4 in G major: I. Bedächtig, nicht eilen

Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast

Symphony no. 4 in G major: III. Ruhevoll

Symphony no. 4 in G major: IV. Sehr behaglich

Symphony no. 5 in C-Sharp minor, Pt. 1: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt: Plötzlich schneller. Leidenschaftlich. Wild - Tempo I)

Symphony no. 5 in C-Sharp minor, Pt. 1: II. Stürmisch bewegt (Mit größter Vehemenz: Bedeutend langsamer - Tempo I subito)

Symphony no. 5 in C-Sharp minor, Pt. 2: III. Scherzo (Kräftig, nicht zu schnell)

Symphony no. 5 in C-Sharp minor, Pt. 3: IV. Adagietto (Sehr langsam)

Symphony no. 5 in C-Sharp minor, Pt. 3: V. Rondo-Finale (Allegro)

Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig

Symphony No. 6 in A minor: II. Scherzo. Wuchtig

Symphony No. 6 in A minor: III. Andante moderato

Symphony No. 6 in A minor: IV. Finale: Allegro moderato - Allegro energico

Symphony no. 7 in E minor: Ia. Langsam (Adagio)

Symphony no. 7 in E minor: Ib. Nicht schleppen

Symphony no. 7 in E minor: Ic. Allegro risoluto, ma non troppo

Symphony no. 7 in E minor: Id. A tempo (sempre l'istesso)

Symphony no. 7 in E minor: Ie(i). Moderato

Symphony no. 7 in E minor: Ie(ii). Moderato

Symphony no. 7 in E minor: If. Adagio (Tempo der Einleitung)

Symphony no. 7 in E minor: Ig. Allegro come prima

Symphony no. 7 in E minor: Ih. Poco ritenuto --- a tempo

Symphony no. 7 in E minor: Ii. Nicht eilen

Symphony no. 7 in E minor: IIa. Nachtmusik. Allegro moderato

Symphony no. 7 in E minor: IIb. Sempre l'istesso tempo

Symphony no. 7 in E minor: IIc. Poco meno mosso

Symphony no. 7 in E minor: IId(i). Tempo

Symphony no. 7 in E minor: IId(ii). Tempo

Symphony no. 7 in E minor: IIe. Sehr gemessen

Symphony no. 7 in E minor: IIIa. Scherzo. Schattenhaft

Symphony no. 7 in E minor: IIIb. Trio

Symphony no. 7 in E minor: IIIc. Wieder wie zu Anfang

Symphony no. 7 in E minor: IVa(i). Nachtmusik. Andante amoroso

Symphony no. 7 in E minor: IVa(ii). Nachtmusik. Andante amoroso

Symphony no. 7 in E minor: IVb. Tempo I. poco rit.

Symphony no. 7 in E minor: Va. Rondo-Finale. Tempo I (Allegro ordinario)

Symphony no. 7 in E minor: Vb. Sempre l'istesso tempo

Symphony no. 7 in E minor: Vc. Tempo II (Allegro moderato ma energico)

Symphony no. 7 in E minor: Vd(i). Tempo I

Symphony no. 7 in E minor: Vd(ii). Tempo I

Symphony no. 7 in E minor: Ve. Tempo I subito

Symphony no. 7 in E minor: Vf. Meno mosso (Tempo II)

Symphony no. 7 in E minor: Vg. Accelerando

Symphony no. 10 in F-sharp minor: Ia. Adagio. Andante

Symphony no. 10 in F-sharp minor: Ib. Adagio. Andante come prima

Symphony no. 10 in F-sharp minor: Ic. Adagio. [ ]

Symphony no. 10 in F-sharp minor: Id. Adagio. [ ]

Symphony no. 10 in F-sharp minor: Ie. Adagio. Andante

Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" I. Allegro Impetuoso

Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" II. "Imple superna gratia"

Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" III. "Infirma nostri corporis"

Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" IV. Tempo I. Allegro, etwas hastig

Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" V. "Infirma nostri corporis"

Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VI. "Accende lumen sensibus"

Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VII. "Qui Paraclitus diceris"

Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VIII. "Gloria Partri Domino"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" I. Poco adagio

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" II. Più mosso. Allegro moderato

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" III. (Chor und Echo) "Waldung, sie schwankt heran"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" IV. (Pater ecstaticus) "Ewiger Wonnebrand"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" V. (Pater profundus) "Wie Felsenabgrund mir zu Füßen"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VI. (Chor der Engel) "Gerettet ist das edle Glied"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VII. (Chor der jüngeren Engel) "Jene Rosen aus den Händen"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VIII. (Die vollendeteren Engel) "Uns bleibt ein Erdenrest"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" IX. (Die jüngeren Engel) "Ich spür'soeben, nebelnd um Felsenhöh"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" X. (Doctor Marianus) "Höchste Herrscherin der Welt"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XI. (Chor der BuBerinnen und Una poenitentium) "Dir, der Unberührbaren"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XII. (Maria Aegyptiaca) "Bei der Liebe, die den Füßen"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XIII. (Una poenitentium) "Neige, du Ohnegleiche"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XIV. (Selige Knaben) "Er überwächst uns schon"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XV. (Mater gloriosa) "Komm! hebe dich zu höhern Sphären"

Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XVI. (Chorus mysticus) "Alles Vergängliche ist nur ein G"

Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 1]

Symphony no. 9 in D major: I. Satz. Andante comodo: (Horneinsatz)

Symphony no. 9 in D major: I. Satz. Andante comodo: Bewegter

Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 317]

Symphony no. 9 in D major: I. Satz. Andante comodo: Wie von Anfang

Symphony no. 9 in D major: I. Satz. Andante comodo: Plötzlich bedeutend langsamer (Lento) und leise

Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: [Takt 1]

Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Poco più mosso subito (Tempo II.)

Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo III.

Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: A tempo II.

Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I.

Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo II.

Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. subito

Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 1]

Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo

Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Sempre l’istesso tempo

Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo

Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 347]

Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: (Klarinetteneinsatz)

Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Tempo I. subito

Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Più stretto

Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: [Takt 1]

Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd

Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Molto adagio subito

Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: A tempo (Molto adagio)

Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Stets sehr gehalten

Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Fließender, doch durchaus nicht eilend

Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Tempo I. Molto adagio

Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Adagissimo

Symphony no. 9 in D major: I. Andante comodo

Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb

Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig

Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend

Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde

Das Lied von der Erde: II. Der Einsame im Herbst

Das Lied von der Erde: III. Von der Jugend

Das Lied von der Erde: IV. Von der Schönheit

Das Lied von der Erde: V. Der Trunkene im Frühling

Das Lied von der Erde: VI. Der Abschied

Des Knaben Wunderhorn: I. Der Schildwache Nachtlied

Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?

Des Knaben Wunderhorn: III. Der Tamboursg'sell

Des Knaben Wunderhorn: IV. Das irdische Leben

Des Knaben Wunderhorn: V. Verlor'ne Müh'

Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt

Des Knaben Wunderhorn: VII. Revelge

Des Knaben Wunderhorn: VIII. Rheinlegendchen

Des Knaben Wunderhorn: IX. Lob des hohen Verstandes

Des Knaben Wunderhorn: X. Wo die schönen Trompeten blasen

Des Knaben Wunderhorn: XI. Lied des Verfolgten im Turm

Des Knaben Wunderhorn: XII. Trost im Unglück

Des Knaben Wunderhorn: XIII. Urlicht

Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht

Lieder eines fahrenden Gesellen: II. Ging heut' morgen übers Feld

Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer

Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen

Kindertotenlieder: I. Nun will die Sonn' so hell aufgehn

Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen

Kindertotenlieder: III. Wenn dein Mütterlein

Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen

Kindertotenlieder: V. In diesem Wetter, in diesem Braus

Rückert Lieder: V. Liebst du um Schönheit

Rückert Lieder: I. Blicke mir nicht in die Lieder

Rückert Lieder: II. Ich atmet' einen linden Duft

Rückert Lieder: IV. Um Mitternacht

Rückert Lieder: III. Ich bin der Welt abhanden gekommen

Ouvertüre “Die Hebriden” (“Die Fingalshöhle”), op. 26, MWV P 7: Allegro moderato - Animato in tempo

Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima

Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": II. Vivace non troppo

Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": III. Adagio

Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai

Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": I. Allegro vivace

Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": II. Andante con moto

Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": III. Con moto moderato

Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": IV. Saltarello (Presto)

Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco

Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": II. Allegro vivace

Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": III. Andante

Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco)

Symphony no. 29 in A major, K. 201: I. Allegro moderato

Symphony no. 29 in A major, K. 201: II. Andante

Symphony no. 29 in A major, K. 201: III. Minuetto & Trio

Symphony no. 29 in A major, K. 201: IV. Allegro con spirito

Symphony no. 25 in G minor, K. 183: I. Allegro con brio

Symphony no. 25 in G minor, K. 183: II. Andante

Symphony no. 25 in G minor, K. 183: III. Minuetto & Trio

Symphony no. 25 in G minor, K. 183: IV. Allegro

Concerto for Clarinet in A major, K. 622: I. Allegro

Concerto for Clarinet in A major, K. 622: II. Adagio

Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro

Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito

Symphony no. 35 in D major, K. 385 "Haffner": II. Andante

Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto

Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto

Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace

Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile

Symphony no. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio

Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto

Symphony no. 36 in C major, K. 425 "Linz" : I. Adagio - Allegro spiritoso

Symphony no. 36 in C major, K. 425 "Linz" : II. Andante

Symphony no. 36 in C major, K. 425 "Linz" : III. Menuetto

Symphony no. 36 in C major, K. 425 "Linz" : IV. Presto

Symphony no. 38 in D major, K. 504 "Prague" : I. Adagio - Allegro

Symphony no. 38 in D major, K. 504 "Prague" : II. Andante

Symphony no. 38 in D major, K. 504 "Prague" : III. (Finale) Presto

Symphony no. 39 in E-flat major, K. 543: I. Adagio — Allegro

Symphony no. 39 in E-flat major, K. 543: II. Andante con moto

Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto

Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro

Symphony no. 40 in G minor, K. 550: I. Molto allegro

Symphony no. 40 in G minor, K. 550: II. Andante

Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto

Symphony no. 40 in G minor, K. 550: IV. Allegro assai

Concerto for Piano and Orchestra no. 15, K. 453: I. Allegro

Concerto for Piano and Orchestra no. 15, K. 453: II. Andante

Concerto for Piano and Orchestra no. 15, K. 453: III. Allegro

Symphony no. 36, K. 425 “Linz”: I. Adagio - Allegro spiritoso

Symphony no. 36, K. 425 “Linz”: II. Andante

Symphony no. 36, K. 425 “Linz”: III. Menuetto

Symphony no. 36, K. 425 “Linz”: IV. Presto

Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro

Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante

Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto - Finale: Presto

Concerto for Piano and Orchestra in G major, M. 83: I. Allegramente

Concerto for Piano and Orchestra in G major, M. 83: II. Adagio assai

Concerto for Piano and Orchestra in G major, M. 83: III. Presto

Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus"

Exsultate, jubilate, K. 165

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna"

Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus

Requiem in D minor, K. 626: I. Introitus: "Requiem aeternam"

Requiem in D minor, K. 626: II. "Kyrie eleison"

Requiem in D minor, K. 626: IIIa. Sequenz: "Dies irae"

Requiem in D minor, K. 626: IIIb. Sequenz: "Tuba mirum"

Requiem in D minor, K. 626: IIIc. Sequenz: "Rex tremendae"

Requiem in D minor, K. 626: IIId. Sequenz: "Recordare"

Requiem in D minor, K. 626: IIIe. Sequenz: "Confutatis"

Requiem in D minor, K. 626: IIIf. Sequenz: "Lacrimosa"

Requiem in D minor, K. 626: IVa. Offertorium: "Domine Jesu"

Requiem in D minor, K. 626: IVb. Offertorium: "Hostias"

Requiem in D minor, K. 626: V. "Sanctus"

Requiem in D minor, K. 626: VI. "Benedictus"

Requiem in D minor, K. 626: VII. "Agnus Dei"

Requiem in D minor, K. 626: VIII. Communio: "Lux aeterna"

La bohème: Atto I. "Questo mar rosso mi ammolisce e assidera" (Marcello, Rodolfo, Colline)

La bohème: Atto I. "Pensier profondo" (Colline, Marcello, Rodolfo)

La bohème: Atto I. "Abbasso, abbasso l'autor!" (Marcello, Colline, Rodolfo, Schaunard)

La bohème: Atto I. "Si può?" (Benoit, Marcello, Schaunard, Colline, Rodolfo)

La bohème: Atto I. "Io resto" (Rodolfo, Marcello, Colline, Schaunard)

La bohème: Atto I. "Non sono in vena" (Rodolfo, Mimì)

La bohème: Atto I. "Si sente meglio" (Rodolfo, Mimì)

La bohème: Atto I. "Che gelida manina" (Rodolfo)

La bohème: Atto I. "Sì. Mi chiamano Mimì" (Mimì, Rodolfo)

La bohème: Atto I. "Ehi! Rodolfo!" (Schaunard, Colline, Marcello, Mimì)

La bohème: Atto I. "O soave fanciulla" (Rodolfo, Marcello, Mimì)

La bohème: Atto II. "Aranci, datteri! Caldi i marroni!" (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello)

La bohème: Atto II. "Chi guardi?" (Rodolfo, Colline, Mimì, Schaunard, Marcello, Coro, Parpignol, Ragazzi)

La bohème: Atto II. "Questa è Mimì" (Rodolfo, Marcello, Schaunard, Colline, Parpignol, Ragazzi, Bambine, Mamme, Mimì)

La bohème: Atto II. "Viva Parpignol!" (Coro, Marcello, Mimì, Schaunard, Colline, Rodolfo)

La bohème: Atto II. "Allegri e un toast!" (Schaunard, Colline, Marcello, Mimì, Rodolfo, Coro, Alcindoro, Musetta)

La bohème: Atto II. "Quando men vo soletta per la via" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline)

La bohème: Atto II. "Il conto?!" (Rodolfo, Schaunard, Colline, Coro, Musetta, Marcello, Mimì)

La bohème: Atto III. "Ohè, là, le guardie!" (Spazzini, Musetta, Doganiere, Voci, Lattivendole, Contadine)

La bohème: Atto III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì, Sergente, Donganiere)

La bohème: Atto III. "Mimì! - Speravo di trovarvi qui" (Marcello, Mimì)

La bohème: Atto III. "Marcello. Finalmente!" (Rodolfo, Marcello, Mimì)

La bohème: Atto III. "Mimì è una civetta" (Rodolfo, Marcello, Mimì)

La bohème: Atto III. "Mimì è tanto malata" (Rodolfo, Mimì, Marcello)

La bohème: Atto III. "Mimì di serra è fiore" (Rodolfo, Mimì, Marcello)

La bohème: Atto III. "Donde lieta usci" (Mimì)

La bohème: Atto III. "Dunque è proprio finita!" (Rodolfo, Mimì, Marcello, Musetta)

La bohème: Atto IV. "In un coupé? - Con pariglia e livree" (Marcello, Rodolfo)

La bohème: Atto IV. "O Mimì, tu più non torni" (Rodolfo, Marcello)

La bohème: Atto IV. "Che ora sia?" (Rodolfo, Marcello, Schaunard, Colline)

La bohème: Atto IV. "Gavotta! - Minuetto!" (Colline, Marcello, Rodolfo, Schaunard)

La bohème: Atto IV. "C'è Mimì" (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline)

La bohème: Atto IV. "Vecchia zimarra, senti" (Colline, Schaunard)

La bohème: Atto IV. "Sono andati? Fingevo di dormire" (Mimì, Rodolfo)

La bohème: Atto IV. "Oh Dio! Mimì!" (Rodolfo, Schaunard, Mimì, Musetta, Marcello)

La bohème: Atto IV. "Che ha detto il medico?" (Rodolfo, Marcello, Musetta, Schaunard, Colline)

Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato

Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto

Symphony no. 5 in B-flat major, D. 485: I. Allegro

Symphony no. 5 in B-flat major, D. 485: II. Andante con moto

Symphony no. 5 in B-flat major, D. 485: III. Menuetto. Allegro molto - Trio

Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace

Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace

Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca

Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo. Molto vivace

Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso

Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:)

Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam - (attacca:)

Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Trio - (attacca:)

Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft

Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo

Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto

Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio

Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace

Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco

Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace

Symphony no. 2 in C major, op. 61: III. Adagio espressivo

Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace

Concerto for Cello and Orchestra in A minor, op. 129: I. Nicht zu schnell

Concerto for Cello and Orchestra in A minor, op. 129: II. Langsam

Concerto for Cello and Orchestra in A minor, op. 129: III. Sehr lebhaft

Symphony no. 3 in E-flat, op. 97 "Rhenish": I. Lebhaft

Symphony no. 3 in E-flat, op. 97 "Rhenish": II. Scherzo (Sehr mäßig)

Symphony no. 3 in E-flat, op. 97 "Rhenish": III. Nicht schnell

Symphony no. 3 in E-flat, op. 97 "Rhenish": IV. Feierlich

Symphony no. 3 in E-flat, op. 97 "Rhenish": V. Lebhaft

Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso

Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo (Andantino grazioso)

Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace

Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo

Symphony no. 1 in F minor, op. 10: II. Allegro

Symphony no. 1 in F minor, op. 10: III. Lento - Largo

Symphony no. 1 in F minor, op. 10: IV. Lento - Allegro molto - Largo

Symphony no. 7 in C major, op. 60 "Leningrad": I. Allegretto

Symphony no. 7 in C major, op. 60 "Leningrad": II. Moderato (poco allegretto)

Symphony no. 7 in C major, op. 60 "Leningrad": III. Adagio

Symphony no. 7 in C major, op. 60 "Leningrad": IV. Allegro non troppo

Symphony no. 6 in B minor, op. 54: I. Largo

Symphony no. 6 in B minor, op. 54: II. Allegro

Symphony no. 6 in B minor, op. 54: III. Presto

Symphony no. 9 E-flat major, op. 70: I. Allegro

Symphony no. 9 E-flat major, op. 70: II. Moderato

Symphony no. 9 E-flat major, op. 70: III. Presto

Symphony no. 9 E-flat major, op. 70: IV. Largo

Symphony no. 9 E-flat major, op. 70: V. Allegretto

Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico

Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento)

Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro

Symphony no. 1 in E minor, op. 39: IV. Finale. Quasi una Fantasia

Symphony no. 2 in D major, op. 43: I. Allegretto

Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato

Symphony no. 2 in D major, op. 43: III. Vivacissimo -

Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato

Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente

Symphony no. 5 in E-flat, op. 82: II. Allegro moderato - Presto

Symphony no. 5 in E-flat, op. 82: III. Andante mosso, quasi allegretto

Symphony no. 5 in E-flat, op. 82: IV. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai

Symphony no. 7 in C, op. 105: Adagio

Symphony no. 7 in C, op. 105: Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo

Symphony no. 7 in C, op. 105: 5 bars before: Poco rallentando all' Adagio - Poco a poco meno lento all'

Symphony no. 7 in C, op. 105: Allegro molto moderato - Poco a poco meno moderato -

Symphony no. 7 in C, op. 105: 2 bars before: Vivace - Presto - Poco a poco rallentando all' Adagio - Largamente molto - Affettuoso - Tempo I

Salome, op. 54, TrV 215: Letzte Szene “Es ist kein Laut zu vernehmen” - “Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan”

Salome, op. 54, TrV 215: Tanz der sieben Schleier

Songs for Voice and Orchestra: Cäcilie, op. 27, TrV 170 no. 2

Songs for Voice and Orchestra: Wiegenlied, op. 41, TrV 195 no. 1

Songs for Voice and Orchestra: Ich liebe dich, op. 37, TrV 187 no. 2

Songs for Voice and Orchestra: Morgen, op. 27, TrV 170 no. 4

Songs for Voice and Orchestra: Zueignung, op. 10, TrV 141 no. 1

Firebird Suite: I. Introduction

Firebird Suite: II. L’oiseau de feu et sa danse

Firebird Suite: III. Variation de l’oiseau de feu

Firebird Suite: IV. Rondes des princesses

Firebird Suite: V. Danse infernale du roi Kastcheï

Firebird Suite: VI. Berceuse

Firebird Suite: VII. Final

Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato

Pulcinella Suite: II. Serenata: Larghetto

Pulcinella Suite: III. Scherzino / Allegro / Andantino

Pulcinella Suite: IV. Tarantella (88 bpm)

Pulcinella Suite: V. Toccata: Allegro

Pulcinella Suite: VI. Gavotta: Allegro moderato / Variazione Ia. Allegretto / Variazione IIa. Allegro piú tosto moderato

Pulcinella Suite: VII. Vivo

Pulcinella Suite: VIII. Minuetto. Molto moderato / Finale. Allegro assai

Pétrouchka: Tableau 1. Fete Populaire de la Semaine Grasse

Pétrouchka: Tableau 1. Le Tour de Passe-passe

Pétrouchka: Tableau 2. Chez Petrouchka

Pétrouchka: Tableau 3. Chez le Maure - Danse de la Ballerine

Pétrouchka: Tableau 3. Valse: La Ballerine et le Maure

Pétrouchka: Tableau 4. Fete Populaire de la Semaine grasse

Pétrouchka: Tableau 4. Danse des nounous

Pétrouchka: Tableau 4. Le Paysan et L'ours

Pétrouchka: Tableau 4. Un marchand fetard avec deux tziganes

Pétrouchka: Tableau 4. Danse des Cochers et des palefreniers

Pétrouchka: Tableau 4. Les Deguises

Pétrouchka: Tableau 4. Le Rixe: Le Maure et Petrouchka

Pétrouchka: Tableau 4. Mort de Petrouchka

Pétrouchka: Tableau 4. La Police et le charlatan

Pétrouchka: Tableau 4. Apparition du double de Petrouchka

Scènes de ballet: Introduction

Scènes de ballet: Danses (Corps de Ballet). Moderato

Scènes de ballet: Variation (Ballerine). Con moto

Scènes de ballet: Pantomime. Lento

Scènes de ballet: Pas de deux. Adagio

Scènes de ballet: Pantomime. Agitato ma temp giusto

Scènes de ballet: Variation (Danseur). Risoluto

Scènes de ballet: Variation (Ballerine). Andantino

Scènes de ballet: Pantomime. Andantino

Scènes de ballet: Danses (Corps de ballet). Con moto

Scènes de ballet: Apothéose. Poco meno mosso

Le Sacre du printemps: Partie I. Introduction

Le Sacre du printemps: Partie I. Les Augures printaniers (Danses des adolescentes)

Le Sacre du printemps: Partie I. Jeu du rapt

Le Sacre du printemps: Partie I. Rondes printanières

Le Sacre du printemps: Partie I. Jeux des cités rivales

Le Sacre du printemps: Partie I. Cortège du Sage

Le Sacre du printemps: Partie I. Adoration de la Terre (Le Sage)

Le Sacre du printemps: Partie I. Danse de la Terre

Le Sacre du printemps: Partie II. Introduction

Le Sacre du printemps: Partie II. Cercles mystérieux des adolescentes

Le Sacre du printemps: Partie II. Glorification de l'élue

Le Sacre du printemps: Partie II. Évocation des ancêtres

Le Sacre du printemps: Partie II. Action rituelle des ancêtres

Le Sacre du printemps: Partie II. Danse sacrale (L'élue)

Symphony in C: I. Moderato alla breve

Symphony in C: II. Larghetto concertante

Symphony in C: III. Allegretto

Symphony in C: IV. Largo - Tempo giusto, alla breve

Symphony in Three Movements: I. Allegro

Symphony in Three Movements: II. Andante

Symphony in Three Movements: Interlude (L'istesso tempo)

Symphony in Three Movements: III. Con moto

The Wedding: Part I, Scene 1. The Tresses

The Wedding: Part I, Scene 2. At the Bridegroom's House

The Wedding: Part I, Scene 3. The Departure of the Bride

The Wedding: Part II, Scene 4. The Wedding Feast

Mass: Kyrie

Mass: Gloria

Mass: Credo

Mass: Sanctus

Mass: Agnus Dei

Symphony no. 4 in F minor, op. 36, TH 27: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo

Symphony no. 4 in F minor, op. 36, TH 27: II. Andantino in modo di canzone

Symphony no. 4 in F minor, op. 36, TH 27: III. Scherzo. Pizzicato ostinato - Allegro

Symphony no. 4 in F minor, op. 36, TH 27: IV. Finale. Allegro con fuoco

Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo

Symphony no. 5 in E minor, op. 64, TH 29: I. Andante - Allegro con anima

Symphony no. 5 in E minor, op. 64, TH 29: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo

Symphony no. 5 in E minor, op. 64, TH 29: III. Valse. Allegro moderato

Symphony no. 5 in E minor, op. 64, TH 29: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto

Romeo and Juliet, Fantasy-Overture in B minor, TH 42

Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso

Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": II. Allegro con grazia

Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": III. Allegro molto vivace

Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso – Andante

Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo

Romeo and Juliet, Fantasy-Overture in B minor, TH 42

Hamlet, op. 67, TH 53

Marche slave, op. 31, TH 45

Capiccio italien, op. 45, TH 47

Ouverture solennelle "1812", op. 49, TH 49

Concerto for Cello and Orchestra in B minor, op. 104, B. 191: I. Allegro

Concerto for Cello and Orchestra in B minor, op. 104, B. 191: II. Adagio, ma no troppo

Concerto for Cello and Orchestra in B minor, op. 104, B. 191: III. Finale. Allegro moderato

Schelomo, B. 39

Tristan und Isolde, WWV 90: Vorspiel

Tristan und Isolde, WWV 90: Akt I. Szene I. "Westwarts schweift der Blick" (Junge Seeman, Isolde, Brangäne)

Tristan und Isolde, WWV 90: Akt I. Szene II. "Frisch weht der Wind der Heimat zu" (Junge Seeman, Isolde, Brangäne)

Tristan und Isolde, WWV 90: Akt I. Szene II. "Hab acht, Tristan!" (Kurwenal, Tristan, Brangäne, Schiffsvolk)

Tristan und Isolde, WWV 90: Akt I. Szene III. "Weh, ach wehe!" (Brangäne, Isolde)

Tristan und Isolde, WWV 90: Akt I. Szene III. "Wie lachend sie mir" (Isolde, Brangäne, Chor)

Tristan und Isolde, WWV 90: Akt I. Szene IV. "Auf! Auf! Ihr Frauen!" (Kurwenal, Isolde, Brangäne)

Tristan und Isolde, WWV 90: Akt I. Szene IV. "Herr Tristan nah!" (Isolde, Tristan, Chor)

Tristan und Isolde, WWV 90: Akt I. Szene V. "War Morold dir so wert" (Tristan, Isolde, Chor)

Tristan und Isolde, WWV 90: Akt I. Szene V. "Tristan! - Isolde!" (Isolde, Tristan, Chor, Brangäne, Kurwenal)

Tristan und Isolde, WWV 90: Akt II. Vorspiel

Tristan und Isolde, WWV 90: Akt II. Szene I. "Horst du sie noch?" (Isolde, Brangäne)

Tristan und Isolde, WWV 90: Akt II. Szene II. "Isolde! Geliebte!" (Tristan, Isolde)

Tristan und Isolde, WWV 90: Akt II. Szene II. "O sik hernieder, Nactht der Liebe" (Tristan, Isolde, Brangäne)

Tristan und Isolde, WWV 90: Akt II. Szene II. "Lausch, Geliebter" (Isolde, Tristan)

Tristan und Isolde, WWV 90: Akt II. Szene II. "So sturben wir, um ungetrennt" (Tristan, Isolde, Brangäne)

Tristan und Isolde, WWV 90: Akt II. Szene III. "Rette dich, Tristan" (Kurwenal, Tristan, Melot)

Tristan und Isolde, WWV 90: Akt II. Szene III. "Tatest du's wirklich?" (Marke, Tristan)

Tristan und Isolde, WWV 90: Akt II. Szene III. "O, Konig, das kann ich dir nicht sagen" (Tristan, Isolde, Melot)

Tristan und Isolde, WWV 90: Akt III. Vorspiel

Tristan und Isolde, WWV 90: Akt III. Szene I. "Kurwenal! He! Sag, Kurwenal!" (Hirt, Kurwenal, Tristan)

Tristan und Isolde, WWV 90: Akt III. Szene I. "Wo ich erwacht, weilt ich nicht" (Tristan, Kurwenal)

Tristan und Isolde, WWV 90: Akt III. Szene I. "Der einst ich trotzt aus Treu" (Tristan, Kurwenal)

Tristan und Isolde, WWV 90: Akt III. Szene I. "Bist du nun tot?" (Kurwenal, Tristan)

Tristan und Isolde, WWV 90: Akt III. Szene I. "O Wonne! Freunde!" (Kurwenal, Tristan)

Tristan und Isolde, WWV 90: Akt III. Szene II. "O diese Sonne" (Tristan, Isolde)

Tristan und Isolde, WWV 90: Akt III. Szene II. "Ich bin's, ich bin's" (Isolde)

Tristan und Isolde, WWV 90: Akt III. Szene III. "Kurwenal! Hor!" (Hirt, Kurwenal, Steuermann, Brangäne, Melot, Marke)

Tristan und Isolde, WWV 90: Akt III. Szene III. "Mild unde leise wie er lachelt" (Isolde)

Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio

Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai

Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace

Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto

Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement)

Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement)

Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement)

Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement)

Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..."

Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto

Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo

Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace

Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco

Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement)

Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement)

Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement)

Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement)

Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued)

Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco

Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace

Symphony no. 2 in C major, op. 61: III. Adagio espressivo

Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace

Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme)

Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..."

Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement)

Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued)

Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement)

Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement)

Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement)

Symphony no. 4 in E minor, op. 98: I. Allegro non troppo

Symphony no. 4 in E minor, op. 98: II. Andante moderato

Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I

Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro

Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme)

Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement)

Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement)

Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement)

Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement)

Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement)

Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement)

Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement)

Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement)

Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso

Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": II. Allegro con grazia

Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": III. Allegro molto vivace

Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso – Andante

Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement)

Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued)

Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement)

Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement)

Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement)

Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work"

Fancy Free: Big Stuff (Prologue)

Fancy Free: I. Opening Dance

Fancy Free: II. Scene at the Bar

Fancy Free: IV. Pas de deux

Fancy Free: V. Competition Scene

Fancy Free: VIa. Three Dance Variations: 2. Waltz

Fancy Free: VIb. Three Dance Variations: 3. Danzon

Fancy Free: VIc. Three Dance Variations: 1. Galop / VII. Finale

On the Town: Opening

On the Town: I Get Carried Away

On the Town: Lucky to Be Me

On the Town: Lonely Town

On the Town: I Can Cook Too

On the Town: Ya Got Me

On the Town: Opening (extended version)