How to Listen to and Understand Great Music, 3rd Edition

Compilation by Robert Greenberg

About

  1. 1.
    Music as a Mirror
  2. 2.
    Sources — The Ancient World and the Early Church
  3. 3.
    The Middle Ages
  4. 4.
    Introduction to the Renaissance
  5. 5.
    The Renaissance Mass
  6. 6.
    The Madrigal
  7. 7.
    An Introduction to the Baroque Era
  8. 8.
    Style Features of Baroque-Era Music
  9. 9.
    National Styles — Italy and Germany
  10. 10.
    Fugue
  11. 11.
    Baroque Opera, Part 1
  12. 12.
    Baroque Opera, Part 2
  13. 13.
    The Oratorio
  14. 14.
    The Lutheran Church Cantata
  15. 15.
    Passacaglia
  16. 16.
    Ritornello Form and the Baroque Concerto
  17. 17.
    The Enlightenment and an Introduction to the Classical Era
  18. 18.
    The Viennese Classical Style, Homophony, and the Cadence
  19. 19.
    Classical-Era Form — Theme and Variations
  20. 20.
    Classical-Era Form — Minuet and Trio: Baroque Antecedents
  21. 21.
    Classical-Era Form — Minuet and Trio Form
  22. 22.
    Classical-Era Form — Rondo Form
  23. 23.
    Classical-Era Form — Sonata Form, Part 1
  24. 24.
    Classical-Era Form — Sonata Form, Part 2
  25. 25.
    Classical-Era Form — Sonata Form, Part 3
  26. 26.
    The Symphony — Music for Every Person
  27. 27.
    The Solo Concerto
  28. 28.
    Classical-Era Opera — The Rise of Opera Buffa
  29. 29.
    Classical-Era Opera, Part 2: — Mozart and the Operatic Ensemble
  30. 30.
    The French Revolution and an Introduction to Beethoven
  31. 31.
    Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1
  32. 32.
    Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2
  33. 33.
    Introduction to Romanticism
  34. 34.
    Formal Challenges and Solutions in Early Romantic Music
  35. 35.
    The Program Symphony — Berlioz's Symphonie Fantastique, Part 1
  36. 36.
    The Program Symphony — Berlioz's Symphonie Fantastique, Part 2
  37. 37.
    19th-Century Italian Opera — Bel Canto Opera
  38. 38.
    19th-Century Italian Opera — Giuseppe Verdi
  39. 39.
    19th-Century German Opera — Nationalism and Experimentation
  40. 40.
    19th-Century German Opera — Richard Wagner
  41. 41.
    The Concert Overture, Part 1
  42. 42.
    The Concert Overture, Part 2
  43. 43.
    Romantic-Era Musical Nationalism
  44. 44.
    Russian Nationalism
  45. 45.
    An Introduction to Early 20th-Century Modernism
  46. 46.
    Early 20th-Century Modernism — Claude Debussy
  47. 47.
    Early 20th-Century Modernism — Igor Stravinsky
  48. 48.
    Early 20th-Century Modernism — Arnold Schönberg

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