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Disc 1

  1. 1.
    Aquarius
    2:54
  2. 2.
    Donna
    2:15
  3. 3.
    Hashish
    0:58
  4. 4.
    Sodomy
    0:55
  5. 5.
    Colored Spade
    1:12
  6. 6.
    Manchester England
    1:20
  7. 7.
    I’m Black
    0:27
  8. 8.
    Ain’t Got No
    0:45
  9. 9.
    I Believe in Love
    1:07
  10. 10.
    Ain’t Got No (reprise)
    1:16
  11. 11.
    Air
    1:30
  12. 12.
    Initials
    0:56
  13. 13.
    I Got Life
    3:08
  14. 14.
    Going Down
    2:21
  15. 15.
    Hair
    3:01
  16. 16.
    My Conviction
    1:41
  17. 17.
    Easy to Be Hard
    2:40
  18. 18.
    Don’t Put It Down
    2:03
  19. 19.
    Frank Mills
    2:09
  20. 20.
    Be‐In
    3:08
  21. 21.
    Where Do I Go?
    2:42
  22. 22.
    Electric Blues
    2:35
  23. 23.
    Manchester England (reprise)
    0:32
  24. 24.
    Black Boys
    1:10
  25. 25.
    White Boys
    2:29
  26. 26.
    Walking in Space
    4:50
  27. 27.
    Abie Baby
    2:44
  28. 28.
    Three‐Five‐Zero‐Zero
    3:10
  29. 29.
    What a Piece of Work Is Man / Walking in Space (reprise)
    2:23
  30. 30.
    Good Morning Starshine
    2:33
  31. 31.
    The Bed
    2:57
  32. 32.
    The Flesh Failures (Let the Sunshine In)
    3:39

Disc 2

  1. 1.
    Ain’t Got No
    1:22
  2. 2.
    I Got Life
    2:49
  3. 3.
    Air
    1:31
  4. 4.
    Going Down
    2:39
  5. 5.
    Hair
    3:08
  6. 6.
    Dead End
    2:38
  7. 7.
    Frank Mills
    1:53
  8. 8.
    Hare Krishna
    3:21
  9. 9.
    Where Do I Go?
    3:00
  10. 10.
    Electric Blues
    2:32
  11. 11.
    Easy to Be Hard
    2:08
  12. 12.
    Manchester
    1:14
  13. 13.
    White Boys
    2:37
  14. 14.
    Black Boys
    1:05
  15. 15.
    Walking in Space
    4:22
  16. 16.
    Aquarius
    2:17
  17. 17.
    Good Morning Starshine
    3:52
  18. 18.
    Exanaplanetooch
    2:37
  19. 19.
    The Climax
    1:51
  20. 20.
    Opening
    2:27
  21. 21.
    Red Blue and White
    1:44
  22. 22.
    Sentimental Ending
    1:29
  23. 23.
    Galt MacDermot Interview: How did you become involved with “Hair”?
    1:07
  24. 24.
    Galt MacDermot Interview: What do you remember about the off‐Broadway cast recording?
    0:32
  25. 25.
    Galt MacDermot Interview: And the Broadway cast recording?
    0:30
  26. 26.
    Galt MacDermot Interview: In the recording session photos, you were the only person wearing a jacket and tie.
    0:13
  27. 27.
    Galt MacDermot Interview: How did the two productions differ?
    1:13
  28. 28.
    Galt MacDermot Interview: You were not a traditional theater composer. Did you have any models or influences?
    0:51
  29. 29.
    Galt MacDermot Interview: Did “Hair” influence your later work, like “Two Gentlemen of Verona”?
    0:42
  30. 30.
    Galt MacDermot Interview: “Hair” was controversial with critics and the public. Did this affect you at all?
    0:39
  31. 31.
    Galt MacDermot Interview: On writing for the theater, and what makes a popular song?
    0:56
  32. 32.
    Galt MacDermot Interview: Did you ever rewrite any of the “Hair” songs?
    0:23
  33. 33.
    Galt MacDermot Interview: What sort of music do you write now?
    0:23
  34. 34.
    Galt MacDermot Interview: Do you use synthesizers?
    0:20
  35. 35.
    Galt MacDermot Interview: Have you got any advice for people who want to write for musical theater?
    0:30
  36. 36.
    Galt MacDermot Interview: Does any one songs in “Hair” express your philosophy?
    0:22

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