Bassist's Guide to Scales Over Chords

Compilation by Chad Johnson

About

  1. 1.
    C Major Scale
    0:16
  2. 2.
    C Major Scale
    0:15
  3. 3.
    D Major Scale
    0:15
  4. 4.
    C Major Scale - Shape 1
    0:21
  5. 5.
    C Major Scale - Shape 2
    0:24
  6. 6.
    C Major Scale - Shape 3
    0:22
  7. 7.
    C Major Pentatonic Scale - Shape 1
    0:17
  8. 8.
    C Major Pentatonic Scale - Shape 2
    0:18
  9. 9.
    C Major Pentatonic Scale - Shape 3
    0:19
  10. 10.
    C Major Pentatonic Scale - Shape 4
    0:22
  11. 11.
    C Minor Scale
    0:15
  12. 12.
    C Minor Scale - Shape 1
    0:21
  13. 13.
    C Minor Scale - Shape 1
    0:23
  14. 14.
    C Minor Pentatonic Scale - Shape 1
    0:17
  15. 15.
    C Minor Pentatonic Scale - Shape 2
    0:18
  16. 16.
    C Minor Pentatonic Scale - Shape 3
    0:18
  17. 17.
    A Minor Pentatonic Scale - Shape 2
    0:18
  18. 18.
    E Major Scale - Shape 1
    0:21
  19. 19.
    Harmonized C Major Scale
    0:29
  20. 20.
    Track 20
    0:10
  21. 21.
    Track 21
    0:09
  22. 22.
    Track 22
    0:10
  23. 23.
    Track 23
    0:10
  24. 24.
    Track 24
    0:29
  25. 25.
    Track 25
    0:21
  26. 26.
    Track 26
    0:24
  27. 27.
    Chapter 3 - Example 1
    0:15
  28. 28.
    Chapter 3 - Example 2
    0:22
  29. 29.
    Chapter 3 - Example 3
    0:22
  30. 30.
    Chapter 3 - Example 4
    0:23
  31. 31.
    Chapter 3 - Example 5
    0:19
  32. 32.
    Chapter 3 - Example 6
    0:15
  33. 33.
    Chapter 3 - Example 7
    0:32
  34. 34.
    Chapter 3 - Example 8
    0:14
  35. 35.
    Chapter 3 - Example 9
    0:17
  36. 36.
    Chapter 3 - Example 10
    0:12
  37. 37.
    Chapter 3 - Example 11
    0:33
  38. 38.
    Chapter 3 - Example 12
    0:29
  39. 39.
    Chapter 3 - Example 13
    0:23
  40. 40.
    Chapter 3 - Example 14
    0:21
  41. 41.
    Chapter 4 - Example 1
    0:23
  42. 42.
    Chapter 4 - Example 2
    0:23
  43. 43.
    Chapter 4 - Example 3
    0:19
  44. 44.
    Chapter 4 - Example 4
    0:19
  45. 45.
    Inversion
    0:26
  46. 46.
    Chapter 5 - Example 1
    0:40
  47. 47.
    Chapter 5 - Example 2
    0:17
  48. 48.
    Chapter 5 - Example 3
    0:22
  49. 49.
    Chapter 5 - Example 4
    0:19
  50. 50.
    Chapter 5 - Example 5
    0:23
  51. 51.
    Modes: The Relative Method
    1:03
  52. 52.
    Modes with C as the Root - 1
    0:13
  53. 53.
    Modes with C as the Root - 2
    0:13
  54. 54.
    Modes with C as the Root - 3
    0:13
  55. 55.
    Modes with C as the Root - 4
    0:13
  56. 56.
    Modes with C as the Root - 5
    0:13
  57. 57.
    Modes with C as the Root - 6
    0:13
  58. 58.
    Modes with C as the Root - 7
    0:13
  59. 59.
    Chapter 7 - Example 1
    0:24
  60. 60.
    Chapter 7 - Example 2
    0:24
  61. 61.
    Chapter 7 - Example 3
    0:24
  62. 62.
    Chapter 7 - Example 4
    0:24
  63. 63.
    Secondary Dominants - 1
    0:14
  64. 64.
    Secondary Dominants - 2
    0:15
  65. 65.
    Secondary Dominants - 3
    0:25
  66. 66.
    Chapter 8 - Example 1
    0:14
  67. 67.
    Chapter 8 - Example 2
    0:22
  68. 68.
    E Phyrgian Dominant
    0:24
  69. 69.
    Chapter 8 - Example 3
    0:17
  70. 70.
    Chapter 8 - Example 4
    0:17
  71. 71.
    Chapter 8 - Example 5
    0:13
  72. 72.
    The Major bVII Chord
    0:15
  73. 73.
    Minor v Chord
    0:17
  74. 74.
    The Minor iv Chord
    0:16
  75. 75.
    The Minor bVII Chord
    0:13
  76. 76.
    The Minor bIII Chord
    0:14
  77. 77.
    Chapter 8 - Example 6
    0:23
  78. 78.
    Chapter 8 - Example 7
    0:24
  79. 79.
    Chapter 8 Example - 8
    0:16
  80. 80.
    Chapter 8 - Example 9
    0:16
  81. 81.
    Chapter 8 - Example 10
    0:13
  82. 82.
    The Major V Chord
    0:16
  83. 83.
    The Major IV Chord
    0:17
  84. 84.
    The Minor ii Chord
    0:14
  85. 85.
    Chapter 8 - Example 11
    0:17
  86. 86.
    Chapter 8 - Example 12
    0:15
  87. 87.
    Chapter 8 - Example 13
    0:15
  88. 88.
    Mixolydian Mode
    0:30
  89. 89.
    Chapter 9 - Example 1
    0:14
  90. 90.
    Chapter 9 - Example 2
    0:19
  91. 91.
    Dorian Mode
    0:29
  92. 92.
    Chapter 9 - Example 3
    0:18
  93. 93.
    Chapter 9 - Example 4
    0:15
  94. 94.
    Borrowed Chords
    0:24
  95. 95.
    Chapter 9 - Example 5
    0:14
  96. 96.
    Chapter 9 - Example 6
    0:17
  97. 97.
    Seventh Chords
    0:35
  98. 98.
    Cmaj7
    0:16
  99. 99.
    C7
    0:16
  100. 100.
    Cm7
    0:16
  101. 101.
    Cm7b5
    0:16
  102. 102.
    Chapter 10 - Example 1
    0:16
  103. 103.
    Chapter 10 - Example 2
    0:15
  104. 104.
    Chapter 10 - Example 3
    0:23
  105. 105.
    Chapter 10 - Example 4
    0:17
  106. 106.
    Chapter 10 - Example 5
    0:22
  107. 107.
    Extensions - 1
    0:11
  108. 108.
    Extensions - 2
    0:29
  109. 109.
    Chapter 10 - Example 6
    0:16
  110. 110.
    Chapter 11 - Example 1
    0:17
  111. 111.
    Chapter 11 - Example 2
    0:16
  112. 112.
    A Blues Scale
    0:22
  113. 113.
    Chapter 11 - Example 3
    0:17
  114. 114.
    Chapter 11 - Example 4
    0:14
  115. 115.
    Chapter 11 - Example 5
    0:11
  116. 116.
    Chapter 11 - Example 6
    0:17
  117. 117.
    Chapter 11 - Example 7
    0:16
  118. 118.
    Chapter 11 - Example 8
    0:18
  119. 119.
    Chapter 11 - Example 9
    0:23
  120. 120.
    Progression 1
    2:05
  121. 121.
    Progression 2
    1:47
  122. 122.
    Progression 3
    1:58
  123. 123.
    Progression 4
    1:52
  124. 124.
    Progression 5
    1:41
  125. 125.
    Progression 6
    2:21
  126. 126.
    Progression 7
    2:05
  127. 127.
    Progression 8
    2:20
  128. 128.
    Progression 9
    2:19
  129. 129.
    Progression 10
    2:03
  130. 130.
    Progression 11
    1:54
  131. 131.
    Progression 12
    2:24
  132. 132.
    Progression 13
    1:50
  133. 133.
    Progression 14
    1:56
  134. 134.
    Progression 15
    1:49
  135. 135.
    Progression 16
    2:09
  136. 136.
    Progression 17
    1:45

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