The Complete Sony Recordings

“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 1 Chorus: “Schwingt freudig euch empor”

“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 2 Chorale (Duet): “Nun komm, der Heiden Heiland” (soprano, alto)

“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 3 Aria: “Die Liebe zeiht mit sanften Schritten” (tenor)

“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 4 Chorale: “Zwingt die Saiten in Cythara”

“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 5 Aria: “Willkommen, werter Schatz!” (bass)

“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 6 Chorale: “Der du bist dem Vater gleich” (tenor)

“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 7 Aria: "Auch mit gedämpften, schwachen Stimmen” (soprano)

“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 8 Chorale: “Lob sei Gott, dem Vater”

“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 1 Chorus: “Ach wie flüchtig, ach wie nichtig”

“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 2 Aria: “So schnell ein rauschend Wasser schießt” (tenor)

“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 3 Recitative: “Die Freude wird zur Traurigkeit” (alto)

“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 4 Aria: “An irdische Schätze das Herze zu hängen” (bass)

“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 5 Recitative: “Die höchste Herrlichkeit und Pracht” (soprano)

“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 6 Chorale: “Ach wie flüchtig, ach wie nichtig”

“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 1 Chorus: “Wachet auf, ruft uns die Stimme”

“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 2 Recitative: “Er kommt, er kommt” (tenor)

“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 3 Aria (Duet): “Wenn kömmst du, mein Heil?” (soprano, bass)

“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 4 Chorale: “Zion hört due Wächter singen”

“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 5 Recitative: “So geh herein zu mir” (bass)

“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 6 Aria (Duet): “Mein Freund ist mein” (soprano, bass)

“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 7 Chorale: “Gloria sei dir gesungen”

“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 1 Overture: “Nun kommt, der Heiden Heiland” (chorus)

“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 2 Recitative: “Der Heiland ist gekommen” (tenor)

“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 3 Aria: “Komm, Jesu, komm zu deiner Kirche” (tenor)

“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 4 Recitative: “Siehe, ich stehe vor der Tür” (bass)

“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 5 Aria: “Offne dich, mein ganzes Herze” (soprano)

“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 6 Chorale: “Amen, amen!”

“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 1 Sinfonia

“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 2 Chorus: “Wir danken dir, Gott, wir danken dir”

“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 3 Aria: “Halleluja, Stärk und Macht” (tenor)

“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 4 Recitative: “Gottlob! es geht uns wohl!” (baritone)

“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 5 Aria: “Gedenk an uns mit deiner Liebe” (soprano)

“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 6 Recitative: “Vergiss es ferner nicht” (alto, chorus)

“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 7 Aria: “Halleluja, Stärk und Macht” (alto)

“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 8 Chorale: “Sei Lob und Preis mit Ehren”

Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 1 Chorus: “Jauchzet, frohlocket!”

Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 2 Recitative: “Es begab sich aber zu der Zeit” (tenor)

Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 3 Arioso: “Nun wird mein liebster Bräutigam” (alto)

Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 4 Aria: “Bereite dich, Zion” (alto)

Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 5 Chorale: “Wie soll ich dich empfangen”

Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 6 Recitative: “Und sie gebar ihren ersten Sohn” (tenor)

Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 7 Chorale: “Er ist auf Erden kommen arm” / Recitative: “Wer will die Liebe recht erhöhen” (bass)

Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 8 Aria: “Großer Herr, o starker König” (bass)

Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 9 Chorale: “Ach mein herzliebes Jesulein”

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 10 Sinfonia

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 11 Recitative: “Und es waren Hirten in deselben Gegend” (tenor)

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 12 Chorale: “Brich an, o schönes Morgenlicht”

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 13 Recitative: “Und der Engel sprach zu ihnen” (tenor, soprano)

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 14 Recitative “Was Gott dem Abraham weheißen” (bass)

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 15 Aria: “Frohe Hirten, eilt, ach eilet” (tenor)

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 16 Recitative: “Und das habt zum Zeichen” (tenor)

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 17 Chorale: “Schaut hin, dort liegt im finstern Stall”

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 18 Recitative & Arioso: “So geht denn hin, ihr Hirten, geht” (bass)

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 19 Aria: “Schlafe, mein Liebster, genieße der Ruh” (alto)

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 20 Recitative: “Und alsobald war da bei dem Engel” (tenor)

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 21 Chorus: “Ehre sei Gott in der Höhe”

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 22 Recitative: “So recht, ihr Engel, jauchzt und singet” (bass)

Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 23 Chorale: “Wir singen dir in deinem Heer”

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 24 Chorus: “Herrscher des Himmels. erhöre das Lallen”

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 25 Recitative: “Und da die Engel” (tenor)

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 26 Chorus: “Lasset uns nun gehen”

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 27 Recitative: “Er hat sein Volk getröst” (bass)

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 28 Chorale: “Dies hat er alles uns getan”

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 29 Duet: “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 30 Recitative: “Und sie kamen eilend” (tenor)

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 31 Aria: “Schließe, mein Herze, mein Herze, dies selige Wunder” (alto)

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 32 Recitative: “Ja, ja, mein Herz soll es bewahren” (alto)

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 33 Chorale: “Ich will dich mit Fleiß bewahren”

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 34 Recitative: “Und die Hirten kehrten wieder um” (tenor)

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 35 Chorale: “Seid froh dieweil”

Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 36 Chorus da capo: “Herrscher des Himmels, erhöre das Lallen”

Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 36 Chorus: “Fallt mit Danken”

Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 37 Recitative: “Und da acht Tage um waren” (tenor)

Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 38 Recitative: “Immanuel, o süßes Wort!” (bass) / & Chorale: “Jesu, du mein liebstes Leben”

Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 39 Aria: “Flößt, mein Heiland, flößt dein Namen” (soprano)

Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 40 Recitative: “Wohlan, dein Name soll allein” (bass) / & Chorale: “Jesu, meine Freud und Wonne”

Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 41 Aria: “Ich will nur dir zu Ehren leben” (tenor)

Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 42 Chorale: “Jesus richte mein Beginnen”

Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 43 Chorus: “Ehre sei dir, Gott, gesungen”

Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 44 Recitative: “Da Jesus geboren war zu Bethlehem” (tenor)

Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 45 Chorus: “Wo ist der neugeborne König der Jüden?” / & Recitative: “Sucht ihn in meiner Brust” (alto)

Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 46 Chorale: “Dein Glanz all Finsternis verzehrt”

Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 47 Aria: “Erleucht auch meine finstre Sinnen” (bass)

Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 48 Recitative: “Da das der König Herodes hörte” (tenor)

Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 49 Recitative: “Warum wollt ihr erschrecken?” (alto)

Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 50 Recitative: “Und ließ versammlen alle Hohepriester” (tenor)

Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 51 Trio: “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)

Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 52 Recitative: “Mein Liebster herrschet schon” (alto)

Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 53 Chorale: “Zwar ist solche Herzensstube”

Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 54 Chorus: “Herr, wenn die stolzen Feinde schnauben”

Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 55 Recitative: “Da bereif Herodes die Weisen” (tenor, bass)

Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 56 Recitative: “Du Falscher, suche nur den Herrn zu fällen” (soprano)

Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 57 Aria: “Nur ein Wink von seinen Händen” (soprano)

Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 58 Recitative: “Als sie nun den König gehöret hatten” (tenor)

Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 59 Chorale: “Ich steh an deiner Krippen hier”

Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 60 Recitative: “Und Gott befahl ihnen im Traum” (tenor)

Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 61 Recitative: “So geht! Genug, mein Schatz geht nicht von hier” (tenor)

Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 62 Aria: “Nun mögt ihr stolzen Feinde schrecken” (tenor)

Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 63 Recitative: “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)

Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 64 Chorale: “Nun seid ihr wohl gerochen”

Timotheus oder Die Gewalt der Musik: Part I. No. 1 Overture

Timotheus oder Die Gewalt der Musik: Part I. No. 2 Recitative: “Am königlichen Feste” (tenor)

Timotheus oder Die Gewalt der Musik: Part I. No. 3 Aria & Chorus: “Selig, selig, selig Paar!” (tenor)

Timotheus oder Die Gewalt der Musik: Part I. No. 4 Recitative: “Der Sänger ragt hervor” (tenor)

Timotheus oder Die Gewalt der Musik: Part I. No. 5 Accompagnato: “Das Lied begann vom Zeus” (soprano)

Timotheus oder Die Gewalt der Musik: Part I. No. 6 Chorus: “Den stillen Trupp entzückt das hohe Lied”

Timotheus oder Die Gewalt der Musik: Part I. No. 7 Aria: “Der König horcht mit stolzem Ohr” (soprano)

Timotheus oder Die Gewalt der Musik: Part I. No. 8 Recitative: “Des Bacchus Lob stimmt nun der süße Künstler an” (bass)

Timotheus oder Die Gewalt der Musik: Part I. No. 9 Aria & Chorus: “Bacchus, ewig jung und schön” (bass)

Timotheus oder Die Gewalt der Musik: Part I. No. 10 Recitative: “Siegprangend fühlt der Held das Lied!” (tenor)

Timotheus oder Die Gewalt der Musik: Part I. No. 11 Accompagnato: “Nun flößt sein Tauerton” (soprano)

Timotheus oder Die Gewalt der Musik: Part I. No. 12 Aria: “Er sang den Perser groß und gut” (soprano)

Timotheus oder Die Gewalt der Musik: Part I. No. 13 Accompagnato: “Gesenkt das Haupt, sitzt traurig da der Held” (soprano)

Timotheus oder Die Gewalt der Musik: Part I. No. 14 Chorus: “Seht an den Perser, groß und gut”

Timotheus oder Die Gewalt der Musik: Part I. No. 15 Recitative: “Der Meister lächelt, weil er sieht” (soprano)

Timotheus oder Die Gewalt der Musik: Part I. No. 16 Arioso: “Töne sanft, du lydisch Brautlied!” (soprano)

Timotheus oder Die Gewalt der Musik: Part I. No. 17 Aria: “Krieg, o Held, ist Sort und Arbeit” (tenor)

Timotheus oder Die Gewalt der Musik: Part I. No. 18 Chorus: “Die ganze Schar erhebt ein Lobgeschrei”

Timotheus oder Die Gewalt der Musik: Part I. No. 19 Aria: “Der Held, der seine Glut umsonst verhehlt” (soprano)

Timotheus oder Die Gewalt der Musik: Part I. No. 20 Chorus da capo: “Die ganze Schar erhebt ein Lobgeschrei”

Timotheus oder Die Gewalt der Musik: Part II. Speech by Nikolaus Harnoncourt / Audience singalong

Timotheus oder Die Gewalt der Musik: Part II. No. 20 Accompagnato: “Erschalle, goldnes Saitenspiel” (tenor) / Chorus: “Brich die Bande seines Schlummers” / Accompagnato: “Sieh da! Der Donneschlag hat ihn aufgeschreckt” (tenor)

Timotheus oder Die Gewalt der Musik: Part II. No. 21 Aria: “Gib Rach'!” (bass)

Timotheus oder Die Gewalt der Musik: Part II. No. 22 Accompagnato: “Rache, Rache gib deinem wackren Heer!” (tenor)

Timotheus oder Die Gewalt der Musik: Part II. No. 23 Aria: “Es jauchzen die Krieger” (tenor)

Timotheus oder Die Gewalt der Musik: Part II. No. 24 Aria: “Thais führt ihn an” (soprano) / Chorus: “Die Krieger, sie jauchzen”

Timotheus oder Die Gewalt der Musik: Part II. No. 25 Accompagnato: “So stimmte vor” (tenor) / Chorus: “Vom Himmel kam Caecilia”

Timotheus oder Die Gewalt der Musik: Part II. No. 26 Recitative: “Timotheus, entsag dem Preis!” (tenor, bass)

Timotheus oder Die Gewalt der Musik: Part II. No. 27 Soloists & Chorus: “Timotheus, entsag dem Preis!”

Messiah: Part I. No. 1 Sinfonia: Grave - Allegro moderato

Messiah: Part I. No. 2 Accompagnato: “Comfort ye my people” (tenor)

Messiah: Part I. No. 3 Air: “Ev'ry valley shall be exalted” (tenor)

Messiah: Part I. No. 4 Chorus “And the glory of the Lord”

Messiah: Part I. No. 5 Accompagnato: “Thus saith the Lord” (bass)

Messiah: Part I. No. 6 Air: “But who may abide the day of His coming” (alto)

Messiah: Part I. No. 7 Chorus “And He shall purify” / Recitative: “Behold, a virgin shall conceive” (alto)

Messiah: Part I. No. 8 Air: “O thou that tellest good tidings to Zion” (alto, chorus)

Messiah: Part I. No. 9 Accompagnato: “For behold, darkness shall cover the earth” (bass)

Messiah: Part I. No. 10 Air: “The people that walked in darkness” (bass)

Messiah: Part I. No. 11 Chorus: “For unto us a Child is born”

Messiah: Part I. No. 12 Pifa - Recitative: “There were shepherds” (soprano)

Messiah: Part I. No. 13 Accompagnato: “And lo! the angel of the Lord came upon them” (soprano) / Recitative: “And the angel said unto them” (soprano)

Messiah: Part I. No. 14 Accompagnato: “And suddenly there was with the angel” (soprano)

Messiah: Part I. No. 15 Chorus: “Glory to God in the highest”

Messiah: Part I. No. 16 Air: “Rejoice greatly, O daughter of Zion” (soprano) / Recitative: “Then shall the eyes of the blind” (alto)

Messiah: Part I. No. 17 Duet: “He shall feed His flock” (alto, soprano)

Messiah: Part I. No. 18 Chorus: “His yoke is easy”

Messiah: Part II. No. 19 Chorus: “Behold the Lamb of God”

Messiah: Part II. No. 20 Air: “He was despised” (alto)

Messiah: Part II. No. 21 Chorus: “Surely He hath borne our griefs”

Messiah: Part II. No. 22 Chorus: “And with His stripes we are healed”

Messiah: Part II. No. 23 Chorus: “All we like sheep have gone astray”

Messiah: Part II. No. 24 Accompagnato: “All they that see Him, laugh Him to scorn” (tenor)

Messiah: Part II. No. 25 Chorus: “He trusted in God”

Messiah: Part II. No. 26 Accompagnato: “Thy rebuke hath broken His heart” (soprano)

Messiah: Part II. No. 27 Arioso: “Behold, and see if there be any sorrow” (soprano)

Messiah: Part II. No. 28 Accompagnato: “He was cut off out of the land of the living” (tenor)

Messiah: Part II. No. 29 Air: “But Thou didst not leave” (tenor)

Messiah: Part II. No. 30 Chorus: “Lift up your heads, O ye gates” / Recitative: “Unto which of the angels” (tenor)

Messiah: Part II. No. 31 Chorus: “Let all the angels of God worship Him”

Messiah: Part II. No. 32 Air: “Thou art gone up on high” (alto)

Messiah: Part II. No. 33 Chorus: “The Lord gave the word”

Messiah: Part II. No. 34a Air: “How beautiful are the feet” (soprano)

Messiah: Part II. No. 35a Chorus: “Their sound is gone out”

Messiah: Part II. No. 36 Air: “Why do the nations so furiously rage together?” (bass)

Messiah: Part II. No. 37 Chorus: “Let us break their bonds asunder” / Recitative: “He that dwelleth in Heaven” (tenor)

Messiah: Part II. No. 38 Air: “Thou shalt break them” (tenor)

Messiah: Part II. No. 39 Chorus: “Hallelujah!”

Messiah: Part III. No. 40 Air: “I know that my Redeemer liveth” (soprano)

Messiah: Part III. No. 41 Chorus: “Since by man came death”

Messiah: Part III. No. 42 Accompagnato: “Behold, I tell you a mystery” (bass)

Messiah: Part III. No. 43 Air: “The trumpet shall sound” (bass)

Messiah: Part III. No. 43 Recitative: “Then shall be brought to pass” (alto) / No. 44 Duet: “O death, where is they sting?” (alto, tenor)

Messiah: Part III. No. 45 Chorus: “But thanks be to God”

Messiah: Part III. No. 46 Air: “If God be for us” (soprano)

Messiah: Part III. No. 47 Chorus: “Worthy is the Lamb”

Orlando Paladino, Hob. XXVIII:11: Act I. No. 1 Sinfonia

Orlando Paladino, Hob. XXVIII:11: Act I. No. 2 Introduction: “Il lavorar l'è pur la brutta cosa” (Eurilla, Licone, Rodomonte)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 3 Recitative: “Presto rispondi, indegno” (Eurilla, Rodomonte, Licone)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 4 Aria: “Ah se dire io vi potessi” (Eurilla)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 5 Recitative: “Non perdiamo più tempo” (Rodomonte, Licone)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 6 Aria: “Temerario! Senti e trema” (Rodomonte)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 7 Cavatina: “Palpita ad ogni istante il povero mio cor” (Angelica)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 8 Recitative: “Poco di me mi cal, ma per Medoro” (Angelica)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 9 Sinfonia

Orlando Paladino, Hob. XXVIII:11: Act I. No. 10 Recitative: “Che fami dalla fata?” (Alcina, Angelica)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 11 Aria: “Ad un guardo” (Alcina)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 12 Recitative: “D'Alcina i detti mi consolano il cuore” (Angelica, Medoro)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 13 Aria: “Parto. Ma, oh dio, non posso” (Medoro)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 14 Recitative: “Col mio Medoro accanto” (Angelica)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 15 Cavatina: “La mia bella m'ha detto di no” (Pasquale)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 16 Recitative: “Pasquale disgraziato” (Pasquale, Rodomonte, Eurilla)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 17 Aria: “Ho viaggiato in Francia, in Spagna” (Pasquale)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 18 Recitative: “Si, regina, ho deciso” (Medoro, Angelica)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 19 Aria: “Non partir, mia bella face” (Angelica)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 20 Recitative: “In odio al mio bel nume” (Medoro)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 21 Accompanied Recitative: “Angelica, mio ben” (Orlando)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 22 Aria: “D'Angelica il nome!” (Orlando)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 23 Recitative: “Ove si cela il furibondo Orlando?” (Rodomonte, Pasquale, Orlando, Eurilla)

Orlando Paladino, Hob. XXVIII:11: Act I. No. 24 Finale I: “Presto rispondi, indegna” (Orlando)

Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Sento nel seno, oh dio” (Angelica, tutti)

Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Chi mi salva o tien nascoso” (Medoro, Angelica, tutti)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 25 Recitative: “Stringi tosto quel brando” (Rodomonte, Orlando)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 26 Aria: “Mille lampi d'accese faville” (Rodomonte)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 27 Recitative: “In questo solitario orrido luogo” (Medoro, Eurilla)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 28 Aria: “Dille che un infelice” (Medoro)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 29 Recitative: “Sembra costui Pasquale” (Eurilla)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 30 Cavatina: “Vittoria, vittoria!” (Pasquale)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 31 Recitative: “Vuo' divertirmi” - “Aiuto, per pietà!” (Eurilla, Pasquale)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 32 Duet: “Quel tuo visetto amabile” (Eurilla, Pasquale)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 33 Aria: “Aure chete, verdi allori” (Angelica)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 34 Recitative: “Inutili saran del paladino” (Alcina)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 35 Recitative accompagnato: “Fra queste selve invan” (Angelica, Medoro)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 36 Duet: “Qual contento io provo in seno” (Medoro, Angelica)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 37 Recitative: “Partiam, giacché n'arride” (Angelica, Medoro, Orlando, Alcina)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 38 Accompanied Recitative: “Oimè, qual tetro oggetto!” - Aria: “Cosa vedo! Cosa sento” (Orlando)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 39 Recitative: “Madama, al vostro bello di quel grugno” (Pasquale, Eurilla)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 40 Aria: “Ecco spiano. Ecco il mio trillo” (Pasquale)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 41 Recitative: “Angelica dov'è?” (Rodomonte, Alcina)

Orlando Paladino, Hob. XXVIII:11: Act II. No. 42 Finale II: “Nel solitario speco” (tutti)

Orlando Paladino, Hob. XXVIII:11: Act III. No. 43 Aria: “Ombre insepolte, di qua partite” (Caronte)

Orlando Paladino, Hob. XXVIII:11: Act III. No. 44 Recitative: “Con l'oblivione ti comando” (Alcina, Caronte)

Orlando Paladino, Hob. XXVIII:11: Act III. No. 45 Accompanied Recitative: “Sogno? Veglio?” (Orlando)

Orlando Paladino, Hob. XXVIII:11: Act III. No. 46 Aria: “Miei pensieri, dove siete?” (Orlando)

Orlando Paladino, Hob. XXVIII:11: Act III. No. 47 Accompanied Recitative: “L'irremeabil onda” (Caronte, Orlando)

Orlando Paladino, Hob. XXVIII:11: Act III. No. 48 Recitative: “Oimè. Già il sangue” (Medoro, Angelica, Orlando, Rodomonte)

Orlando Paladino, Hob. XXVIII:11: Act III. No. 49 Combattimento

Orlando Paladino, Hob. XXVIII:11: Act III. No. 50 Accompanied Recitative: “Implacabili numil” (Angelica)

Orlando Paladino, Hob. XXVIII:11: Act III. No. 51 Aria: “Dell'estreme sue voci dolenti”

Orlando Paladino, Hob. XXVIII:11: Act III. No. 52 Recitative: “Il tuo Medoro fu già risanato” (Alcina, tutti)

Orlando Paladino, Hob. XXVIII:11: Act III. No. 53 Chorus: “Son confuso e stupefatto” (Orlando, tutti)

Symphony no. 82 in C major “The Bear”, Hob. I:82: I. Vivace (assai)

Symphony no. 82 in C major “The Bear”, Hob. I:82: II. Allegretto

Symphony no. 82 in C major “The Bear”, Hob. I:82: III. Menuetto - Trio

Symphony no. 82 in C major “The Bear”, Hob. I:82: IV. Finale. Vivace (assai)

Symphony no. 83 in G minor “The Hen”, Hob. I:83: I. Allegro spiritoso

Symphony no. 83 in G minor “The Hen”, Hob. I:83: II. Andante

Symphony no. 83 in G minor “The Hen”, Hob. I:83: III. Menuetto. Allegretto - Trio

Symphony no. 83 in G minor “The Hen”, Hob. I:83: IV. Finale. Vivace

Symphony no. 84 in E-flat major, Hob. I:84: I. Largo - Allegro

Symphony no. 84 in E-flat major, Hob. I:84: II. Andante

Symphony no. 84 in E-flat major, Hob. I:84: III. Menuetto. Allegretto - Trio

Symphony no. 84 in E-flat major, Hob. I:84: IV. Finale. Vivace

Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: I. Adagio - Vivace

Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: II. Romance. Allegretto

Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: III. Menuetto. Allegretto - Trio

Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: IV. Finale. Presto

Symphony no. 86 in D major, Hob. I:86 (1786): I. Adagio - Allegro spiritoso

Symphony no. 86 in D major, Hob. I:86 (1786): II. Capriccio. Largo

Symphony no. 86 in D major, Hob. I:86 (1786): III. Menuet. Allegretto - Trio

Symphony no. 86 in D major, Hob. I:86 (1786): IV. Finale. Allegro con spirito

Symphony no. 87 in A major, Hob. I:87 (1785): I. Vivace

Symphony no. 87 in A major, Hob. I:87 (1785): II. Adagio

Symphony no. 87 in A major, Hob. I:87 (1785): III. Menuet - Trio

Symphony no. 87 in A major, Hob. I:87 (1785): IV. Finale. Vivace

Die Schöpfung, Hob. XXI:2: Part I. The Representation of Chaos

Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Im Anfange schuf Gott Himmel und Erde” (Raphael) - Chorus: “Und der Geist Gottes”

Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun Schwanden vor dem heiligen Strahle” (Uriel) / Chorus: “Verzweiflung, Wut und Schrecken”

Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott machte das Firmament” (Raphael)

Die Schöpfung, Hob. XXI:2: Part I. Soprano solo: “Mit Staunen sieht das Wunderwerk” (Gabriel) / Chorus: “Und laut ertönt aus ihren Kehlen...”

Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael)

Die Schöpfung, Hob. XXI:2: Part I. Aria: “Rollend in schäumenden Wellen” (Raphael)

Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)

Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun beut die Flur das frische Grün” (Gabriel)

Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und die himmlischen Heerscharen verkündigten den dritten Tag” (Uriel)

Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Stimmt an die Saiten, ergreift die Leyer!”

Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel)

Die Schöpfung, Hob. XXI:2: Part I. Recitative: “In vollem Glanze steiget jetzt die Sonne strahlend auf” (Uriel)

Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Die Himmel erzählen die Ehre Gottes” / Trio: “Dem kommenden Tage sagt es der Tag” (Gabriel, Uriel, Raphael)

Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel)

Die Schöpfung, Hob. XXI:2: Part II. Aria: “Auf starkem Fittige schwinget sich der Adler stolz” (Gabriel)

Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf große Walfische” (Raphael)

Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und die Engel rührten ihr' unsterblichen Harrfen” (Raphael)

Die Schöpfung, Hob. XXI:2: Part II. Trio: “In holder Anmut stehn, mit jungem Grün geschmückt” (Gabriel, Uriel, Raphael) / Chorus: “Der Herr ist groß in siner Macht”

Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe die Erde hervor” (Raphael)

Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Gleich öffnet sich der Erde Schoß” (Raphael)

Die Schöpfung, Hob. XXI:2: Part II. Aria: “Nun scheint in vollem Glanze der Himmel” (Raphael)

Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf den Menschen nach seinem Ebenbilde” (Uriel)

Die Schöpfung, Hob. XXI:2: Part II. Aria: “Mit Würd' und Hoheit angetan” (Uriel)

Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sah jedes Ding, was er gemacht hatte” (Raphael)

Die Schöpfung, Hob. XXI:2: Part II. Chorus: “Vollendet ist das große Werk” / Trio: “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael)

Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Aus Rosenwolken bricht, geweckt durch süßen Klang” (Uriel)

Die Schöpfung, Hob. XXI:2: Part III. Duet: “Von deiner Güt', o Herr und Gott” (Adam, Eva) / Chorus: “Gesegnet sei des Herren Macht”

Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Nun ist die erste Pflicht erfüllt” (Adam, Eva)

Die Schöpfung, Hob. XXI:2: Part III. Duet: “Holde Gattin! Dir zur Seite” (Adam, Eva)

Die Schöpfung, Hob. XXI:2: Part III. Recitative: “O glücklich Paar, und glücklich immerfort” (Uriel)

Die Schöpfung, Hob. XXI:2: Part III. Final Chorus & Soloists: “Singt dem Herren alle Stimmen!”

Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 1 Introduction - Recitative: “Seht, wie der strenge Winter flieht!” (Simon, Lukas, Hanne)

Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 2 Chorus of Country People: “Komm, holder Lenz!”

Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 3 Recitative: “Vom Widder strahlet jetzt” (Simon)

Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 4 Aria: “Schon eilet froh der Ackermann” (Simon)

Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 5 Recitative: “Der Landmann hat sein Werk vollbracht” (Lukas)

Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 6 Prayer of Supplication: Trio & Chorus: “Sei mir/uns nun gnädig, milder Himmel!”

Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 7 Recitative: “Erhört ist unser Flehn” (Hanne)

Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 8 Song of Joy: “O wie lieblich ist der Anblick” (Hanne, Lukas, chorus, Simon)

Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 9 Introduction - Recitative: “In grauem Schleier rückt heran” (Lukas, Simon)

Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 10 Aria: “Der munt're Hirt versammelt nun” (Simon) / Recitative: “Die Morgenröte bricht hervor” (Hanne)

Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 11 Trio & Chorus: “Sie steigt herauf, die Sonne”

Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12 Recitative: “Nun regt und bewegt sich alles umher” (Simon, Lukas)

Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 13 Cavatina: “Dem Druck erlieget die Natur” (Lukas)

Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 14 Recitative: “Willkommen jetzt, o dunkler Hain” (Hanne)

Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 15 Aria: “Welche Labung für die Sinne!” (Hanne)

Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 16 Recitative: “O seht! Es steiget in der schwülen Luft” (Simon, Lukas, Hanne)

Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 17 Chorus: “Ach! das Ungewitter naht!”

Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 18 Trio & Chorus: “Die düstren Wolken trennen sich”

Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 19 Introduction: “Was durch deine Blüte” (Hanne, Lukas, Simon)

Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 20 Trio & Chorus: “So lohnet die Natur den Fleiß”

Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 21 Recitative: “Seht, wie zum Haselbusche dort” (Hanne, Simon, Lukas)

Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 22 Duet: “Ihr Schönen aus der Stadt, kommt her” (Lukas, Hanne)

Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 23 Recitative: “Nun zeiget das entblößte Feld” (Simon)

Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 24 Aria: “Seht auf die breiten Wiesen hin!”

Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 25 Recitative: “Hier treibt ein dichter Kreis” (Lukas)

Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 26 Chorus of Country People and Hunters: “Hört! hört das laute Getön”

Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 27 Recitative: “Am Rebenstocke blinket jetzt” (Hanne, Simon, Lukas)

Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28 Chorus: “Juhe! Juhe! Der Wein ist da”

Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29 Introduction - Recitative: “Nun senket sich das blasse Jahr” (Simon, Hanne)

Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 30 Cavatina: “Licht und Leben sind geschwächet” (Hanne)

Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 31 Recitative: “Gefesselt steht der breite See” (Lukas)

Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 32 Aria: “Hier steht der Wand'rer nun” (Lukas)

Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 33 Recitative: “Sowie er naht” (Lukas, Hanne, Simon)

Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 34 Song & Chorus: “Knurre, schnurre, knurre” (Hanne)

Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 35 Recitative: “Abgesponnen ist der Flachs” (Lukas)

Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 36 Song & Chorus: “Ein Mädchen, das auf Ehre hielt” (Hanne)

Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 37 Recitative: “Von dürren Oste dringt” (Simon)

Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 38 Aria: “Erblicke hier, betörter Mensch” (Simon)

Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 39 Trio & Double Chorus: “Dann bricht der große Morgen an”

Symphony no. 1 in E-flat major, K 16: I. Molto allegro

Symphony no. 1 in E-flat major, K 16: II. Andante

Symphony no. 1 in E-flat major, K 16: III. Presto

Symphony no. 4 in D major, K 19: I. Allegro

Symphony no. 4 in D major, K 19: II. Andante

Symphony no. 4 in D major, K 19: III. Presto

Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai

Symphony no. 4a in F major, K Anh 223 (19a): II. Andante

Symphony no. 4a in F major, K Anh 223 (19a): III. Presto

Symphony no. 5 in B-flat major, K 22: I. Allegro

Symphony no. 5 in B-flat major, K 22: II. Andante

Symphony no. 5 in B-flat major, K 22: III. Molto allegro

Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso

Symphony no. 43 in F major, K 76 (42a): II. Andante

Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio

Symphony no. 43 in F major, K 76 (42a): IV. Allegro

Symphony no. 6 in F major, K 43: I. Allegro

Symphony no. 6 in F major, K 43: II. Andante

Symphony no. 6 in F major, K 43: III. Menuetto - Trio

Symphony no. 6 in F major, K 43: IV. Allegro

Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): I. Allegro maestoso

Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): II. Andante

Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): III. Presto

Symphony no. 7 in D major, K 45: I. Molto allegro

Symphony no. 7 in D major, K 45: II. Andante

Symphony no. 7 in D major, K 45: III. Menuetto - Trio

Symphony no. 7 in D major, K 45: IV. Molto allegro

Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro

Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante

Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio

Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro

Symphony no. 8 in D major. K 48: I. Allegro

Symphony no. 8 in D major. K 48: II. Andante

Symphony no. 8 in D major. K 48: III. Menuetto - Trio

Symphony no. 8 in D major. K 48: IV. Molto allegro

Symphony no. 9 in C major, K 73 (75a): I. Allegro

Symphony no. 9 in C major, K 73 (75a): II. Andante

Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio

Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro

Symphony no. 44 in D major, K 81 (73l): I. Allegro

Symphony no. 44 in D major, K 81 (73l): II. Andante

Symphony no. 44 in D major, K 81 (73l): III. Allegro molto

Symphony no. 47 in D major, K 97 (73m): I. Allegro

Symphony no. 47 in D major, K 97 (73m): II. Andante

Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio

Symphony no. 47 in D major, K 97 (73m): IV. Presto

Symphony no. 45 in D major, K 95 (73n): I. Allegro

Symphony no. 45 in D major, K 95 (73n): II. Andante

Symphony no. 45 in D major, K 95 (73n): III. Menuetto - Trio

Symphony no. 45 in D major, K 95 (73n): IV. Allegro

Symphony no. 11 in D major, K 84 (73q): I. Allegro

Symphony no. 11 in D major, K 84 (73q): II. Andante

Symphony no. 11 in D major, K 84 (73q): III. Allegro

Symphony no. 10 in G major, K 74: I. Allegro - attacca

Symphony no. 10 in G major, K 74: II. Andante

Symphony no. 10 in G major, K 74: III. Allegro

Symphony no. 42 in F major, K 75: I. Allegro

Symphony no. 42 in F major, K 75: II. Menuetto - Trio

Symphony no. 42 in F major, K 75: III. Andantino

Symphony no. 42 in F major, K 75: IV. Allegro

Symphony no. 12 in G major, K 110 (75b): I. Allegro

Symphony no. 12 in G major, K 110 (75b): II. Andante

Symphony no. 12 in G major, K 110 (75b): III. Menuetto - Trio

Symphony no. 12 in G major, K 110 (75b): IV. Allegro

Symphony no. 48 in D major: I. Allegro assai

Symphony no. 48 in D major: II. Andante grazioso

Symphony no. 48 in D major: III. Finale. Presto

Symphony no. 46 in C major, K96 (111b): I. Allegro

Symphony no. 46 in C major, K96 (111b): II. Andante

Symphony no. 46 in C major, K96 (111b): III. Menuetto - Trio

Symphony no. 46 in C major, K96 (111b): IV. Molto allegro

Symphony no. 13 in F major, K 112: I. Allegro

Symphony no. 13 in F major, K 112: II. Andante

Symphony no. 13 in F major, K 112: III. Menuetto - Trio

Symphony no. 13 in F major, K 112: IV. Molto allegro

Symphony no. 14 in A major, K 114: I. Allegro moderato

Symphony no. 14 in A major, K 114: II. Andante

Symphony no. 14 in A major, K 114: III. Menuetto - Trio

Symphony no. 14 in A major, K 114: IV. Molto allegro

Symphony no. 15 in G major, K 124: I. Allegro

Symphony no. 15 in G major, K 124: II. Andante

Symphony no. 15 in G major, K 124: III. Menuetto - Trio

Symphony no. 15 in G major, K 124: IV. Presto

Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio

Symphony no. 16 in C major, K 128: I. Allegro maestoso

Symphony no. 16 in C major, K 128: II. Andante grazioso

Symphony no. 16 in C major, K 128: III. Allegro

Symphony no. 17 in G major, K 129: I. Allegro

Symphony no. 17 in G major, K 129: II. Andante

Symphony no. 17 in G major, K 129: III. Allegro

Symphony no. 18 in F major, K 130: I. Allegro

Symphony no. 18 in F major, K 130: II. Andantino grazioso

Symphony no. 18 in F major, K 130: III. Menuetto - Trio

Symphony no. 18 in F major, K 130: IV. Molto allegro

Symphony no. 19 in E-flat major, K 132: I. Allegro

Symphony no. 19 in E-flat major, K 132: II. Andantino [Version 2]

Symphony no. 19 in E-flat major, K 132: III. Menuetto - Trio

Symphony no. 19 in E-flat major, K 132: IV. Allegro

Symphony no. 19 in E-flat major, K 132: II. Andantino grazioso [Version 1]

Symphony no. 20 in D major, K 133: I. Allegro

Symphony no. 20 in D major, K 133: II. Andante

Symphony no. 20 in D major, K 133: III. Menuetto - Trio

Symphony no. 20 in D major, K 133: IV. Allegro

Symphony no. 21 in A major, K 134: I. Allegro

Symphony no. 21 in A major, K 134: II. Andante

Symphony no. 21 in A major, K 134: III. Menuetto - Trio

Symphony no. 21 in A major, K 134: IV. Allegro

Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato

Symphony no. 50 in D major, K 161 (141a): II. Andante

Symphony no. 50 in D major, K 161 (141a): III. Presto

Symphony no. 22 in C major, K 162: I. Allegro assai

Symphony no. 22 in C major, K 162: II. Andantino grazioso

Symphony no. 22 in C major, K 162: III. Presto assai

Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto

Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca

Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro

Symphony no. 27 in G major, K 199 (161b): I. Allegro

Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso

Symphony no. 27 in G major, K 199 (161b): III. Presto

Symphony no. 23 in D major, K 181 (162b): I. Allegro spiritoso - attacca

Symphony no. 23 in D major, K 181 (162b): II. Andantino grazioso - attacca

Symphony no. 23 in D major, K 181 (162b): III. Presto assai

Symphony no. 24 in B-flat major, K 182 (173dA): I. Allegro spiritoso

Symphony no. 24 in B-flat major, K 182 (173dA): II. Andantino grazioso

Symphony no. 24 in B-flat major, K 182 (173dA): III. Allegro

Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio

Symphony no. 25 in G minor, K 183 (173dB): II. Andante

Symphony no. 25 in G minor, K 183 (173dB): III. Menuetto - Trio

Symphony no. 25 in G minor, K 183 (173dB): IV. Allegro

Symphony no. 51 in D major: I. Allegro molto

Symphony no. 51 in D major: II. Andantino grazioso

Symphony no. 51 in D major: III. Allegro

“Mein Herz ist völlig entzücket” (Wolfgang Amadeus Mozart)

Symphony no. 1 in E-flat major, K 16: I. Molto allegro

Symphony no. 1 in E-flat major, K 16: II. Andante

Symphony no. 1 in E-flat major, K 16: III. Presto

“Wie kostbar die Zeit für die Jugend ist” (Leopold Mozart)

Symphony no. 4 in D major, K 19: I. Allegro

Symphony no. 4 in D major, K 19: II. Andante

Symphony no. 4 in D major, K 19: III. Presto

“Das heist auf der Schneckenpost gereiset!" (Leopold Mozart)

Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai

Symphony no. 4a in F major, K Anh 223 (19a): II. Andante

Symphony no. 4a in F major, K Anh 223 (19a): III. Presto

“Meine Kinder haben ganz Schwetzingen in Bewegung gesetzet” (Leopold Mozart & Maria Anna (“Nannerl”) Mozart)

Symphony no. 5 in B-flat major, K 22: I. Allegro

Symphony no. 5 in B-flat major, K 22: II. Andante

Symphony no. 5 in B-flat major, K 22: III. Molto allegro

“Bei Erblickung meiner Kinder stille gehalten” (Leopold Mozart)

Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: I. Allegro maestoso

Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: II. Andante

Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: III. Presto

“Wir sind, Gott Lob, glücklich über den Maxlaner-Bach gekommen” (Leopold Mozart)

Symphony no. 6 in F major, K 43: I. Allegro

Symphony no. 6 in F major, K 43: II. Andante

Symphony no. 6 in F major, K 43: III. Menuetto - Trio

Symphony no. 6 in F major, K 43: IV. Allegro

Symphony no. 7 in D major, K 45: I. Molto allegro

Symphony no. 7 in D major, K 45: II. Andante

Symphony no. 7 in D major, K 45: III. Menuetto - Trio

Symphony no. 7 in D major, K 45: IV. Molto allegro

“Te Deum laudmaus!” (Leopold Mozart)

Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso

Symphony no. 43 in F major, K 76 (42a): II. Andante

Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio

Symphony no. 43 in F major, K 76 (42a): IV. Allegro

“Ich erfuhr, dass alle Clavieristen und Componisten in Wien” (Leopold Mozart)

Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro

Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante

Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio

Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro

“Was die Rettung der Ehre meines Kindes erheischet” (Leopold Mozart)

Symphony no. 8 in D major, K 48: I. Allegro

Symphony no. 8 in D major, K 48: II. Andante

Symphony no. 8 in D major, K 48: III. Menuetto - Trio

Symphony no. 8 in D major, K 48: IV. Allegro

“Freundin! Ich bitte um Verzeihung” (Wolfgang Amadeus Mozart)

Symphony no. 9 in C major, K 73 (75a): I. Allegro

Symphony no. 9 in C major, K 73 (75a): II. Andante

Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio

Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro

First travels, 1762/63 (Leopold & Nannerl Mozart) - Symphony no. 1 in E-flat major, K 16: I. Molto allegro

Travels through Germany, July - November 1763 (Leopold Mozart) - Symphony no. 1 in E-flat major, K 16: II. Andante

First travel to Paris, 1763/64 (Leopold & Nannerl Mozart)

Travel to London, 1764/66 (Leopold & Nannerl Mozart) - Symphony no. 5 in B-flat major, K22: III. Molto allegro

Munich, November 10, 1766 (Leopold Mozart) - Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso

Olomouc (Olmütz), November 10, 1767 (Leopold Mozart) - Symphony no. 6 in F major, K 43: III. Menuetto - Trio

Vienna, January & September 1768 (Leopold Mozart) - Symphony no. 8 in D major, K 48: II. Andante

First letter, Salzburg, ca. 1769 (Wolfgang Amadeus Mozart) - Symphony no. 8 in D major, K 48: II. Andante

First travel to Italy, 1769/70 (Leopold & Wolfgang Amadeus Mozart)

Milan, February / March 1770 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 9 in C major, K 73 (75a): I. Allegro

First travel to Rome, April / May 1770 (Leopold & Wolfgang Amadeus Mozart)

Naples, May / June 1770 (Leopold & Wolfgang Amadeus Mozart)

Second stay in Rome, July / August 1770 (Leopold & Wolfgang Amadeus Mozartq) - Symphony no. 47 in D major, K 97 (73m): IV. Presto

Milan II, 1770/71 (Leopold & Wolfgang Amadeus Mozart)

Milan III, 1771/72 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio

“Was mich vergnügt...” (Leopold Mozart, Bologna, March 27, 1770) / “Wenn man die Sau nennt, so kommt sie gerent” (Wolfgang Amadeus Mozart, MIlan, February 10, 1770)

Symphony no. 47 in D major, K 97 (73m): I. Allegro

Symphony no. 47 in D major, K 97 (73m): II. Andante

Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio

Symphony no. 47 in D major, K 97 (73m): IV. Presto

“Dieser Monat ist in der grösten Geschwindickeit hingeflossen” (Leopold Mozart, Milan September 28, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Milan, February 10, 1770)

Symphony no. 48 in D major: I. Allegro assai

Symphony no. 48 in D major: II. Andante grazioso

Symphony no. 48 in D major: III. Finale. Presto

“Von unsern Sachen mag ich dir nichts schreiben” (Leopold Mozart, Rome, April 21, 1770) / “Ich bin got lob und danck samt meiner miserablen feder gesund” (Wolfgang Amadeus Mozart, Rome, April 14, 1770)

Symphony no. 15 in G major, K 124: I. Allegro

Symphony no. 15 in G major, K 124: II. Andante

Symphony no. 15 in G major, K 124: III. Menuetto - Trio

Symphony no. 15 in G major, K 124: IV. Presto

“Dies ist der 3te Brief den ich dir von Neapl schreibe” (Leopold Mozart, Naples, May 26, 1770) / “Cara sorella mia” (Wolfgang Amadeus Mozart, Naples, July 5, 1770)

Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato

Symphony no. 50 in D major, K 161 (141a): II. Andante

Symphony no. 50 in D major, K 161 (141a): III. Presto

“Wir sollen morgen eine Neuigkeit erfahren” (Leopold Mozart) / “p:s: an alle gute freund” (Wolfgang Amadeus Mozart, Rome, July 4/7, 1770)

Symphony no. 22 in C major, K 162: I. Allegro assai

Symphony no. 22 in C major, K 162: II. Andantino

Symphony no. 22 in C major, K 162: III. Presto assai

“Ich kann ohnmöglich schöner schreiben” (Wolfgang Amadeus Mozart, Bologna, August 4, 1770)

Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto

Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca

Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro

Symphony no. 27 in G major, K 199 (161b): I. Allegro

Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso

Symphony no. 27 in G major, K 199 (161b): III. Presto

“Ich denke hin und her” (Leopold Mozart, Bologna, August 11, 1770)

Symphony no. 25 in G minor, K 183 (173 dB): I. Allegro con brio

Symphony no. 25 in G minor, K 183 (173 dB): II. Andante

Symphony no. 25 in G minor, K 183 (173 dB): III. Menuetto - Trio

Symphony no. 25 in G minor, K 183 (173 dB): IV. Allegro

“Nun will ich dir ausführkicher schreiben” (Leopold Mozart, Verona, August 18, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Verona, August 24, 1771)

Symphony no. 51 in D major: I. Allergro molto

Symphony no. 51 in D major: II. Andantino grazioso

Symphony no. 51 in D major: III. Allegro

“Vielleicht wird von dem grossen Beyfahl” (Leopold Mozart, Milan, October 26, 1771)

Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio

“Allerliebste schwester! Ich bin auch gott lob und danck gesund” (Wolfgang Amadeus Mozart, Milan, October 26, 1771)

Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto / II. Andante / III. Allegro

Zaide, K 344 (336b): Act I. Introduction: “Jetzt hören Sie doch auft...” (narrator)

Zaide, K 344 (336b): Act I. No. 1 Chorus of the 4 slaves: “Brüder, lasst uns lustig sein”

Zaide, K 344 (336b): Act I. No. 2 Melologue: “Was für ein Schicksall” (Gomatz)

Zaide, K 344 (336b): Act I. Intermediate Text: “Dieser ohnmächtige, kraftlose, matte Gomatz” (narrator)

Zaide, K 344 (336b): Act I. No. 3 Aria: “Ruhe sanft, mein holdes Leben” (Zaide)

Zaide, K 344 (336b): Act I. No. 4 Aria: “Rase, Schicksal, wüte immer” (Gomatz)

Zaide, K 344 (336b): Act I. Intermediate Text: “Zaide hat ihn natürlich heimlich beobachtet” (narrator)

Zaide, K 344 (336b): Act I. No. 5 Duet: “Meine Seele hüpft vor Freuden” (Zaide, Gomatz)

Zaide, K 344 (336b): Act I. Intermediate Text: “Ach, die beiden haben ein Glück” (narrator)

Zaide, K 344 (336b): Act I. No. 6 Aria: “Herr und Freund, wie dank' ich dir!” (Gomatz)

Zaide, K 344 (336b): Act I. Intermediate Text: “Und in Allazim entbrennt nun auch ein Kampf” (narrator)

Zaide, K 344 (336b): Act I. No. 7 Aria: “Nur mutig, mein Herze” (Allazim)

Zaide, K 344 (336b): Act I. Intermediate Text: “Und Zaide ist jetzt weider dazugekommen” (narrator)

Zaide, K 344 (336b): Act I. No. 8 Trio: “O selige Wonne” (Zaide, Gomatz, Allazim)

Zaide, K 344 (336b): Act II. Intermediate Text: “Ja, und wie's der Teufel halt so will” (narrator)

Zaide, K 344 (336b): Act II. No. 9 Melologue & Aria: “Zaide geflohen!” (Soliman, narrator)

Zaide, K 344 (336b): Act II. Intermediate Text: “Natürlich ist auch Soliman, wie alle Reichen” (narrator)

Zaide, K 344 (336b): Act II. No. 10 Aria: “Wer hungrig bei der Tafel sitzt” (Osmin)

Zaide, K 344 (336b): Act II. Intermediate Text: “Für Soliman ist der Fall klar” (narrator)

Zaide, K 344 (336b): Act II. No. 11 Aria: “Ich bin so bös als gut” (Soliman)

Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt wird's eng für Zaide” (narrator)

Zaide, K 344 (336b): Act II. No. 12 Aria: “Treulos schluchzet Philomele” (Zaide)

Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt dreht sich's um Zaide weint, schluchzt, klagt” (narrator)

Zaide, K 344 (336b): Act II. No. 13 Aria: “Tiger! Wetze nur die Klauen” (Zaide)

Zaide, K 344 (336b): Act II. Intermediate Text: “Allazim stößt ins gleiche Horn” (narrator)

Zaide, K 344 (336b): Act II. No. 14 Aria: “Ihr Mächtigen seht ungerührt” (Allazim)

Zaide, K 344 (336b): Act II. Intermediate Text: “Das letzte Quartett!” (narrator)

Zaide, K 344 (336b): Act II. No. 15 Quartet: “Freundin, stille deine Tränen” (Gomatz, Allazim, Soliman, Zaide)

Zaide, K 344 (336b): Act II. Finale: “Und hier, am tiefsten Punkt des Konflikts” (narrator)

March in D major, K 335/1 (K 320a/1)

Serenade in D major “Posthorn-Serenade”, K 320: I. Adagio Maestoso - Allegro con spirito

Serenade in D major “Posthorn-Serenade”, K 320: II. Menuetto. Allegro - Trio

Serenade in D major “Posthorn-Serenade”, K 320: III. Concertante. Andante grazioso

Serenade in D major “Posthorn-Serenade”, K 320: IV. Rondeau. Allegro ma non troppo

Serenade in D major “Posthorn-Serenade”, K 320: V. Andantino

Serenade in D major “Posthorn-Serenade”, K 320: VI. Menuetto - Trio I - Trio II

Serenade in D major “Posthorn-Serenade”, K 320: VII. Finale. Presto

Symphony no. 35 in D major “Haffner”, K 385: I. Allegro con spirito

Symphony no. 35 in D major “Haffner”, K 385: II. Andante

Symphony no. 35 in D major “Haffner”, K 385: III. Menuetto - Trio

Symphony no. 35 in D major “Haffner”, K 385: IV. Presto

Concerto for Piano and Orchestra no. 25 in C major, K 503: I. Allegro maestoso

Concerto for Piano and Orchestra no. 25 in C major, K 503: II. Andante

Concerto for Piano and Orchestra no. 25 in C major, K 503: III. [Allegretto]

Concerto for Piano and Orchestra no. 23 in A major, K 488: I. Allegro

Concerto for Piano and Orchestra no. 23 in A major, K 488: II. Adagio

Concerto for Piano and Orchestra no. 23 in A major, K 488: III. Allegro assai

Concerto for Piano and Orchestra no. 24 in C minor, K 491: I. Allegro

Concerto for Piano and Orchestra no. 24 in C minor, K 491: II. [Larghetto]

Concerto for Piano and Orchestra no. 24 in C minor, K 491: III. [Allegretto]

Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro

Concerto for Piano and Orchestra no. 17 in G major, K 453: II. Andante

Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto

Symphony no. 39 in E-flat major, K 543: I. Adagio - Allegro

Symphony no. 39 in E-flat major, K 543: II. Andante con moto

Symphony no. 39 in E-flat major, K 543: III. Menuetto. Allegretto - Trio

Symphony no. 39 in E-flat major, K 543: IV. Finale. Allegro

Symphony no. 40 in G minor, K 550: I. Molto allegro

Symphony no. 40 in G minor, K 550: II. Andante

Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto - Trio

Symphony no. 40 in G minor, K 550: IV. Allegro assai

Symphony no. 41 in C major “Jupiter”, K 551: I. Allegro vivace

Symphony no. 41 in C major “Jupiter”, K 551: II. Andante cantabile

Symphony no. 41 in C major “Jupiter”, K 551: III. Menuetto. Allegretto - Trio

Symphony no. 41 in C major “Jupiter”, K 551: IV. Molto allegro

Requiem in D minor, K 626 (unfinished): I. Introitus: Requiem (chorus, soprano)

Requiem in D minor, K 626 (unfinished): II. Kyrie: Kyrie (chorus)

Requiem in D minor, K 626 (unfinished): III. Sequentia: Dies irae (chorus)

Requiem in D minor, K 626 (unfinished): III. Sequentia: Tuba mirum (soprano, alto, tenor, bass)

Requiem in D minor, K 626 (unfinished): III. Sequentia: Rex tremendae (chorus)

Requiem in D minor, K 626 (unfinished): III. Sequentia: Recordare (soprano, alto, tenor, bass)

Requiem in D minor, K 626 (unfinished): III. Sequentia: Confutatis (chorus)

Requiem in D minor, K 626 (unfinished): III. Sequentia: Lacrimosa (chorus)

Requiem in D minor, K 626 (unfinished): IV. Offertorium: Domine Jesu Christe (chorus, soprano, alto, tenor, bass)

Requiem in D minor, K 626 (unfinished): IV. Offertorium: Hostias (chorus)

Requiem in D minor, K 626 (unfinished): V. Sanctus: Sanctus (chorus)

Requiem in D minor, K 626 (unfinished): VI. Benedictus: Benedictus (chorus, soprano, alto, tenor, bass)

Requiem in D minor, K 626 (unfinished): VII. Agnus Dei: Agnus Dei (chorus)

Requiem in D minor, K 626 (unfinished): VIII. Communio: Lex aeterna (chorus, soprano)

Christus am Ölberge, op. 85: No. 1 Introduction

Christus am Ölberge, op. 85: No. 1 Recitative: “Jehovah, du mein Vater!” (Jesus)

Christus am Ölberge, op. 85: No. 1 Aria: “Meine Seele ist erschüttert” (Jesus)

Christus am Ölberge, op. 85: No. 2 “Erzittre, Erde!” (Seraph)

Christus am Ölberge, op. 85: No. 2 Aria: “Preist des Erlösers Güte” (Seraph) / Chorus: “O Heil euch, ihr Erlösten!” (Seraph & angels)

Christus am Ölberge, op. 85: No. 3 Recitative: “Verkündet, Seraph” (Jesus, Seraph)

Christus am Ölberge, op. 85: No. 3 Duet: “So ruhe denn mit ganzer Schwere” (Jesus, Seraph)

Christus am Ölberge, op. 85: No. 4 Recitative: “Willkommen, Tod!” (Jesus)

Christus am Ölberge, op. 85: No. 4 Chorus: “Wir haben ihn gesehen” (warriors)

Christus am Ölberge, op. 85: No. 5 “Die mich zu fangen ausgezogen sind” (Jesus)

Christus am Ölberge, op. 85: No. 5 Chorus: “Hier ist er” (warriors & disciples)

Christus am Ölberge, op. 85: No. 6 “Nicht ungestraft soll der Verweg'nen Schar” (Peter, Jesus)

Christus am Ölberge, op. 85: No. 6 Trio: “In meinen Adern wühlen” (Peter, Jesus, Seraph)

Christus am Ölberge, op. 85: No. 6 Chorus: “Auf, auf! ergreifet den Verräter” (warriors, disciples, Jesus)

Christus am Ölberge, op. 85: No. 6 Final Chorus: “Welten singen” (angels)

Christus am Ölberge, op. 85: No. 6 “Preiset, ihn, ihr Engelschöre!” (angels)

Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace

Symphony no. 4 in B-flat major, op. 60: II. Adagio

Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio. Un poco meno allegro

Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Symphony no. 5 in C minor, op. 67: II. Andante con moto

Symphony no. 5 in C minor, op. 67: III. Allegro - attacca

Symphony no. 5 in C minor, op. 67: IV. Allegro

Missa solemnis, op. 123: I. Kyrie: “Kyrie”. Assai sostenuto. Mit Andacht [𝄵] - Andante assai ben marcato [3/2] - Tempo I [𝄵]

Missa solemnis, op. 123: II. Gloria: “Gloria”. Allegro vivace [3/4] - Meno Allegro - Tempo I - attacca

Missa solemnis, op. 123: II. Gloria: “Qui tollis”. Larghetto [2/4] - attacca

Missa solemnis, op. 123: II. Gloria: “Quoniam”. Allegro maestoso [3/4] - Allegro, ma non troppo e ben marcato [𝄴] - Poco più Allegro [𝄵] - Presto [3/4]

Missa solemnis, op. 123: III. Credo: “Credo”. Allegro ma non troppo [𝄴] - attacca

Missa solemnis, op. 123: III. Credo: “Et incarnatus”. Adagio [𝄴] - Andante [3/4] Adagio espressivo [3/4] - attacca

Missa solemnis, op. 123: III. Credo: “Et resurrexit”. Allegro [𝄴] - Allegro molto [𝄵] - Allegro ma non troppo un poco maestoso. Tempo I - Allegretto ma non troppo [3/2] 0 Allegro con moto [3/2] - Grave [3/2]

Missa solemnis, op. 123: IV. Sanctus: “Pleni sunt coeli - Osanna”. Adagio. Mit Andacht [2/4] - Allegro pesante [𝄴] - Presto [3/4] - Preso [3/4] - attacca

Missa solemnis, op. 123: IV. Benedictus: Praeludium - “Benedictus”. Sostenuto ma non troppo [3/4] - Andante molto cantabile e non troppo mosso [12/8]

Missa solemnis, op. 123: V. Agnus Dei: “Agnus Dei”. Adagio [𝄴] - attacca

Missa solemnis, op. 123: V. Agnus Dei “Dona nobis pacem”. Bitte um innern und äußern Frieden. Allegretto vivace [6/8] - Allegro assai [𝄴] - Recitativo - Tempo I - Presto [𝄵] - Tempo I

Das Paradies und die Peri, op. 50: Part I. No. 1 “Vor Edens Tor im Morgen prangen” (alto)

Das Paradies und die Peri, op. 50: Part I. No. 2 “Wie glücklich sie wanderln” (Peri)

Das Paradies und die Peri, op. 50: Part I. No. 3 “Der hehre Engel, der die Pforte” (tenor, Angel)

Das Paradies und die Peri, op. 50: Part I. No. 4 “Wo find ich sie?” (Peri)

Das Paradies und die Peri, op. 50: Part I. No. 5 “So sann sie nach” (tenor) / “O süßes Land!” (quartet)

Das Paradies und die Peri, op. 50: Part I. No. 6 “Doch seine Ströme sind jetzt rot” (chorus)

Das Paradies und die Peri, op. 50: Part I. No. 7 “Und einsam steht ein Jüngling noch”

Das Paradies und die Peri, op. 50: Part I. No. 8 “Weh, weh, weh, er fehlte das Ziel” (chorus)

Das Paradies und die Peri, op. 50: Part I. No. 9 “Die Peri sah das Mal der Wunde” (tenor, Peri, quartet, chorus)

Das Paradies und die Peri, op. 50: Part II. No. 10 “Die Peri tritt mit schüchterner Gebärde” (tenor, Angel)

Das Paradies und die Peri, op. 50: Part II. No. 11 “Ihn erstes Himmelshoffen schwand” (tenor, chorus, Peri)

Das Paradies und die Peri, op. 50: Part II. No. 12 “Fort streift von hier das Kind der Lüfte” (tenor, Peri)

Das Paradies und die Peri, op. 50: Part II. No. 13 “Die Peri weint, von ihrer Tränen scheint” (tenor, quartet)

Das Paradies und die Peri, op. 50: Part II. No. 14 “Im Waldesgrün am stillen See” (alto, Young Man)

Das Paradies und die Peri, op. 50: Part II. No. 15 “Verlassener Jüngling, nur das eine” (mezzo-soprano, tenor, Young Man)

Das Paradies und die Peri, op. 50: Part II. No. 16 “O lass mich von der Luft durchdringen” (Maiden, tenor)

Das Paradies und die Peri, op. 50: Part II. No. 17 “Schlaf nunn und ruhe in Träumen voll Duft” (Peri, chorus)

Das Paradies und die Peri, op. 50: Part III. No. 18 “Schmücket die Stufen zu Allahs Thron” (chorus, soloists, soprano)

Das Paradies und die Peri, op. 50: Part III. No. 19 “Dem Sang von ferne lauschend” (tenor, Angel)

Das Paradies und die Peri, op. 50: Part III. No. 20 “Verstoßen! Verschlossen aufs Neu das Goldportal!” (Peri)

Das Paradies und die Peri, op. 50: Part III. No. 21 “Jetzt sank des Abends goldner Schein” (baritone)

Das Paradies und die Peri, op. 50: Part III. No. 22 “Und wie sie niederwärts sich schwingt” (tenor, quartet, baritone)

Das Paradies und die Peri, op. 50: Part III. No. 23 “Hinab zu jenem Sonnentempel!” (Peri, tenor, mezzo-soprano, Man)

Das Paradies und die Peri, op. 50: Part III. No. 24 “O heil'ge Tränen inn'ger Reue” (quartet, chorus)

Das Paradies und die Peri, op. 50: Part III. No. 25 “Es fällt ein Tropfen aufs Land” (Peri, tenor, chorus)

Das Paradies und die Peri, op. 50: Part III. No. 26 “Freud', ew'ge Freude, main Werk ist getan!” (Peri, chorus)

Messa da Requiem: I. Requiem & Kyrie (chorus, soloists)

Messa da Requiem: II. Sequence: Dies irae: “Dies irae” (chorus)

Messa da Requiem: II. Sequence: Dies irae: “Tuba mirum” (chorus, bass)

Messa da Requiem: II. Sequence: Dies irae: “Liber scriptus” (mezzo-soprano, chorus)

Messa da Requiem: II. Sequence: Dies irae: “Quid sum miser” (soprano, mezzo-soprano, tenor)

Messa da Requiem: II. Sequence: Dies irae: “Rex tremendae” (chorus, soloists)

Messa da Requiem: II. Sequence: Dies irae: “Recordare” (soprano, mezzo-soprano)

Messa da Requiem: II. Sequence: Dies irae: “Ingemisco” (tenor)

Messa da Requiem: II. Sequence: Dies irae: “Confutatis” (bass, chorus)

Messa da Requiem: II. Sequence: Dies irae: “Lacrymosa” (soloists, chorus)

Messa da Requiem: III. Offertorio: “Domine Jesu” (soloists)

Messa da Requiem: III. Offertorio: “Hostias” (soloists)

Messa da Requiem: IV. Sanctus (chorus)

Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chorus)

Messa da Requiem: VI. Lux Aeterna (mezzo-soprano, tenor, bass)

Messa da Requiem: VII. Libera me (soprano, chorus)

Messa da Requiem: VII. Libera me: “Dies irae” (chorus)

Messa da Requiem: VII. Libera me: “Libera me” (soprano, chorus)

Symphony no. 5 in B-flat major, WAB 105: I. Introduction. Adagio - Allegro

Symphony no. 5 in B-flat major, WAB 105: II. Adagio. Sehr langsam

Symphony no. 5 in B-flat major, WAB 105: III. Scherzo. Molto vivace (Schnell) - Trio. Im gleichen Tempo

Symphony no. 5 in B-flat major, WAB 105: IV. Finale. Adagio - Allegro moderato

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 1-22 “Vor den Sechzehnteln bitte wegfedern!”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 161-224 “Die Synopken so, als würden wir mit Ellenbogen”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 315-319, 325-327, 381-398 “Kann ich einmal nur diesen kleinen, ganz schnellen Holz-Kanon haben?”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 31-38, 107-124 “Gehen wir bitte gleich zum zweiten Satz, und zwar wo er eigentlich anfängtm Takt 31...”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 163-196, 203-211 “Von 169 bis 170, diese Harmoniefolge, die kommt aus dem Mozart-Requiem: 'Qua resurget ex favilla homo reus'...”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 1-18, 39-70 “So, jetzt gehen wir zu dem Anfang von dem Satz...”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 71-84, 101-144, 195-202 “Geben Sie mir bitte einmal nur die Triolen, nur Steicher von 'D'...”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 1-39, 133-187 “Ich hätte gern wirklich so einen magischen Schnelltanz...”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 341-382; Trio, mm. 1-55 “Können Sie ein bisschen so eine oberösterrechische Melancholie hineinbringen?”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Trio, mm. 56-1479; Scherzo da capo, mm. 1-132 “Jetzt spielen Sie bitte wirklich 'Um-Pa'!”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 1-22, 29-36, 67-82 “Es muss die Eins immer sehr energisch sein und die Zwei etwas weniger...”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 83-136, 137-165 “Tutti von 'Etwas mehr langsam'...”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 175-210, 223-231 “Stellen Sie sich zu dem Choral einen Text vor: 'Was Gott tut, das ist wohl getan...'”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 310-340 “Jeder von diesen Einsätzen muss klingen, als, wäre er eine Eins...”

Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 362-373, 450-499, 500-635 “Schön wäre es, wenn man eine totale Erschöpfung hört auf diesem Des...”

Symphony no. 9 in D minor, WAB 109 (unfinished): I. Feierlich, misterioso

Symphony no. 9 in D minor, WAB 109 (unfinished): II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo da capo

Symphony no. 9 in D minor, WAB 109 (unfinished): III. Adagio. Langsam, feierlich

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Warum hat man eigentlich 100 Jahre lang gedacht, es gäbe nichts von diesem 4. Satz?”

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 1-278

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Gegen Ende eine extreme Dissonanz in den Trompeten”

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Nach dem Ende der Durchfährung folgt eine wilde Fuge”

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 279-342

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Quasi ein Schreckensbild des Todes”

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 343-478

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Danach fehlen 16 Takte; dazu ist nichts zu erklären; wir spielen einfach nicht”

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation T. 479-510 - Lücke / fehlender Partiturbogen - T. 511-526

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Wy did we think for over a hundred years that nothing of this finale existed?”

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 1-278

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Extreme dissonances in the trumpets towards the end of the block”

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “At the end of the development a wild fugue begins”

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 279-342

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “A sudden vision of death”

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 343-478

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Then there are sixteen bars missing; we will just leave them out”

Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation mm. 479-510 - gap/missing score bifolio - mm. 511-526

Má vlast: Vyšehrad. Lento - Largo maestoso - Grandioso poco largamente - Allegro vivo ma non agitato - Lento ma non troppo

Má vlast: Vltava. Allegro comodo non agitato - L'istesso temp ma moderato - L'istesso tempo - Tempo I - Più moto

Má vlast: Šárka. Allegro con fuoco ma non agitato - Più moderato assai - Moderato ma con calore - Moderato - Molto vivo - Più vivo

Má vlast: Zčesk ých luhů a hájů. Molto moderato - Allegro poco vivo, ma non troppo - Allegro (Quasi Polka) - Tempo I - Allegro - Presto

Má vlast: Tábor. Lento - Grandioso - Molto vivace - Lento - Molto vivace - Lento maestoso - Più animato

Má vlast: Blanik. Allegro moderato - Andante non troppo - Più allegro ma non molto - Tempo di marcia - Grandioso - Tempo I - Largamente maestoso - Grandioso, meno Allegro - Vivace

Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”. Ziemlich langsam und mit Ausdruck (chorus)

Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”. Langsam, marschmäßig (chorus)

Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss”. Andante bewegt (baritone, chorus)

Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen”. Mäßig bewegt (chorus)

Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”. Langsam (soprano, chorus)

Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”. Andante - Allegro (baritone, chorus)

Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”. Feierlich (chorus)

Stabat Mater, op. 58: No. 1 Quartet & Chorus: “Stabat Mater dolorosa”. Andante con moto

Stabat Mater, op. 58: No. 2 Quartet: “Quis est homo qui non fieret”. Andante sostenuto

Stabat Mater, op. 58: No. 3 Chorus: “Eia, Mater, fons, amoris”. Andante con moto

Stabat Mater, op. 58: No. 4 Bass & Chorus: “Fac ut ardeat cor meum”. Largo

Stabat Mater, op. 58: No. 5 Chorus: “Tui nati vulnerati”. Andante con moto, quasi allegretto

Stabat Mater, op. 58: No. 6 Tenor & Chorus: “Fac me vere tecum flere”. Andante con moto

Stabat Mater, op. 58: No. 7 Chorus: “Virgo virginum praeclara”. Largo

Stabat Mater, op. 58: No. 8 Soprano & Tenor Duet: “Fac ut portem Christi mortem”. Larghetto

Stabat Mater, op. 58: No. 9 Alto: “Inflammatus et accesnsus”. Andante maestoso

Stabat Mater, op. 58: No. 10 Quartet & Chorus: “Quando corpus morietur”. Andante con moto

Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo

Music for Strings, Percussion and Celesta, Sz 106: II. Allegro

Music for Strings, Percussion and Celesta, Sz 106: III. Adagio

Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto

Divertimento for String Orchestra, Sz 113: I. Allegro non troppo

Divertimento for String Orchestra, Sz 113: II. Molto adagio

Divertimento for String Orchestra, Sz 113: III. Allegro assai

Porgy & Bess: Act I, Scene 1. Introduction

Porgy & Bess: Act I, Scene 1. “Summertime and the livin' is easy” (Clara)

Porgy & Bess: Act I, Scene 1. “Seems like these bones don't give me nothin' but boxcars tonight” (Jake, Sportin' Life, Mingo, Serena, Robbins, chorus, Jim, Clara, crap shooters)

Porgy & Bess: Act I, Scene 1. “Lissen to yo' daddy warn you” - “Oh, a woman is a sometime thing” (Jake, Mingo, Sportin' Life, chorus, Peter, Lily, Maria)

Porgy & Bess: Act I, Scene 1. “Here's the ol' crap shark!” ... “No, no, brudder” (Jake, Mingo, Porgy, Sportin' Life, Robbins, Jim, Maria, Serena)

Porgy & Bess: Act I, Scene 1. “Here comes the Big Boy!” (Mingo, Jake, Jim, Crown, Sportin' Life, Serena, Bess, Robbins, Porgy, chorus)

Porgy & Bess: Act I, Scene 1. “Six to make!” (Sportin' Life, Jim, Mingo, Jake, Porgy, Crown, Robbins, Maria, Serena, Bess, chorus)

Porgy & Bess: Act I, Scene 1. “Jesus, he's killed him!” ... “That you, Sportin' Life?” (Mingo, Bess, Crown, Sportin' Life, Maria)

Porgy & Bess: Act I, Scene 2. “Where is brudder Robbins?” (woman, chorus, Man, Serena, Maria, Bess)

Porgy & Bess: Act I, Scene 2. “Come on, sister” ... “Overflow, overflow” (soprano, chorus, Jake, Peter, Serena, Maria, Porgy, Clara)

Porgy & Bess: Act I, Scene 2. “Um! A saucer-buryin' set-up, I see” (detective, Serena, Jake, Porgy, chorus)

Porgy & Bess: Act I, Scene 2. “My man's gone now” (Serena, chorus)

Porgy & Bess: Act I, Scene 2. “How de saucer stan' now, my sister?” (undertaker, Serena, Jake, Porgy, chorus)

Porgy & Bess: Act I, Scene 2. “Oh, the train is at the station” (Bess, chorus)

Porgy & Bess: Act II, Scene 1. “Oh, I'm a-goin' out to the Blackfish banks” (Jake, chorus)

Porgy & Bess: Act II, Scene 1. “Mus' be you mens forgot about de picnic” - “Oh, I got plenty o' nuttin'” (Annie, Jake, Clara, Porgy, chorus, Serena, Maria)

Porgy & Bess: Act II, Scene 1. “I got plenty o' nuttin'” (Porgy, chorus)

Porgy & Bess: Act II, Scene 1. “Listen there what I tells you” (Maria, Serena, Sportin' Life)

Porgy & Bess: Act II, Scene 1. “I hates yo' struttin' style” (Maria)

Porgy & Bess: Act II, Scene 1. “Mornin', Lawyer, lookin' for somebody?” (Maria, Frazier, Porgy, Bess, chorus, Lily, Man, Scipio, Annie, Serena)

Porgy & Bess: Act II, Scene 1. “Boy! Come here, boy!” (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, chorus)

Porgy & Bess: Act II, Scene 1. “Buzzard keep on flyin' over” (Porgy, chorus)

Porgy & Bess: Act II, Scene 1. “Lo, Bess, goin' to de picnic?” (Sportin' Life, Bess, Porgy)

Porgy & Bess: Act II, Scene 1. “Honey, we sure goin' strut our stuff today!” (Jake, Porgy, Bess)

Porgy & Bess: Act II, Scene 1. “Bess, you is my woman now” (Porgy, Bess)

Porgy & Bess: Act II, Scene 1. “Oh, I can't sit down” (chorus, Maria, Bess, Porgy)

Porgy & Bess: Act II, Scene 2. “I ain't got no shame doin' what I like to do” (chorus)

Porgy & Bess: Act II, Scene 2. “It ain't necessarily so” (Sportin' Life, chorus)

Porgy & Bess: Act II, Scene 2. “Shame on all you sinners” (Serena, Maria)

Porgy & Bess: Act II, Scene 2. “Crown!” ... “You know very well dis Crown!” (Bess, Crown)

Porgy & Bess: Act II, Scene 2. “Oh, what you want wid Bess?” (Bess, Crown)

Porgy & Bess: Act II, Scene 3. “Honey, dat's all de breakfast I got time for” (Jake, Nelson, Jim, Maria, chorus)

Porgy & Bess: Act II, Scene 3. “Well, if it ain' ole Peter!” (Maria, Peter, Bess, Porgy, Serena)

Porgy & Bess: Act II, Scene 3. “Oh Doctor Jesus” (Serena, Porgy, Peter, Lily)

Porgy & Bess: Act II, Scene 3. “Oh, dey's so fresh an' fine” (strawberry woman)

Porgy & Bess: Act II, Scene 3. “I'm talkin' about devil crabs” (crab man, Porgy, Maria)

Porgy & Bess: Act II, Scene 3. “Porgy, Porgy, dat you there, ain' it?” (Bess, Porgy)

Porgy & Bess: Act II, Scene 3. “If dere warn't no Crown, Bess” (Porgy, Bess)

Porgy & Bess: Act II, Scene 3. “Why you been out on that wharf so long, Clara?” (Maria, Clara)

Porgy & Bess: Act II, Scene 4. “Oh, de Lawd shake de Heavens an' de Lawd rock de groun'” (chorus, man, woman, Porgy, Clara, Serena, Sportin' Life)

Porgy & Bess: Act II, Scene 4. “One of dese mornin's you goin' to rise up singin'” (Clara, chorus)

Porgy & Bess: Act II, Scene 4. “Oh, dere's somebody knockin' at de do'” (chorus, Peter, Lily, Mingo, Maria, Bess)

Porgy & Bess: Act II, Scene 4. “You is a nice parcel of Christians” (Crown, Serena, Bess, Porgy, woman, chorus)

Porgy & Bess: Act II, Scene 4. “A red-headed woman make a choo-choo jump its track” (Crown, chorus)

Porgy & Bess: Act II, Scene 4. “Jake's boat in de river upside down!” (Bess, Clara, Crown)

Porgy & Bess: Act II, Scene 4. “All right, I'm goin' out to get Clara” ... “Oh Doctor Jesus” (Crown, Porgy, all)

Porgy & Bess: Act III, Scene 1. “Clara, Clara, don't you be downhearted” ... “You low-life skunk, ain' you got no shame” (chorus, Sportin' Life, Maria)

Porgy & Bess: Act III, Scene 1. “Summertime an' the livin' is easy” (Bess, Porgy)

Porgy & Bess: Act III, Scene 2. “Wait for us at the corner, Al” (detective, Annie, Serena, other woman, coroner, 3 women, Porgy, policeman)

Porgy & Bess: Act III, Scene 2. “Oh Gawd! They goin' make him look on Crown's face!” (Bess, Sportin' Life)

Porgy & Bess: Act III, Scene 2. “There's a boat dat's leavin' soon for New York” (Sportin' Life, Bess)

Porgy & Bess: Act III, Scene 3. Introduction

Porgy & Bess: Act III, Scene 3. Symphony of Noise

Porgy & Bess: Act III, Scene 3. “Good mornin', sistuh!” ... “It's Porgy comin' home” (man, woman, chorus, children, Mingo, Porgy)

Porgy & Bess: Act III, Scene 3. “Dem white folks sure ain' put nuttin' over on this baby” (Porgy, Lily)

Porgy & Bess: Act III, Scene 3. “Here Mingo, what's de matter wid you all?” (Porgy)

Porgy & Bess: Act III, Scene 3. “Maria, Maria, where's Bess?” (Porgy, Maria, Serena)

Porgy & Bess: Act III, Scene 3. “Where Bess gone?” (Porgy, Mingo, Maria, Serena, chorus)

Porgy & Bess: Act III, Scene 3. “Oh Lawd, I'm on my way” (Porgy, chorus)

Kaiser Franz Joseph I. Rettungs-Jubel-Marsch, op. 126

Schatz Walzer, op. 418

Niko Polka, op. 228

Scherz Polka, op. 72

Delirien, op. 212

Pêle-Mêle Polka, op. 161

Aufforderung zum Tanz, op. 65

Sekunden Polka, op. 258

Hellenen Polka, op. 203

Kaiser Walzer, op. 437

Bauern Polka, op. 276

Lob der Frauen, op. 315

Chineser Galopp, op. 20

Ungarischer Tanz Nr. 5 g-Moll, WoO 1/5

Ungarischer Tanz Nr. 6 D-Dur, WoO 1/6

Krönungslieder, op. 184

Leichtes Blut, op. 319

Furioso Polka, op. 260

New Year's Address

An der schönen blauen Donau, op. 314

Radetzky-Marsch, op. 228

Kontretanz in D major, K 603/1

Kontretanz in C major, K 609/1

Kontretanz in C major, K 609/4

6 deutsche Tänze, K 571: No. 1 in D major

6 deutsche Tänze, K 571: No. 2 in A minor

6 deutsche Tänze, K 571: No. 3 in C major

6 deutsche Tänze, K 571: No. 4 in G major

6 deutsche Tänze, K 571: No. 5 in B-flat major

6 deutsche Tänze, K 571: No. 6 in D major

Radetzky-Marsch, op. 228 (original version)

Kettenbrücke-Walzer, op. 4

Schäfer-Quadrille, op. 217

Der Karneval in Paris, op. 100 (Walzer)

Walzer à la Paganini, op. 11

Pas de neuf, WoO (after Saverio Mercadante)

Sehnsuchts-Mazur, op. 89

Hans-Jörgel-Polka, op. 194

Malapou-Galopp, op. 148a

Hexen-Tanz, op. 203 (Walzer)

March from the Ballet Corso Donati

Cerrito-Polka, op. 189

Jägers Lust, op. 82 (Jagd-Galopp)

Die Schönbrunner, op. 200 (Walzer)

Die Zauberflöte, K 620: Opening Credits

Die Zauberflöte, K 620: Overture

Die Zauberflöte, K 620: Act I. No. 1 Introduction: “Zu Hilfe! Zu Hilfe!” (Tamino, 3 Ladies)

Die Zauberflöte, K 620: Act I. No. 1 Dialogue: “Wo bin ich!” (Tamino) / No. 2 Aria: “Der Vogelfänger bin ich ja” (Papageno)

Die Zauberflöte, K 620: Act I. No. 2 Dialogue: “He da!” - “Was da!” (Tamino, Papageno, 3 Ladies)

Die Zauberflöte, K 620: Act I. No. 3 Aria: “Dies Bildnis ist bezaubernd schön” (Tamino) / Dialogue: “Rüste dich mit Mut und Standhaftigkeit” (3 Ladies, Tamino)

Die Zauberflöte, K 620: Act I. No. 4 Recitative & Aria: “O zittre nicht, mein lieber Sohn!” (Queen of the Night)

Die Zauberflöte, K 620: Act I. No. 4 Dialogue: “Ist es denn auch Wirklichkeit, was ich sah” (Tamino) / No. 5 Quintet: “Hm! Hm! Hm! Hm!” (Papagenom Tamino, 3 Ladies)

Die Zauberflöte, K 620: Act I. No. 5 Dialogue: “Was soll denn das Lachen?” (slaves, Manostatos) / No. 6 Trio: “Du feines Täubchen, nur herein!” (Manostatos, Pamina, Papageno)

Die Zauberflöte, K 620: Act I. No. 6 Dialogue: “Mutter! Mutter! Mutter!” (Pamina, Papageno)

Die Zauberflöte, K 620: Act I. No. 7 Duet: “Bein Männern, welche Liebe fühlen” (Pamina, Papageno)

Die Zauberflöte, K 620: Act I. No. 8 Finale: “Zum Ziele führt dich diese Bahn” (3 Boys, Tamino)

Die Zauberflöte, K 620: Act I. No. 8 Finale: “Die Weisheitslehre dieser Knaben” (Tamino, Speaker, chorus)

Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wie stark ist nicht dein Zauberton” (Tamino)

Die Zauberflöte, K 620: Act I. No. 8 Finale: “Schnelle Füße, rascher Mut” (Pamina, Papageno, Manostatos, slaves)

Die Zauberflöte, K 620: Act I. No. 8 Finale: “Es lebe Sarastro, Sarastro lebe!” (chorus, Papageno, Pamina, Sarastro)

Die Zauberflöte, K 620: Act I. No. 8 Finale: “Nun, stolzer Jüngling, nur hieher!” (Manostatos, Pamina, Tamino, Sarastro)

Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wenn Tugend und Gerechtigkeit” (chorus)

Die Zauberflöte, K 620: Act II. No. 9 March of the Priests

Die Zauberflöte, K 620: Act II. No. 9 Dialogue: “Ihr in dem Weisheitstempel eingeweihten Diener” (Sarastro, Priests, Speaker)

Die Zauberflöte, K 620: Act II. No. 10 Aria & Chorus: “O Isis und Osiris” (Sarastro, chorus)

Die Zauberflöte, K 620: Act II. No. 10 Dialogue: “Eine schreckliche Nacht!” (Tamino, Papageno, Speaker, First Priest) / No. 11 Duet: “Bewahret euch vor Weibertücken” (First Priest, Speaker) / No. 11 Dialogue: “He, Lichter her!” (Papageno, Tamino)

Die Zauberflöte, K 620: Act II. No. 11 Dialogue: “Das ist ja wunderlich” (Papageno, Tamino) / No. 12 Quintet: “Wie? Wie? Wie? Ihr an diesem Schreckensort?” (3 Ladies, Papageno, Tamino, chorus, Speaker, First Priest) / No. 12 Dialogue: “Heil dir, Jüngling!” (3 Ladies, Papageno)

Die Zauberflöte, K 620: Act II. No. 12 Dialogue: “Ha, da find' ich ja die spröde Schöne!" (Manostatos) / No. 13 Aria: “Alles fühlt der Liebe Freuden” (Manostatos) / No. 13 Dialogue: “Mutter!” (Pamina, Queen of the Night)

Die Zauberflöte, K 620: Act II. No. 14 Aria: “Der Hölle Rache” (Queen of the Night) / No. 14 Dialogue: “Morden soll ich?” (Pamina, Manostatos, Sarastro)

Die Zauberflöte, K 620: Act II. No. 15 Aria: “In diesen heil'gen Hallen” (Sarastro) / No. 15 Dialogue: “Prinz, lebt wohl!” (Speaker, First Priest, Papageno, Tamino, old woman)

Die Zauberflöte, K 620: Act II. No. 16 Trio: “Seid uns zum zweiten Mal willkommen” (3 Boys) / No. 16 Dialogue: “Tamino, wollen wir nicht speisen?” (Papageno, Pamina)

Die Zauberflöte, K 620: Act II. No. 17 Aria: “Ach, ich fühl's” (Pamina) / No. 17 Dialogue: “Nicht wahr Tamino, ich kann auch schweigen” (Papageno)

Die Zauberflöte, K 620: Act II. No. 18 Chorus: “O Isis und Osiris, welche Wonne!” (Priests) / No. 18 Dialogue: “Prinz, dein Betragen war bis hieher männlich” (Sarastro, Pamina, Tamino)

Die Zauberflöte, K 620: Act II. No. 19 Trio: “Soll ich dich, Teurer, nicht mehr seh'n?” (Pamina, Sarastro, Tamino)

Die Zauberflöte, K 620: Act II. No. 19 Dialogue: “Tamino! Tamino!” (Papageno, Speaker) / No. 20 Aria: “Ein Mädchen oder Weibchen” (Papageno) / No. 20 Dialogue: “Da bin ich schon, mein Engel!” (old woman, Papageno, Speaker)

Die Zauberflöte, K 620: Act II. No. 21 Finale: “Bald prangt, den Morgen zu verkünden” (3 Boys, Pamina)

Die Zauberflöte, K 620: Act II. No. 21 Finale: “Der, welcher wandert diese Straße” (2 Men in Armour, Tamino, Pamina)

Die Zauberflöte, K 620: Act II. No. 21 Finale: “Tamino mein! O welch ein Glück!” (Pamina, Tamino, 2 Men in Armour, chorus)

Die Zauberflöte, K 620: Act II. No. 21 Finale: “Papagena! Papagena! Papagena!” (Papageno, 3 Boys)

Die Zauberflöte, K 620: Act II. No. 21 Finale: “Pa-Pa-Papagena! - Pa-Pa-Papageno!” (Papageno, Papagena)

Die Zauberflöte, K 620: Act II. No. 21 Finale: “Nur stille, stille, stille, stille!” (Manostatos, 3 Ladies, Queen of the Night) / No. 21 Finale: “Die Strahlen der Sonne” (Sarastro, chorus)

Die Zauberflöte, K 620: Curtain Calls and Credits

Opening

First Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro

Second Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto

Third Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: I. Allegro / II. Larghetto

Last Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: III. Allegretto

Credits