Sound Check

Compilation by Alan Parsons & Stephen Court

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  1. 1.
    1kHz Ref. Tone @ -14dB FS
    0:36
  2. 2.
    Pink Noise L
    0:24
  3. 3.
    Pink Noise R
    0:22
  4. 4.
    Pink Noise L+R & Phase Check
    0:43
  5. 5.
    Pink Noise: Bass 0–200Hz & Phase Check
    0:43
  6. 6.
    Pink Noise: Low Mid 200Hz–1kHz & Phase Check
    0:43
  7. 7.
    Pink Noise: High Mid 1kHz – ∞ & Phase Check
    0:42
  8. 8.
    Pink Noise: HF 7kHz – ∞ & Phase Check
    0:44
  9. 9.
    ⅓ Octave: 1kHz Ref. Tone
    0:17
  10. 10.
    ⅓ Octave: 20Hz
    0:12
  11. 11.
    ⅓ Octave: 25Hz
    0:12
  12. 12.
    ⅓ Octave: 31.5Hz
    0:13
  13. 13.
    ⅓ Octave: 40Hz
    0:13
  14. 14.
    ⅓ Octave: 50Hz
    0:13
  15. 15.
    ⅓ Octave: 63Hz
    0:12
  16. 16.
    ⅓ Octave: 80Hz
    0:13
  17. 17.
    ⅓ Octave: 100Hz
    0:13
  18. 18.
    ⅓ Octave: 125Hz
    0:13
  19. 19.
    ⅓ Octave: 160Hz
    0:13
  20. 20.
    ⅓ Octave: 200Hz
    0:13
  21. 21.
    ⅓ Octave: 250Hz
    0:12
  22. 22.
    ⅓ Octave: 315Hz
    0:12
  23. 23.
    ⅓ Octave: 400Hz
    0:12
  24. 24.
    ⅓ Octave: 500Hz
    0:12
  25. 25.
    ⅓ Octave: 630Hz
    0:12
  26. 26.
    ⅓ Octave: 800Hz
    0:12
  27. 27.
    ⅓ Octave: 1kHz
    0:13
  28. 28.
    ⅓ Octave: 1.25kHz
    0:13
  29. 29.
    ⅓ Octave: 1.6kHz
    0:12
  30. 30.
    ⅓ Octave: 2kHz
    0:13
  31. 31.
    ⅓ Octave: 2.5kHz
    0:12
  32. 32.
    ⅓ Octave: 3.15kHz
    0:11
  33. 33.
    ⅓ Octave: 4kHz
    0:11
  34. 34.
    ⅓ Octave: 5kHz
    0:13
  35. 35.
    ⅓ Octave: 6.3kHz
    0:11
  36. 36.
    ⅓ Octave: 8kHz
    0:11
  37. 37.
    ⅓ Octave: 10kHz
    0:12
  38. 38.
    ⅓ Octave: 12.5kHz
    0:12
  39. 39.
    ⅓ Octave: 16kHz
    0:11
  40. 40.
    ⅓ Octave: 20kHz
    0:14
  41. 41.
    Sweeps: 1kHz Ref. Warble
    0:23
  42. 42.
    Sweeps: 1kHz–500Hz, 500Hz–250Hz, 250Hz–125Hz, 125Hz–20Hz
    0:39
  43. 43.
    Sweeps: 1kHz–2kHz, 2kHz–4kHz, 4kHz–8kHz
    0:41
  44. 44.
    Sine: 1kHz Ref. Tone @ -14dB FS
    0:21
  45. 45.
    Sine: 60Hz
    0:12
  46. 46.
    Sine: 100Hz
    0:12
  47. 47.
    Sine: 250Hz
    0:12
  48. 48.
    Sine: 500Hz
    0:11
  49. 49.
    Sine: 1kHz
    0:11
  50. 50.
    Sine: 2kHz
    0:12
  51. 51.
    Sine: 3kHz
    0:11
  52. 52.
    Sine: 5kHz
    0:11
  53. 53.
    Sine: 10kHz
    0:11
  54. 54.
    Sine: 12kHz
    0:12
  55. 55.
    Sine: 15kHz
    0:13
  56. 56.
    Sine Sweep: 20Hz–20kHz
    0:33
  57. 57.
    Square: 1kHz @ -20dB FS
    0:12
  58. 58.
    Square: 5kHz @ -20dB FS
    0:11
  59. 59.
    Max Level Tone: 1kHz Sine @ 0dB FS
    0:37
  60. 60.
    Spoken Word
    0:55
  61. 61.
    Piano
    1:06
  62. 62.
    Acoustic Guitar – Finger‐Style
    0:34
  63. 63.
    Acoustic Guitar – Strummed
    0:38
  64. 64.
    Spanish Guitar
    1:36
  65. 65.
    Electric Guitar – Clean
    1:24
  66. 66.
    Electric Guitar – Distorted
    1:18
  67. 67.
    Bass Guitar
    1:12
  68. 68.
    Flute
    1:05
  69. 69.
    Saxophone
    1:06
  70. 70.
    Vocal
    1:00
  71. 71.
    Bongos
    0:41
  72. 72.
    Tambourine
    0:44
  73. 73.
    Kick Drum
    0:17
  74. 74.
    Snare Drum
    0:18
  75. 75.
    Cymbals and Hi‐Hat
    0:59
  76. 76.
    Toms
    0:43
  77. 77.
    Whole Drum Kit
    1:40
  78. 78.
    Violins
    1:22
  79. 79.
    Cellos and Violas
    1:32
  80. 80.
    The Race
    1:35
  81. 81.
    Limelight
    2:01
  82. 82.
    Seasons of Our Lives
    1:48
  83. 83.
    Bach’s Toccata and Fugue in D Minor
    2:36
  84. 84.
    Sub‐Machine Gun
    0:33
  85. 85.
    Chieftain Tank
    0:52
  86. 86.
    Thunderstorm
    0:24
  87. 87.
    Steam Trains
    2:48
  88. 88.
    1000mph Jet Flypast
    1:00
  89. 89.
    EBU 25 Frame Timecode (10:00:00 to 10:05:00)
    5:02
  90. 90.
    SMPTE Non‐Drop Frame Timecode (10:00:00 to 10:05:00)
    5:05
  91. 91.
    SMPTE Drop Frame Timecode (10:00:00 to 10:05:00)
    5:05
  92. 92.
    A‐440 Tuning Reference
    0:15

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