About
- 1.Excavations — Poe's "The Cask of Amontillado"
- 2.Hawthorne's "Goodman Brown" and Lost Faith
- 3.Under Gogol's "Overcoat"
- 4.Maupassant's "The Necklace" — Real and Paste
- 5.Chekhov, Love, and "The Lady With the Dog"
- 6.James in the Art Studio — "The Real Thing"
- 7.Epiphany and the Modern in Joyce's "Araby"
- 8.Babel's "My First Goose" — Violent Concision
- 9.Male Initiation — Hemingway's "The Killers"
- 10.Kafka's Parable — "A Hunger Artist"
- 11.Lawrence's Blue-Eyed "Rocking-Horse Winner"
- 12.Female Initiation — Mansfield's "Party"
- 13.Jackson's Shocking Vision in "The Lottery"
- 14.O'Connor's "A Good Man Is Hard to Find"
- 15.Paley on Survival and "An Interest in Life"
- 16.The "Enormous Wings" of García Márquez
- 17.A New World Fable — Malamud's "The Jewbird"
- 18.Baldwin's "Sonny's Blues" — a Harlem Song
- 19.Updike's "A & P" — The Choice of Gallantry
- 20.Kingston's Warrior Myth — "No Name Woman"
- 21.Atwood's "Happy Endings" as Metafiction
- 22.Gordimer's "Moment Before" Apartheid Fell
- 23.Carver's "Cathedral" — a Story That Levitates
- 24.Why Short Fiction Masterpieces?