The Complete RCA And Sony Album Collection

Marche en ré mineur n°1 K. 335

Sérénade n° 9 en ré majeur "Posthorn" K. 320 : I. Adagio maestoso - allegro con spirito

Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Ii. Minuetto. Allegretto & Trio

Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Iii. Concertante. Andante grazioso

Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Iv. Rondeau. Allegro ma non troppo

Sérénade n° 9 en ré majeur "Posthorn" K. 320 : V. Andantino

Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Vi. Minuetto & Trio i & Trio ii

Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Vii. Finale. Presto

Marche en ré majeur n°2 K. 335

Divertimento en ré majeur K. 251 "Nannerl septet" : I. Molto allegro

Divertimento en ré majeur K. 251 "Nannerl Septet" : II. Menuetto - Trio

Divertimento en ré majeur K. 251 "Nannerl Septet" : III. Andantino

Divertimento en ré majeur K. 251 "Nannerl Septet" : IV. Menuetto. Tema con variazioni

Divertimento en ré majeur K. 251 "Nannerl Septet" : V. Rondeau. Allegro assai

Divertimento en ré majeur K. 251 "Nannerl Septet" : VI. Marcia alla francese

Symphonie n°23 en ré majeur K. 181 : I. Allegro spiritoso

Symphonie n°23 en ré majeur K. 181 : II. Andantino grazioso

Symphonie n°23 en ré majeur K. 181 : III. Presto assai

Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : I. Allegro maestoso

Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : II. Andante

Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : III. Presto

Symphonie n°36 en ut majeur "Linz" K. 425 : I. Adagio - Allegro spiritoso

Symphonie n°36 en ut majeur "Linz" K. 425 : II. Andante

Symphonie n°36 en ut majeur "Linz" K. 425 : III. Menuetto - Trio

Symphonie n°36 en ut majeur "Linz" K. 425 : IV. Presto

Symphony No. 28 in C major, K.200: I. Allegro spiritoso

Symphony No. 28 in C major, K.200: II. Andante

Symphony No. 28 in C major, K.200: III. Menuetto. Allegretto - Trio

Symphony No. 28 in C major, K.200: IV. Presto

Symphony No. 29 in A major, K. 201: I. Allegro moderato

Symphony No. 29 in A major, K. 201: II. Andante

Symphony No. 29 in A major, K. 201: III. Menuetto - Trio

Symphony No. 29 in A major, K. 201: IV. Allegro con spirito

Symphony No. 35 in D major, K. 385 "Haffner": I. Allegro con spirito

Symphony No. 35 in D major, K. 385 "Haffner": II. Andante

Symphony No. 35 in D major, K. 385 "Haffner": III. Menuetto - Trio

Symphony No. 35 in D major, K. 385 "Haffner": IV. Finale. Presto

Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai

Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante

Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro

Symphony No. 31 in D major, K. 300a/297 (second version) "Paris": III. Andante

Masonic Funeral Music for Orchestra in C minor, K. 479a/477

Symphony No. 25 in G minor, K. 173dB/183: I. Allegro con brio

Symphony No. 25 in G minor, K. 173dB/183: II. Andante

Symphony No. 25 in G minor, K. 173dB/183: III. Minuetto & Trio

Symphony No. 25 in G minor, K. 173dB/183: IV. Allegro

Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": I. Adagio maestoso - allegro con spirito

Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": V. Andantino

Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VII. Finale. Presto

Grande Messe en ut mineur K. 427 : I. Kyrie (Andante moderato)

Grande Messe en ut mineur K. 427 : II. Gloria : Gloria in Excelsis Deo (Allegro vivace)

Grande Messe en ut mineur K. 427 : Laudamus Te (Allegro aperto)

Grande Messe en ut mineur K. 427 : Gratias agimus tibi (Allegro)

Grande Messe en ut mineur K. 427 : Domine (Allegro moderato)

Grande Messe en ut mineur K. 427 : Qui tollis (Largo)

Grande Messe en ut mineur K. 427 : Quoniam (Allegro)

Grande Messe en ut mineur K. 427 : Jesu Christe (Adagio)

Grande Messe en ut mineur K. 427 : Cum Sancto Spiritu

Grande Messe en ut mineur K. 427 : III. Credo : Credo in unum Deum (Allegro maestoso)

Grande Messe en ut mineur K. 427 : Et incarnatus est

Grande Messe en ut mineur K. 427 : IV. Sanctus

Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo)

Symphony No. 9 in D minor, Op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso

Symphony No. 9 in D minor, Op. 125 “Choral”: II. Molto vivace

Symphony No. 9 in D minor, Op. 125 “Choral”: III. Adagio molto e cantabile

Symphony No. 9 in D minor, Op. 125 “Choral”: IV. Finale

Ein Sommernachtstraum‐Ouvertüre, op. 21: Allegro di molto

Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 1. Scherzo. Allegro vivace

Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 2. L’istesso tempo

Ein Sommernachtstraum, Schauspiel Musik, op. 61: Elfenreigen. Allegro vivace

Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 3. Lied mit Chor. Allegro ma non troppo

Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 4. Andante

Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 5. Intermezzo. Allegro appassionato

Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 7. Notturno. Con moto tranquillo

Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 8. Andante

Ein Sommernachtstraum, Schauspiel Musik, op. 61: No. 9. Hochzeitsmarsch. Allegro vivace

Ein Sommernachtstraum, Schauspiel Musik, op. 61: Finale. Allegro di molto

Symphony no. 4 in A major, op. 90 “Italienische”: I. Allegro vivace

Symphony no. 4 in A major, op. 90 “Italienische”: II. Andante con moto

Symphony no. 4 in A major, op. 90 “Italienische”: III. Con moto moderato

Symphony no. 4 in A major, op. 90 “Italienische”: IV. Salterello. Presto

Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso

Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino grazioso

Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace

Konzertstück, Op. 92 (Introduction & allegro appassionato for piano & orchestra) in G major

Konzertstück, Op. 134 (Introduction & allegro concertante for piano & orchestra) in D minor

Scenes from Goethe's Faust, WoO 3: Part I: Overture

Scenes from Goethe's Faust, WoO 3: Part I: I Garden Scene "Du kanntest mich, o kleiner Engel"

Scenes from Goethe's Faust, WoO 3: Part I: II Gretchen before the Image of the Mater Dolorosa "Ach neige"

Scenes from Goethe's Faust, WoO 3: Part I: III Scene in the Cathedral "Wie anders, Gretchen, war dir's"

Scenes from Goethe's Faust, WoO 3: Part II: IVa Ariel. Sunrise "Die ihr dies Haupt umschwebt"

Scenes from Goethe's Faust, WoO 3: Part II: IVb Ariel. Sunrise "Täler grüner, Hügel schwellen"

Scenes from Goethe's Faust, WoO 3: Part II: IVc Ariel. Sunrise "Des Lebens Pulse schlagen frisch-lebendig"

Scenes from Goethe's Faust, WoO 3: Part II: IVd Ariel. Sunrise "So ist es also"

Scenes from Goethe's Faust, WoO 3: Part II: Va Midnight "Ich heiße der Mangel"

Scenes from Goethe's Faust, WoO 3: Part II: Vb Midnight "Vier sah ich kommen, drei nur geh'n"

Scenes from Goethe's Faust, WoO 3: Part II: Vc Midnight "Die Nacht scheint tiefer tief hereinzudringen"

Scenes from Goethe's Faust, WoO 3: Part II: VI Faust's Death "Herbei, herbei! Herein, herein!"

Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration I "Waldung, sie schwankt heran"

Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration II "Ewiger Wonnebrand"

Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IIIa "Wie Felsenabgrund mir zu Füßen"

Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IIIb "Welch ein Morgenwölkchen"

Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IVa "Gerettet ist das edle Glied"

Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IVb "Gerettet ist das edle Glied"

Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration V "Hier ist die Aussicht frei"

Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration VI "Dir, der Unberührbaren"

Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration VII "Alles Vergängliche ist nur ein Gleichnis"

The Noonday Witch, op. 108

Symphony no. 8 In G major, op. 88: I. Allegro con brio

Symphony no. 8 in G major, op. 88: II. Adagio

Symphony no. 8 In G major, op. 88: III. Allegretto grazioso – Molto vivace

Symphony no. 8 In G major, op. 88: IV. Allegro ma non troppo

St. John's Night on the Bare Mountain

Khovanshchina: Prelude

Khovanshchina: Aria of Shaklovity "Spit streleckoe gnezdo"

Khovanshchina: The Departure of Prince Golizyn

Khovanshchina: Aria of Marfa "Sily potajnye"

Khovanshchina: Dance of the Persian Slave Girls

Scherzo in B-flat major

Intermezzo Symphonique in modo classico in B minor

Festive March from "Mlada"

Songs and Dances of Death: I. Lullaby

Songs and Dances of Death: II. Serenade

Songs and Dances of Death: III. Trepak

Songs and Dances of Death: IV. The Field Marshal

Symphony No.5 in E minor, Op.64: I. Andante - Allegro con anima

Symphony No.5 in E minor, Op.64: II. Andante cantabile,con alcuna licenza

Symphony No.5 in E minor, Op.64: III. Valse. Allegro moderato

Symphony No.5 in E minor, Op.64: IV. Finale. Andante maestoso - Allegro vivace

Khovanschchina: Act IV: Introduction (Golitzyn's Journey)

Joshua for Chorus, Contralto, Bass and Orchestra

Salammbô: Chorus of Priestesses

Scherzo in B-flat

The Destruction of Sennacherib for Chorus and Orchestra

St. John's Night on the Bare Mountain

Oedipus in Athens: Chorus of People in the Temple

Khovanschchina: Prelude (Dawn Over the Moscow River)

The Capture of Kars, Triumphal March

Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Dreams of a Winter Journey. Allegro tranquillo

Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Gloomy Land, Misty Land. Adagio cantabile ma non tanto

Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo. Allegro sherzando giocoso

Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale. Andante lugubre - Allegro maestoso

The Nutcracker - Suite, op. 71a: I. Ouverture miniature. Allegro giusto

The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: a) Marche Tempo di marcia viva

The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante non troppo

The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Molto vivace

The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto

The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato

The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai

The Nutcracker - Suite, op. 71a: III. Valse des fleurs. Tempo di valse

The Tempest, op. 18

Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo - Andante sostenuto

Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato

Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo

Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo - Presto

Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione. Moderato assai (Tempo di marcia funebre) - Allegro brillante

Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca. Allegro moderato e semplice

Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco

Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo

Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco (Tempo di Polacca)

Ouverture Solonnelle "1812": Largo - Andante - Allegro giusto

Ouverture Solonnelle "1812": Largo - Allegro vivace

Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima (in movimento di valse)

Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona

Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato – Allegro

Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco

Romeo and Juliet (Fantasy Overture after Shakespeare): Andante non quasi moderato - Allegro giusto - Moderati assai

Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima

Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza

Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato

Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace

The Voyevoda, op. 78: Allegro vivacissimo

Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo

Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia

Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace

Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante

Marche Slave, op. 31: Moderato in modo di marcia funebre

Violin Concerto in D major, Op. 35: I. Allegro moderato

Violin Concerto in D major, Op. 35: II. Canzonetta. Andante

Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo

Violin Concerto No. 1 in A minor, Op. 99: I. Nocturne. Adagio

Violin Concerto No. 1 in A minor, Op. 99: II. Scherzo. Allegro non troppo

Violin Concerto No. 1 in A minor, Op. 99: III. Passacaglia. Andante

Violin Concerto No. 1 in A minor, Op. 99: IV. Burlesca. Allegro con brio

Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: I. Moderato

Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: II. Adagio sostenuto

Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: III. Allegro scherzando

Rhapsody on a Theme of Paganini, Op. 43

Piano Concerto №3 in D minor, op. 30: I. Allegro ma non tanto

Piano Concerto №3 in D minor, op. 30: II. Intermezzo (Adagio)

Piano Concerto №3 in D minor, op. 30: III. Finale: Alla breve

Double Concerto For Violin, Cello And Orchestra In A Minor, Op. 102: I. Allegro

Double Concerto For Violin, Cello And Orchestra In A Minor, Op. 102: II. Andante

Double Concerto For Violin, Cello And Orchestra In A Minor, Op. 102: III Vivace Non Troppo

Chamber Concerto For Piano And Violin With 13 Wind Instruments: I. Thema Scherzoso Con Variazionii | Motto

Chamber Concerto For Piano And Violin With 13 Wind Instruments: Thema Scherzoso

Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation I

Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation II (Langsames Waltzertempo)

Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation III (Kräftig Bewegt)

Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation IV (Sehr Rasch)

Chamber Concerto For Piano And Violin With 13 Wind Instruments: Variation V (Tempo Primo)

Chamber Concerto For Piano And Violin With 13 Wind Instruments: II. Adagio

Chamber Concerto For Piano And Violin With 13 Wind Instruments: III. III. Rondo Ritmico Con Introduzione

Chamber Concerto For Piano And Violin With 13 Wind Instruments: Rondo Ritmico

Chamber Concerto For Piano And Violin With 13 Wind Instruments: Coda

Don Juan op.20

Burleske für Klavier und Orchester d-moll

Till Eulenspiegels lustige Streiche op.28

Der Rosenkavalier - Terzett und Finale (3. Akt)

Schicksalslied for Chorus and Orchestra, Op.54

Drei Hymnen for Voice and Orchestra, Op. 71: I. Hymne an die Liebe

Drei Hymnen for Voice and Orchestra, Op. 71: II. Rückkehr in die Heimat

Drei Hymnen for Voice and Orchestra, Op. 71: III. Die Liebe

An die Hoffnung for Voice and Orchestra, Op. 124

Hölderlin Fragmente for Voice and Orchestra: Fragment 57

Hölderlin Fragmente for Voice and Orchestra: Fragment 92

Hölderlin Fragmente for Voice and Orchestra: Fragment 19 - An meine Schwester

Hölderlin Fragmente for Voice and Orchestra: Fragment 14

Hölderlin Fragmente for Voice and Orchestra: Fragment 27

Hölderlin Fragmente for Voice and Orchestra: Fragment 17 - Empedokles auf dem Ätna

Hölderlin Fragmente for Voice and Orchestra: Fragment 38

Hölderlin Fragmente for Voice and Orchestra: Fragment 22 - Gestalt und Geist

Hölderlin Fragmente for Voice and Orchestra: Fragment 4 - Lied des Schweden

Die Geschöpfe des Prometheus, op. 43: Introduction. Allegro non troppo

Die Geschöpfe des Prometheus, op. 43: No. 1: Poco adagio - Allegro con brio

Die Geschöpfe des Prometheus, op. 43: No. 9: Adagio - Allegro molto

Die Geschöpfe des Prometheus, op. 43: No. 10: Pastorale. Allegro

Die Geschöpfe des Prometheus, op. 43: No. 14: Allegretto

Die Geschöpfe des Prometheus, op. 43: No. 15: Adagio - Allegro

Die Geschöpfe des Prometheus, op. 43: No. 16: Finale. Allegretto

Prometheus

Prométhée, poème du feu

Prometeo Suite 1992: 3 Voci (A)

Prometeo Suite 1992: Isola Seconda: (B) Hölderlin

Il canto sospeso: » Sofia, Zentralgefängnis 22. Juli 1942 « / » Papa! « / » Liebe Mama, Papa und Schwesterchen! « / » Mein verehrter Vater! «

Il canto sospeso: I. Orchestra

Il canto sospeso: II. Coro a capella: “…muoio per un mondo”

Il canto sospeso: III. Soprano, alto e tenore soli e orchestra: “…mi portano a Kessariani per l’esecuzione”

Il canto sospeso: IV. Orchestra

Il canto sospeso: » Meine lieben Eltern! « / » Die Tore öffnen sich « / » Leb wohl, Mutter « / » Lieber Onkel! « / » Nach wenigen Stunden « / » Mein lieber Kamerad! «

Il canto sospeso: V. Tenore solo e orchestra: “…se il cielo fosse carta”

Il canto sospeso: VIa. Coro e orchestra: “…le porte s’aprono”

Il canto sospeso: VIb. Coro e orchestra: “Com'è duro dire addio per sempre”

Il canto sospeso: VII. Soprano solo, coro femminile e orchestra: “…addio mamma”

Il canto sospeso: VIII. Orchestra

Il canto sospeso: IX. Coro e timpani: “…non ho paura della morte…”

Kindertotenlieder: I. Nun will die Sonn so hell aufgehn

Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen

Kindertotenlieder: III. Wenn dein Mütterlein

Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen

Kindertotenlieder: V. In diesem Wetter

Ich bin der Welt abhanden gekommen

Semiramide: Overture

La scala di seta: Overture

Il turco in Italia: Overture

Elisabetta, regina d’Inghilterra: Overture

Tancredi: Overture (Revis. Philip Gossett)

Guglielmo Tell: Overture

Nabucco

Aida

La Forza Del Destino

Aroldo

Luisa Miller

I Vespri Siciliani

Il viaggio a Reims: No. 1 Introduzione "Presto, presto, su coraggio!"

Il viaggio a Reims: No. 1 Introduzione "Benché, grazie al mio talento"

Il viaggio a Reims: No. 1 Introduzione "Di vaghi raggi adorno"

Il viaggio a Reims: No. 1 Introduzione "Or state attenti, badate bene"

Il viaggio a Reims: No. 1 Introduzione "Partire io pur vorrei"

Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Ahimè! Sta in gran pericolo"

Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Partir, o ciel! Desio"

Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Che miro! Ah! Qual sorpresa"

Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Grazie vi rendo, o Dèi!"

Il viaggio a Reims: No. 2 Recitativo e Aria della Contessa "Eh! Senti, mastro Antonio!"

Il viaggio a Reims: No. 3 Sestetto "Sì di matti una gran gabbia"

Il viaggio a Reims: No. 3 Sestetto "Non pavento alcun periglio"

Il viaggio a Reims: No. 3 Sestetto "Arpa gentil, che fida"

Il viaggio a Reims: No. 3 Sestetto "Simbol di pace e gloria"

Il viaggio a Reims: No. 3 Sestetto "Gelsomin non ritorna"

Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Ah! Perché la conobbi?"

Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Invan strappar dal core"

Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Come dal ciel"

Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Dell'alma diva"

Il viaggio a Reims: No. 4 Scena e Aria di Lord Sidney "Milord,una parola"

Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Sola ritrovo alfin la bella Dèa"

Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Nel suo divin sembiante"

Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Dunque non v'è speranza"

Il viaggio a Reims: No. 5 Recitativo e Duetto di Corinna e del Cavaliere "Bravo il signor Ganimede"

Il viaggio a Reims: No. 6 Aria di Don Profondo "Io! Don Profondo"

Il viaggio a Reims: No. 6 Aria di Don Profondo "Vedeste il Cavaliere"

Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Ah! A tal colpo inaspettato"

Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Signor, Signori, ecco una lettera"

Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Fra dolci e cari palpiti"

Il viaggio a Reims: No. 7 Gran pezzo concertato a 14 voci "Savio della Contessa il consiglio mi pare"

Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "Di che son reo"

Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "D'alma celeste, o Dio"

Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "Qual barbaro rigore"

Il viaggio a Reims: No. 8 Scena e Duetto del Conte e della Marchesa "Madama qui mi manda"

Il viaggio a Reims: No. 9 Finale "Ritornello"

Il viaggio a Reims: No. 9 Finale "L'allegria è un somme bene"

Il viaggio a Reims: No. 9 Finale "Or, secondo l'uso"

Il viaggio a Reims: No. 9 Finale Inno tedesco "Or che regna fra le genti"

Il viaggio a Reims: No. 9 Finale Polacca "Ai prodi guerrieri"

Il viaggio a Reims: No. 9 Finale Inno Russo "Onore, gloria ed alto omaggio"

Il viaggio a Reims: No. 9 Finale Canzone Spagnola "Omaggio all'Augusto Duce"

Il viaggio a Reims: No. 9 Finale Inno Inglese "Dell'aurea pianta"

Il viaggio a Reims: No. 9 Finale Canzone Francese "Madre del nuovo Enrico"

Il viaggio a Reims: No. 9 Finale Tirolese "Più vivace e più fecondo"

Il viaggio a Reims: No. 9 Finale "Corinna,or spetta a voi"

Il viaggio a Reims: No. 9 Finale Improvviso di Corinna "All'ombra amena"

Il viaggio a Reims: No. 9 Finale "Viva il diletto"

Simon Boccanegra: Prologue, Scene I.-IV. "Che dicesti?" (Paolo, Pietro - Simon)

Simon Boccanegra: Prologue, Scene I.-IV. "All'alba tutti qui verrete" (Pietro, Coro, Paolo)

Simon Boccanegra: Prologue, Scene I.-IV. "L'atra magion vedete?" (Paolo, Coro, Pietro)

Simon Boccanegra: Prologue, Scene V. "A te l'estreme addio" (Fiesco - Coro)

Simon Boccanegra: Prologue, Scene VI.-VII. "Suona ogni labbro il mio nome..." (Simon, Fiesco)

Simon Boccanegra: Prologue, Scene VI.-VII. "O de' Fieschi implacata" (Simon, Fiesco, Coro)

Simon Boccanegra: Act I, Scene I. "Come in quest'ora" (Amelia)

Simon Boccanegra: Act I, Scene II. "Cielo di stelle orbato" (Gabriele, Amelia)

Simon Boccanegra: Act I, Scene III. "Vieni a mirar la cerula" (Amelia)

Simon Boccanegra: Act I, Scene IV. "Ah!" - "Che fia?" (Amelia, Gabriele)

Simon Boccanegra: Act I, Scene V. "Propizio e giunge!" (Gabriele, Fiesco)

Simon Boccanegra: Act I, Scene VI. "Paolo" - "Signor" (Simon, Paolo - Amelia)

Simon Boccanegra: Act I, Scene VII. "Orfanella il tetto umile" (Amelia, Simon)

Simon Boccanegra: Act I, Scene VIII.-IX. "Il vuoi! Scordasti ch mi devi" (Paolo, Pietro)

Simon Boccanegra: Act I, Scene X.-XII. "Messeri, il re di Tartari" (Simon, Coro, Paolo, Pietro - Gabriele, Fiesco)

Simon Boccanegra: Act I, Scene X.-XII. "Plebe, Patrizi, Popolo" (Simon, Amelia, Pietro, Paolo, Gabriele, Fiesco, Coro)

Simon Boccanegra: Act II, Scene I.-III. "Quei due vedesti? (Paolo, Pietro - Fiesco)

Simon Boccanegra: Act II, Scene IV."Udisti?" - "Vil disegno" (Paolo, Gabriele)

Simon Boccanegra: Act II, Scene V."O inferno! Amelia qui!" (Gabriele)

Simon Boccanegra: Act II, Scene VI."Tu qui?" - "Amelia" (Amelia, Gabriele)

Simon Boccanegra: Act II, Scene VII."Figlia" - "Si afflitto, o padre mio" (Simon, Amelia)

Simon Boccanegra: Act II, Scene VIII.-IX. "Ei dorme! Quale Sento ritegno?" (Gabriele - Amelia, Simon)

Simon Boccanegra: Act II, Scene VIII.-IX. "Perdon, Amelia. Indomito geloso" (Gabriele, Simon, Amelia)

Simon Boccanegra: Act III, Scene I.-II. "Eviva il Doge" (Coro, Capitano, Fiesco, Paolo)

Simon Boccanegra: Act III, Scene III. "Cittadini! per ordine de Doge" (Capitano)

Simon Boccanegra: Act III, Scene III. "M'ardon le tempia..." (Simon, Fiesco)

Simon Boccanegra: Act III, Scene III. "Piango, perche mi parla" (Fiesco, Simon)

Simon Boccanegra: Act III, Scene IV. "Chi veggo!" - "Vien..." (Amelia, Simon, Gabriele, Fiesco, Coro)

Boris Godunov: Prologue, Scene 1: Introduction

Boris Godunov: Prologue, Scene 1: "Well then, what's wrong with you?" (Police officer)

Boris Godunov: Prologue, Scene 1: "Who are you abandoning us to?" (Chorus, Mityukha, Police officer)

Boris Godunov: Prologue, Scene 1: "Who are you abandoning us to?" (Chorus, Police officer)

Boris Godunov: Prologue, Scene 1: "True believers! The boyar is implacable" (Shchelkalov)

Boris Godunov: Prologue, Scene 1: "Glory to Thee, Creator on high" (Chorus)

Boris Godunov: Prologue, Scene 1: "Did you hear what the holy pilgrims said?" (Chorus, Mityukha, Police officer)

Boris Godunov: Prologue, Scene 2: Introduction

Boris Godunov: Prologue, Scene 2: "Long live Tsar Boris Fyodorovich!" (Shuisky, Chorus)

Boris Godunov: Prologue, Scene 2: "My soul is sad" (Boris)

Boris Godunov: Prologue, Scene 2: "Glory!" (Chorus)

Boris Godunov: Act I, Scene 1: Introduction

Boris Godunov: Act I, Scene 1: "Just one final story" (Pimen)

Boris Godunov: Act I, Scene 1: "O Lord, strong and righteous" (Chorus, Grigory, Pimen)

Boris Godunov: Act I, Scene 1: "Do not complain, brother" (Pimen)

Boris Godunov: Act I, Scene 1: "For a long time, honoured father" (Grigory, Pimen)

Boris Godunov: Act I, Scene 1: "I arrived at night" (Pimen)

Boris Godunov: Act I, Scene 1: "How old was the murdered Tsarevich?" (Grigory, Pimen)

Boris Godunov: Act I, Scene 1: "They are ringing for matins" (Pimen, Chorus, Grigory)

Boris Godunov: Act I, Scene 2: Introduction

Boris Godunov: Act I, Scene 2: "I caught a grey drake" (Hostess)

Boris Godunov: Act I, Scene 2: "Give me some fun" (Hostess, Missail, Varlaam)

Boris Godunov: Act I, Scene 2: "Why are you so pensive, comrade?" (Varlaam, Grigory, Hostess, Missail)

Boris Godunov: Act I, Scene 2: "Here's what happened at the town of Kazan" (Missail)

Boris Godunov: Act I, Scene 2: "Why don't you sing along?" (Varlaam, Grigory, Missail, Hostess, Police officer)

Boris Godunov: Act I, Scene 2: "We are humble elders, honest monks" (Varlaam, Missail, Police officer, Grigory, Hostess)

Boris Godunov: Act I, Scene 2: "What are you staring at me like that for" (Varlaam, Police officer, Hostess, Grigory)

Boris Godunov: Act I, Scene 2: "And his age... and his age..." (Varlaam, Missail, Police officer)

Boris Godunov: Act II: "Where are you, my betrothed" (Xenia, Fyodor)

Boris Godunov: Act II: "Oh, that's enough, princess, my dear!" (Nurse, Xenia)

Boris Godunov: Act II: "A gnat was chopping wood" (Nurse, Fyodor)

Boris Godunov: Act II: "My little tale is about this and that" (Fyodor, Nurse)

Boris Godunov: Act II: "What's the matter? Has a wild beast surprised a sitting hen?" (Boris, Nurse, Xenia, Fyodor)

Boris Godunov: Act II: "I have achieved absolute power" (Boris)

Boris Godunov: Act II: "Hey, pss!" (Nannies, Boris, Boyar-in-attendance, Fyodor)

Boris Godunov: Act II: "Our little parrot was with the nannies" (Fyodor, Boris, Shuisky)

Boris Godunov: Act II: "Ah, it's you, glorious orator" (Boris, Shuisky, Fyodor)

Boris Godunov: Act II: "In Uglich, in the cathedral, in front of all the people" (Shuisky, Boris)

Boris Godunov: Act II: "Phew! I feel terrible! Let me catch my breath" (Boris)

Boris Godunov: Act III, Scene 1: "By the sky-blue waters of the Vistula, under a shady willow" (Chorus, Marina)

Boris Godunov: Act III, Scene 1: "Enough! The beautiful lady is grateful" (Marina)

Boris Godunov: Act III, Scene 1: "Marina is bored. Oh, how bored!" (Marina)

Boris Godunov: Act III, Scene 1: "Ah! Oh, it's you, my father" (Marina, Rangoni)

Boris Godunov: Act III, Scene 1: "With tender, ardent words of love" (Rangoni, Marina)

Boris Godunov: Act III, Scene 1: "What? You impudent liar!" (Marina, Rangoni)

Boris Godunov: Act III, Scene 2: "At midnight, in the garden, by the fountain" (Pretender)

Boris Godunov: Act III, Scene 2: "Tsarevich!" (Rangoni, Pretender)

Boris Godunov: Act III, Scene 2: "Can a humble and sinful man, praying for his dear ones" (Rangoni, Pretender)

Boris Godunov: Act III, Scene 2: "Tsarevich, hide!" (Rangoni, Pretender)

Boris Godunov: Act III, Scene 2: Polonaise - "I do not believe in your passion, sir" (Marina, Chorus)

Boris Godunov: Act III, Scene 2: "That crafty Jesuit, he has got me firmly in the grip" (Pretender, Marina)

Boris Godunov: Act III, Scene 2: "How long and agonizing" (Pretender, Marina)

Boris Godunov: Act III, Scene 2: "Oh, Tsarevich, I beg you" (Marina, Pretender)

Boris Godunov: Act III, Scene 2: "Oh, my turtledoves!" (Rangoni, Marina, Pretender)

Boris Godunov: Act IV, Scene 1 (1869 Version): Introduction

Boris Godunov: Act IV, Scene 1 (1869 Version): "What, is mass finished already?" (Chorus, Mityukha)

Boris Godunov: Act IV, Scene 1 (1869 Version): "Trrr, trrr - Iron cap" (Chorus, Simpleton)

Boris Godunov: Act IV, Scene 1 (1869 Version): "Ah-ah-ah! Boris" (Simpleton, Boris, Shuisky)

Boris Godunov: Act IV, Scene 1 (1874 Version): Introduction

Boris Godunov: Act IV, Scene 1 (1874 Version): "Exalted boyars!" (Shchelkalov)

Boris Godunov: Act IV, Scene 1 (1874 Version): "Well, then? Let's go and vote, boyars" (Boyars)

Boris Godunov: Act IV, Scene 1 (1874 Version): "What a shame that prince Shuisky isn't here" (Boyars, Shuisky)

Boris Godunov: Act IV, Scene 1 (1874 Version): "He was whispering: keep away, keep away" (Shuisky, Boris, Boyars)

Boris Godunov: Act IV, Scene 1 (1874 Version): "Here, by the front entrance" (Shuisky, Boris)

Boris Godunov: Act IV, Scene 1 (1874 Version): "A humble monk" (Pimen, Boris)

Boris Godunov: Act IV, Scene 1 (1874 Version): "Once, in the evening" (Pimen)

Boris Godunov: Act IV, Scene 1 (1874 Version): "The Tsarevich - quickly!" (Boris)

Boris Godunov: Act IV, Scene 1 (1874 Version): "Farewell, my son!" (Boris)

Boris Godunov: Act IV, Scene 1 (1874 Version): "A bell! A Funeral knell!" (Boris, Monks, Fyodor, Boyars)

Boris Godunov: Act IV, Scene 2: Introduction

Boris Godunov: Act IV, Scene 2: "Bring him over here!" (Tramps)

Boris Godunov: Act IV, Scene 2: "It's not a falcon flying in the heavens" (Tramps)

Boris Godunov: Act IV, Scene 2: "The sun and moon have grown dark" (Varlaam, Missail, Chorus)

Boris Godunov: Act IV, Scene 2: "Hey ho!" (Chorus, Varlaam, Missail)

Boris Godunov: Act IV, Scene 2: "Domine, Domine, salvum fac" (Lavitsky, Chernikovsky, Chorus, Varlaam, Missail)

Boris Godunov: Act IV, Scene 2: March - "Glory to you, Tsarevich" (Missail, Varlaam, Chorus)

Boris Godunov: Act IV, Scene 2: "We, Dimitri Ivanovich" (Pretender, Khrushchov, Chorus, Lavitsky, Chernikovsky)

Boris Godunov: Act IV, Scene 2: "Flow, flow, bitter tears" (Simpleton)

Brandenburg Concertos: Concerto No. 1 in F Major, BWV 1046: I. Allegro

Brandenburg Concertos: Concerto No. 1 in F Major, BWV 1046: II. Adagio

Brandenburg Concertos: Concerto No. 1 in F Major, BWV 1046: III. Allegro

Brandenburg Concertos: Concerto No. 1 in F Major, BWV 1046: Minuetto-Trio I-Minuetto-Polacca / Minuetto-Trio II-Minuetto

Brandenburg Concertos: Concerto No. 2 in F Major, BWV 1047: I. Allegro

Brandenburg Concertos: Concerto No. 2 in F Major, BWV 1047: II. Andante

Brandenburg Concertos: Concerto No. 2 in F Major, BWV 1047: III. Allegro Assai

Brandenburg Concertos: Concerto No. 3 in G Major, BWV 1048: I. Allegro

Brandenburg Concertos: Concerto No. 3 in G Major, BWV 1048: II. Allegro

Brandenburg Concertos: Concerto No. 4 in G Major, BWV 1049: I. Allegro

Brandenburg Concertos: Concerto No. 4 in G Major, BWV 1049: II. Andante

Brandenburg Concertos: Concerto No. 4 in G Major, BWV 1049: III. Presto

Brandenburg Concertos: Concerto No. 5 in D Major, BWV 1050: I. Allegro

Brandenburg Concertos: Concerto No. 5 in D Major, BWV 1050: II. Affettuoso

Brandenburg Concertos: Concerto No. 5 in D Major, BWV 1050: III. Allegro

Brandenburg Concertos: Concerto No. 6 in B-Flat Major, BWV 1051: I. Allegro

Brandenburg Concertos: Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio Ma Non Tanto

Brandenburg Concertos: Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro