AA302: From Composition to Performance: Musicians at Work

Compilation by The Open University

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  1. 1.
    J’os bien a m’amie parler
    1:54
  2. 2.
    Vos quid admiramini, virgines / Gratissima virginis species / Gaude gloriosa
    1:59
  3. 3.
    Ay mi! dame de valour
    2:59
  4. 4.
    Trotto
    1:47
  5. 5.
    Ecco la Primavera
    1:17
  6. 6.
    Dye not before thy day
    1:58
  7. 7.
    Fantasia in G minor
    2:57
  8. 8.
    Fantasia in G minor
    4:20
  9. 9.
    Sonata in E minor, K.9 (ed. Edgar Moy)
    3:31
  10. 10.
    Sonata in D minor, K.9 (ed. Kenneth Gilbert)
    2:57
  11. 11.
    Fantasia for 3 viols, no.11
    1:49
  12. 12.
    Come Again: Sweet Love Doth Now Invite
    2:27
  13. 13.
    Requiem, K.623: Dies Irae
    1:57
  14. 14.
    Cantata No.68, aria ‘Mein gläubiges Herze’ (extract)
    0:28
  15. 15.
    Alessandro: Overture (keyboard arrangement)
    2:16
  16. 16.
    Messiah: Overture (extract A)
    1:13
  17. 17.
    Messiah: Overture (extract B)
    1:35
  18. 18.
    Messiah: Overture (extract C)
    1:04
  19. 19.
    Messiah: Overture (extract D)
    1:44
  20. 20.
    Messiah: Overture (extract E)
    3:07
  21. 21.
    Rinaldo, Act 2:‘Cingetimi d’alloro’
    0:33
  22. 22.
    Rinaldo, Act l: ‘Goffredo, se t’arrise’
    1:09
  23. 23.
    Orlando, Act 1: ‘O Angelica’
    1:18
  24. 24.
    Belshazzar: ‘O sentence too severe’ (Macfarren edition)
    0:27
  25. 25.
    Belshazzar: ‘O sentence too severe’ (Burrows edition)
    0:25
  26. 26.
    Sonatas of III Parts, no. 3: I.
    1:22
  27. 27.
    Tallis, ‘Why fum’th in fight’: discussion of variants
    10:19
  28. 28.
    Why fum’th in fight
    0:52
  29. 29.
    Sonata in G minor, HWV 360: I. Larghetto
    2:22
  30. 30.
    Messiah: ‘He trusted in God’ (extract)
    0:45

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