Understanding Literature and Life: Drama, Poetry and Narrative

Compilation by Arnold Weinstein

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  1. 1.
    Why Literature — Civilization and Its Discontents
  2. 2.
    Oedipus the King and the Nature of Greek Tragedy
  3. 3.
    Fate and Free Will — Reading the Signs in Oedipus
  4. 4.
    Self-Making vs. Self-Discovery in Oedipus
  5. 5.
    The Interpretive Afterlife of Oedipus
  6. 6.
    Shakespeare's Othello — Tragedy of Marriage and State
  7. 7.
    Poison in the Ear, or the Dismantling of Othello
  8. 8.
    Rethinking Othello — Race, Gender and Subjectivity
  9. 9.
    French Theater and Moliere's Comedy of Vices
  10. 10.
    Tartuffe and Varieties of Imposture
  11. 11.
    Religious Hypocrisy — Beyond Comedy
  12. 12.
    Georg Büchner — Physician, Revolutionary, Playwright
  13. 13.
    Woyzeck the Proletarian Murderer — "Unaccommodated Man"
  14. 14.
    Woyzeck and Visionary Theater
  15. 15.
    Strindberg's Father — Patriarchy in Trouble
  16. 16.
    Marriage — Theatrical Agon or Darwinian Struggle?
  17. 17.
    The Father — From Theater of Power to Power of Theater
  18. 18.
    Beckett's Godot — Chaplinesque or Post-Nuclear?
  19. 19.
    Beckett and the Comedy of Undoing
  20. 20.
    Godot Absent — Didi and Gogo Present
  21. 21.
    Study of Literature — Approaches, Encounters, Departures
  22. 22.
    Shakespeare's Sonnets — The Glory of Poetry
  23. 23.
    The Shape of Love and Death in Shakespeare's Sonnets
  24. 24.
    Innocence and Experience in William Blake
  25. 25.
    Blakean Fables of Desire
  26. 26.
    Blake — Visionary Poet
  27. 27.
    Whitman and the Making of an American Bard
  28. 28.
    "Myself" as Whitman's Nineteenth-Century American Hero
  29. 29.
    Form and Flux, Openness and Anxiety in Whitman's Poetry
  30. 30.
    Emily Dickinson — The Prophetic Voice From the Margins
  31. 31.
    Dickinson and the Poetry of Consciousness
  32. 32.
    Dickinson — Death and Beyond
  33. 33.
    Baudelaire — The Setting of the Romantic Sun
  34. 34.
    Baudelaire's Poetry of Modernism and Metropolis
  35. 35.
    Robert Frost — The Wisdom of the People
  36. 36.
    Frost — The Darker View
  37. 37.
    Wallace Stevens and the Modernist Movement
  38. 38.
    Stevens and the Post-Romantic Imagination
  39. 39.
    Adrienne Rich and the Poetry of Protest
  40. 40.
    Rich's Project — Diving Into the Wreck of Western Culture
  41. 41.
    The Lives of the Word — Reading Today
  42. 42.
    Chretien de Troyes' Yvain — Growing Up in the Middle Ages
  43. 43.
    Yvain's Theme — Ignorant Armies Clash by Night
  44. 44.
    The Picaresque Novel — Satire, Filth and Hustling
  45. 45.
    Francisco Quevedo's Swindler — The Word on the Street
  46. 46.
    Daniel Defoe's Plain Style and the New World Order
  47. 47.
    Moll Flanders and the Self-Made Woman
  48. 48.
    Matter and Spirit in Defoe
  49. 49.
    Dickens — The Novel as Moral Institution
  50. 50.
    Pip's Progress — From Blacksmith to Snob and Back
  51. 51.
    Riddles of Identity in Great Expectations
  52. 52.
    Charlotte Brontë and the Bildungsroman
  53. 53.
    Jane Eyre — Victorian Bad Girl Makes Good
  54. 54.
    The Madwoman in the Attic — 19th Century Bills Coming Due
  55. 55.
    Melville's "Bartleby" and the Genesis of Character
  56. 56.
    "Bartleby" — Christ on Wall Street?
  57. 57.
    Franz Kafka's "Metamorphosis" — Sacrifice or Power Game?
  58. 58.
    Kafka's "In the Penal Colony" — The Writing Machine
  59. 59.
    Faulkner's "The Bear" — Stories of White and Black
  60. 60.
    "The Bear" — American Myth or American History?
  61. 61.
    Tracking the Bear, or Learning to Read
  62. 62.
    Alice Walker's Celie — The Untold Story
  63. 63.
    Ideology as Vision in the Color Purple
  64. 64.
    Reconceiving Center and Margin

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