The Complete Wilhelm Furtwängler on Record

Tracklist

1. 1.
   Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: I. Largo. Molto allegro
   6:49
2. 2.
   Wilhelm Furtwängler - A Memoir: Introduction - Overview
   3:49
3. 3.
   Die Walküre: Act II, Scene 4. “Siegmund! Sieh auf mich” (Siegmund, Brünnhilde)
   9:39
4. 4.
   Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo
   16:01
5. 5.
   Tristan und Isolde: Act III, Scene 1. “O Wonne! Freunde!” (Tristan, Isolde)
   3:30
6. 6.
   Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft
   11:51
7. 7.
   Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio
   16:05
8. 8.
   Violin Concerto in D major, op. 61: I. Allegro ma non troppo
   24:01
9. 9.
   Tristan und Isolde: Act II, Scene 3. “Tatest du's wirklich?” (Marke, Tristan)
   7:52
10. 10.
    Götterdämmerung: Act II, Scene 4. “Heil dir, Gunther!” (chorus)
    1:27
11. 11.
    The Hebrides, op. 26 “Fingal's Cave”
    9:52
12. 12.
    Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries)
    8:06
13. 13.
    Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace
    10:39
14. 14.
    Tristan und Isolde: Act I, Scene 5. “Tristan! Isolde!” (Tristan, Isolde, Kurwenal, Brangäne, chorus)
    7:36
15. 15.
    Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio
    16:11
16. 16.
    Violin Concerto in D major, op. 61: I. Allegro ma non troppo
    24:06
17. 17.
    Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio
    7:57
18. 18.
    Tristan und Isolde: Act I. Prelude
    11:04
19. 19.
    Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet dort” (Brünnhilde)
    2:31
20. 20.
    Der Freischütz, op. 77: Overture
    9:59
21. 21.
    Symphony no. 2 in E minor: II. Andante simplice
    12:42
22. 22.
    Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
    17:52
23. 23.
    Symphony no. 9 in C major, D. 944 “The Great”: I. Andante - Allegro ma non troppo
    14:41
24. 24.
    Die Walküre: Act II. Prelude
    2:04
25. 25.
    Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience
    1:11
26. 26.
    Symphony no. 2 in D major, op. 73: I. Allegro non troppo
    15:17
27. 27.
    Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
    20:44
28. 28.
    Symphony no. 5 in C minor, op. 67: I. Allegro con brio
    7:42
29. 29.
    Matthäus-Passion, BWV 244: Second Part. No. 64 Recitative: “Und da sie ihn verspottet hatten” (Evangelist)
    1:00
30. 30.
    Lohengrin: Act I. Prelude
    9:45
31. 31.
    Die Walküre: Act I. Prelude
    3:56
32. 32.
    Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio - Allegro
    7:06
33. 33.
    Matthäus-Passion, BWV 244: Second Part. No. 36 Aria: “Ach! nun ist mein Jesus hin!” (alto, chorus)
    5:47
34. 34.
    Rosamunde: Overture
    10:44
35. 35.
    Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet mir dort” (Brünnhilde)
    2:25
36. 36.
    Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo
    20:07
37. 37.
    Matthäus-Passion, BWV 244: First Part. Hall ambience
    1:12
38. 38.
    Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries)
    7:15
39. 39.
    Götterdämmerung: Act III. Siegfried's Funeral March
    8:41
40. 40.
    Symphonic Concerto for Piano & Orchestra in B minor: II. Adagio solenne
    11:15
41. 41.
    Fidelio, op. 72: Act II. Introduction
    4:05
42. 42.
    Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
    11:46
43. 43.
    Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro
    14:47
44. 44.
    Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante
    2:23
45. 45.
    Lohengrin: Act I. Prelude
    9:57
46. 46.
    Fidelio, op. 72: Act I. Overture
    6:38
47. 47.
    Death and Transfiguration, op. 24
    24:23
48. 48.
    Götterdämmerung: Act III. Siegfried's Funeral March
    9:17
49. 49.
    Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
    12:58
50. 50.
    Götterdämmerung: Act III. Siegfried's Funeral March
    8:23
51. 51.
    Lohengrin: Act I. Prelude
    9:09
52. 52.
    Symphony no. 5 in C minor, op. 67: I. Allegro con brio
    8:39
53. 53.
    Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante
    2:09
54. 54.
    Götterdämmerung: Prologue. Orchestra (after the Norns)
    3:22
55. 55.
    Siegfried Idyll
    17:04
56. 56.
    Symphony no. 5 in C minor, op. 67: I. Allegro con brio
    6:25
57. 57.
    Symphony no. 2 in D major, op. 73: II. Adagio non troppo
    10:54
58. 58.
    Violin Concerto in D major, op. 61: II. Larghetto
    10:56
59. 59.
    Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
    17:20
60. 60.
    Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
    10:37
61. 61.
    Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: II. Menuetto
    5:50
62. 62.
    Die Walküre: Act II, Scene 1. “Nun zaüme dein Ross, reisige Maid!” (Wotan, Brünnhilde)
    2:53
63. 63.
    The Hebrides (Rehearsal)
    2:59
64. 64.
    Wilhelm Furtwängler - A Memoir: Berlin, 1930s
    4:37
65. 65.
    Die Walküre: Act I, Scene 1. “Was Herd dies auch sei” (Siegmund, Sieglinde)
    9:32
66. 66.
    Fidelio, op. 72: Act II. Aria: “Gott, welch Dunkel hier!” (Florestan)
    7:31
67. 67.
    Fidelio, op. 72: Act I. Duet: “Jetzt, Schätzchen, sind wir allein” (Jaquino, Marzelline)
    5:13
68. 68.
    Egmont, op. 84: Overture
    8:34
69. 69.
    Tristan und Isolde: Act III, Scene 2. “O diese Sonne!” (Tristan, Isolde)
    3:51
70. 70.
    Tristan und Isolde: Act II, Scene 3. “Dies wundervolle Weib” (Marke, Tristan)
    6:12
71. 71.
    Tristan und Isolde: Act II. Prelude
    2:44
72. 72.
    Tristan und Isolde: Act I, Scene 1. “Westwärts schweift der Blick” (Seeman, Isolde, Brangäne)
    6:17
73. 73.
    Matthäus-Passion, BWV 244: Second Part. No. 65 Recitative: “Ja freilich will in uns das Fleisch und Blut” (bass)
    0:46
74. 74.
    Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace
    11:28
75. 75.
    Symphony no. 8 in B minor, D. 759 “Unfinished”: Hall ambience
    0:48
76. 76.
    Matthäus-Passion, BWV 244: Second Part. No. 37 Recitative: “Die aber Jesum gegriffen hatten” (Evangelist)
    0:42
77. 77.
    Matthäus-Passion, BWV 244: First Part. No. 1 Chorus: “Kommt ihr Töchter” (chorus)
    8:14
78. 78.
    Die Walküre: Act III, Scene 1. “Schützt mich und helft in höchster Not!” (Brünnhilde, Sieglinde, Walkyries)
    8:40
79. 79.
    Der Freischütz, op. 77: Overture
    10:48
80. 80.
    Götterdämmerung: Prologue. Siegfried's Rhine Journey
    12:01
81. 81.
    Symphony no. 5 in C minor, op. 67: II. Andante con moto
    11:22
82. 82.
    Götterdämmerung: Prologue. “Zu neuen Taten, teurer Helde” (Brünnhilde)
    2:45
83. 83.
    Die Walküre: Act III, Scene 1. “Schützt mich, und helft in höchster Not!” (Walkyries, Brünnhilde, Sieglinde)
    10:04
84. 84.
    Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo
    10:02
85. 85.
    Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam
    5:22
86. 86.
    Violin Concerto in D major, op. 61: II. Larghetto
    9:41
87. 87.
    Symphony no. 4 in B-flat major, op. 60: II. Adagio
    11:49
88. 88.
    Götterdämmerung: Act II, Scene 4. “Brünnhild', die hehrste Frau” (Gunther, chorus)
    1:33
89. 89.
    Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
    17:22
90. 90.
    Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
    7:24
91. 91.
    Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde)
    2:29
92. 92.
    Symphony no. 2 in E minor: III. Allegro - Moderato - Allegro
    16:21
93. 93.
    Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto
    17:16
94. 94.
    Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
    17:47
95. 95.
    Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio, un poco mosso
    7:51
96. 96.
    Symphony no. 5 in C minor, op. 67: II. Andante con moto
    10:16
97. 97.
    Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
    7:46
98. 98.
    Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
    19:18
99. 99.
    Die Meistersinger von Nürnberg: Act III. Prelude
    6:37
100. 100.
     Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia
     8:49
101. 101.
     Tristan und Isolde: Act I. Prelude
     10:31
102. 102.
     Cavatina for String Orchestra (after String Quartet no. 13 in B-flat major, op. 130)
     8:38
103. 103.
     Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde)
     2:31
104. 104.
     Kaiser-Walzer, op. 437
     9:35
105. 105.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato
     1:21
106. 106.
     Die Walküre: Act II, Scene 4. “So grüsse mir Walhall” (Siegmund, Brünnhilde)
     10:35
107. 107.
     Symphony no. 7 in A major, op. 92: II. Allegretto
     10:16
108. 108.
     Violin Concerto in D major, op. 77: I. Allegro non troppo
     22:02
109. 109.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato
     1:17
110. 110.
     Tannhäuser: Overture
     14:05
111. 111.
     Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace
     6:15
112. 112.
     Symphony no. 5 in C minor, op. 67: II. Andante con moto
     11:10
113. 113.
     Tristan und Isolde: Act III. Isoldes Liebestod
     6:33
114. 114.
     La Damnation de Faust, op. 24: Marche hongroise
     4:20
115. 115.
     Le nozze di Figaro, K. 492: Overture
     4:14
116. 116.
     Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile
     20:16
117. 117.
     Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Wotan, Brünnhilde)
     8:25
118. 118.
     Götterdämmerung: Prologue. “Mehr gabst du, Wunderfrau” (Brünnhilde)
     6:21
119. 119.
     Götterdämmerung: Act II, Scene 4. “Gegrüßt sei, teurer Heid” (Gunther, Siegfried, Brünnhilde, Hagen, chorus)
     3:57
120. 120.
     Symphony no. 5 in C minor, op. 67: III. Allegro
     5:48
121. 121.
     Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace
     9:16
122. 122.
     Symphony no. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam
     22:42
123. 123.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace
     1:04
124. 124.
     Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler)
     10:08
125. 125.
     Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: III. Adagio
     6:27
126. 126.
     Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso
     5:05
127. 127.
     Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Quasi andantino - Presto ma non assai
     5:58
128. 128.
     Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Hüter!” (Brünnhilde)
     3:46
129. 129.
     Götterdämmerung: Siegfried's Rhine Journey
     11:53
130. 130.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace
     0:59
131. 131.
     Violin Concerto in D major, op. 77: II. Adagio
     9:53
132. 132.
     Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto
     8:39
133. 133.
     Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace
     10:53
134. 134.
     Oberon, J. 306: Overture
     10:01
135. 135.
     Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
     10:19
136. 136.
     Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet - Allegro - Trio - Menuet
     4:06
137. 137.
     Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro)
     10:28
138. 138.
     Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience
     0:55
139. 139.
     Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo: Allegro vivace
     11:15
140. 140.
     Symphony no. 2 in E minor: IV. Langsam - Moderato andante
     28:44
141. 141.
     Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Huter!” (Brünnhilde)
     3:46
142. 142.
     Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace
     3:52
143. 143.
     Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace
     6:30
144. 144.
     Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro
     5:58
145. 145.
     Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler)
     10:31
146. 146.
     Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Etwas zurückhaltend
     5:57
147. 147.
     Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto
     11:40
148. 148.
     Symphony no. 5 in C minor, op. 67: III. Allegro
     6:03
149. 149.
     Don Juan, op. 20
     18:42
150. 150.
     Euryanthe, op. 81: Overture
     9:32
151. 151.
     Matthäus-Passion, BWV 244: First Part. No. 2 Recitative: “Da Jesus diese Rede vollendat hatte” (Evangelist, Jesus)
     0:54
152. 152.
     Matthäus-Passion, BWV 244: Second Part. No. 39 Recitative: “Und der Hohepriester stund auf und sprach zu ihm” (Evangelist, High Priest)
     0:36
153. 153.
     Matthäus-Passion, BWV 244: Second Part. No. 66 Aria: “Komm, süßes Kreuz” (bass)
     9:23
154. 154.
     Tristan und Isolde: Act I, Scene 2. “Frisch weht er Wind der Heimat zu” (Seeman, Isolde, Brangäne, Tristan, Kurwenal)
     10:21
155. 155.
     Tristan und Isolde: Act II, Scene 1. “Hörst du sie noch?” (Isolde, Brangäne)
     12:36
156. 156.
     Tristan und Isolde: Act II, Scene 3. “O König, dass kannich dir nicht sagen” (Tristan, Isolde, Melot)
     10:06
157. 157.
     Tristan und Isolde: Act III, Scene 3. “Ich bin's, ich bin's” (Isolde)
     6:28
158. 158.
     Fidelio, op. 72: Act I. Aria: “O wär'ich schon mit dir vereint” (Marzelline)
     4:44
159. 159.
     Fidelio, op. 72: Act II. Melodram: “Wie kalt ist es” (Leonore, Rocco)
     2:15
160. 160.
     Die Walküre: Act I, Scene 1. “Einen Unseligen labtest du” (Siegmund, Sieglinde)
     3:57
161. 161.
     Die Walküre: Act II, Scene 1. “Der alte Sturm, die alte Müh” (Wotan, Fricka)
     10:22
162. 162.
     Die Walküre: Act II, Scene 5. “Zauberfest bezähmt ein Schlaf” (Siegmund, Sieglinde, Brünnhilde, Hunding, Wotan)
     9:14
163. 163.
     Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Walkyries, Brünnhilde, Wotan)
     9:56
164. 164.
     Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
     12:12
165. 165.
     Wilhelm Furtwängler - A Memoir: Conducting Technique
     4:07
166. 166.
     Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace
     6:27
167. 167.
     Tristan und Isolde: Act II, Scene 2. “Isolde! Geliebte!…” (Tristan, Isolde)
     10:24
168. 168.
     Die Entführung aus dem Serail, K. 384: Overture
     4:51
169. 169.
     Violin Concerto in E minor, op. 64: I. Allegro molto appassionato
     12:32
170. 170.
     Alceste: Overture
     8:53
171. 171.
     Symphony no. 5 in C minor, op. 67: III. Allegro
     5:45
172. 172.
     Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: IV. Menuetto. Allegretto
     3:18
173. 173.
     Tristan und Isolde: Act III, Scene 3. “Kurwenal! Hör! Ein zweites Schiff” (Kurwenal, Ein Hirt, Ein Steuermann, Melot, Brangäne, Marke)
     9:49
174. 174.
     Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
     8:04
175. 175.
     Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace
     11:59
176. 176.
     Symphony no. 7 in A major, op. 92: IV. Allegro con brio
     7:02
177. 177.
     Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde)
     2:33
178. 178.
     Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm'ich zu eigen” (Brünnhilde)
     2:51
179. 179.
     Die Walküre: Act I, Scene 2. “Müde am Herd fand ich den Mann” (Siegmund, Sieglinde, Hunding)
     10:15
180. 180.
     Kaiser-Walzer, op. 437 (Play-through - test recording)
     10:23
181. 181.
     Götterdämmerung: Prologue. “O heilige Götter” (Brünnhilde, Siegfried)
     2:49
182. 182.
     Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Walkyries, Brünnhilde, Wotan)
     3:25
183. 183.
     Fidelio, op. 72: Act I. Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Jaquino, Rocco)
     4:48
184. 184.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto
     2:06
185. 185.
     Fidelio, op. 72: Act II. Duet: “Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco)
     4:40
186. 186.
     Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale: Allegro vivace
     11:42
187. 187.
     Alceste: Overture
     8:21
188. 188.
     Wilhelm Furtwängler - A Memoir: Europe, 1940s
     6:28
189. 189.
     Symphony no. 88 in G major, Hob. I:88: I. Allegro
     6:52
190. 190.
     Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Wotan, Walkyries)
     2:49
191. 191.
     Symphony no. 4 in B-flat major, op. 60: II. Adagio
     12:17
192. 192.
     Till Eulenspiegels lustige Streiche, op. 28
     16:13
193. 193.
     Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft
     8:05
194. 194.
     Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso - Andante
     10:24
195. 195.
     Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
     9:01
196. 196.
     Slavonic Dance in A-flat major, op. 46 no. 3
     4:29
197. 197.
     Rosamunde: Entracte no. 3
     4:52
198. 198.
     Tristan und Isolde: Act I, Scene 3. “Weh, ach wehe! Dies zu dulden!” (Isolde, Brangäne)
     9:20
199. 199.
     Romance no. 1 in G major, op. 40
     7:39
200. 200.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto
     2:07
201. 201.
     Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto
     12:44
202. 202.
     Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio
     16:33
203. 203.
     Matthäus-Passion, BWV 244: Second Part. No. 67 Recitative: “Und da wurden zween Mörder” (Evangelist, chorus)
     2:21
204. 204.
     Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
     7:37
205. 205.
     Die Walküre: Act II, Scene 1. “Siegmund gewann es sich selbst in der Not” (Wotan, Fricka)
     7:35
206. 206.
     Tristan und Isolde: Act III. Prelude
     7:22
207. 207.
     Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning
     7:02
208. 208.
     Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato, allegro
     5:56
209. 209.
     Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto
     9:49
210. 210.
     Götterdämmerung: Act II, Scene 4. “Einen Ring sah ich an deiner Hand” (Gutrune, Gunther, Siegfried, Brünnhilde, Hagen)
     2:30
211. 211.
     Matthäus-Passion, BWV 244: First Part. No. 3 Chorus: “Herzliebster Jesu” (chorus)
     1:40
212. 212.
     Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto
     8:19
213. 213.
     Rosamunde, D. 797: Overture
     9:53
214. 214.
     Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale: Vivace
     4:01
215. 215.
     Matthäus-Passion, BWV 244: Second Part. No. 42 Recitative: “Und der Hohepriester antwortete und sprach zu ihm” (Evangelist, Jesus, High Priest)
     1:52
216. 216.
     Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto
     12:17
217. 217.
     Der fliegende Holländer: Overture
     11:46
218. 218.
     Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…”
     3:47
219. 219.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto
     2:59
220. 220.
     Götterdämmerung: Act III. Siegfried's Funeral March (Play-through - test recording)
     8:42
221. 221.
     Matthäus-Passion, BWV 244: First Part. No. 4 Recitative: “Da versammeleten sich die Hohepriester” (Evangelist)
     0:32
222. 222.
     Matthäus-Passion, BWV 244: Second Part. No. 68 Recitative: “Desgleichen schmäheten ihn auch die Mörder” (Evangelist)
     0:15
223. 223.
     Matthäus-Passion, BWV 244: Second Part. No. 43 Recitative: “Da speieten sie aus in sein Angesicht” (Evangelist, chorus)
     0:47
224. 224.
     Iphigénie en Aulide: Overture
     10:15
225. 225.
     Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
     11:30
226. 226.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto
     2:46
227. 227.
     Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro
     5:55
228. 228.
     Rosamunde: Ballet music no. 2
     4:59
229. 229.
     Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai: first side (Take included in the first commercial release)
     5:16
230. 230.
     Till Eulenspiegels lustige Streiche, op. 28
     15:00
231. 231.
     Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco
     9:20
232. 232.
     Tristan und Isolde: Act I. Prelude
     11:05
233. 233.
     The Merry Wives of Windsor: Overture
     8:41
234. 234.
     Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: V. Romance. Adagio
     5:29
235. 235.
     Violin Concerto in E minor, op. 64: II. Andante
     7:50
236. 236.
     Die Walküre: Act I, Scene 2. “Die so leidig Los dir beschied” (Siegmund, Sieglinde, Hunding)
     10:19
237. 237.
     Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience
     0:34
238. 238.
     Wilhelm Furtwängler - A Memoir: Demands in Rehearsal
     3:56
239. 239.
     Brandenburg Concerto no. 3 in G major, BWV 1048: I.
     7:18
240. 240.
     Fidelio, op. 72: Act II. Trio: “Euch werde Lohn in bessern Welten” (Leonore, Florestan, Rocco)
     6:42
241. 241.
     Symphony no. 2 in E minor: I. Assai moderato
     24:34
242. 242.
     Fidelio, op. 72: Act I. Aria: “Hat man nicht auch Gold beineben” (Rocco)
     3:01
243. 243.
     Symphony no. 88 in G major, Hob. I:88: II. Largo
     6:19
244. 244.
     Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde)
     1:16
245. 245.
     Tristan und Isolde: Act III, Scene 3. “Mild und leise wie es lächelt” (Isolde)
     7:15
246. 246.
     Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde)
     1:20
247. 247.
     Il barbiere di Siviglia: Overture
     7:13
248. 248.
     Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde)
     10:12
249. 249.
     Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo
     11:55
250. 250.
     Tristan und Isolde: Act III, Scene 1. “Kurwenal! He! Sag, Kurwenal!” (Ein Hirt, Kurwenal, Tristan)
     10:54
251. 251.
     Götterdämmerung: Act II, Scene 4. “Betrug! Betrug!” (Gutrune, Gunther, Siegfried, chorus)
     5:36
252. 252.
     Symphony no. 2 in D major, op. 73: I. 12080-1 (alternate take)
     3:08
253. 253.
     Tannhäuser: Overture
     13:56
254. 254.
     Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto
     8:54
255. 255.
     Romance no. 2 in F major, op. 50
     9:38
256. 256.
     Tristan und Isolde: Act II, Scene 2. “O eitler Tagesknecht” (Tristan, Isolde)
     9:30
257. 257.
     Symphony in D minor, FWV 48: I. Lento - Allegro non troppo
     18:13
258. 258.
     Die Walküre: Act II, Scene 2. “Schlimm, fürcht' ich, schloss der Streit” (Wotan, Brünnhilde)
     10:03
259. 259.
     Götterdämmerung: Act I, Scene 3. “Altgewohntes Geräusch” (Brünnhilde, Waltraute)
     7:49
260. 260.
     Tristan und Isolde: Act I, Scene 3. “Da Friede, Sühn' und Freundschaft” (Isolde, Brangäne, chorus)
     12:32
261. 261.
     Les Préludes, S. 97
     15:40
262. 262.
     Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde)
     9:31
263. 263.
     Symphony no. 2 in D major, op. 73: I. 12082-1 (alternate take)
     2:56
264. 264.
     Tristan und Isolde: Act III, Scene 1. “Dünkt dich das? Ich weiß es anders” (Kurwenal, Tristan)
     11:05
265. 265.
     Rosamunde: Entracte no. 3 (Play-through - test recording in the Grosser Saal, Musikverein)
     5:12
266. 266.
     Götterdämmerung: Act II, Scene 4. “Helle Wehr! Heilige Waffe!” (Siegfried, Brünnhilde chorus)
     2:48
267. 267.
     Tristan und Isolde: Act I, Scene 4. “Auf! Auf! Ihr Frauen!” (Kurwenal, Isolde, Brangäne)
     7:55
268. 268.
     Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde)
     9:27
269. 269.
     Manfred, op. 115: Overture
     12:25
270. 270.
     Anacréon: Overture
     9:42
271. 271.
     Tristan und Isolde: Act III. Isoldes Liebestod
     6:57
272. 272.
     A Midsummer Night's Dream, op. 21: Overture
     12:39
273. 273.
     Coriolan Overture, op. 62
     8:35
274. 274.
     Matthäus-Passion, BWV 244: Second Part. No. 44 Chorus: “Wer hat dich so geschlagen” (chorus)
     1:43
275. 275.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace
     0:56
276. 276.
     Der Freischütz, op. 77: Overture
     9:46
277. 277.
     Tristan und Isolde: Act II, Scene 2. “O sink hernieder, Nacht der Liebe” (Tristan, Isolde)
     5:49
278. 278.
     Serenade in C major, op. 48: II. Valse: Moderato
     4:21
279. 279.
     Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde)
     8:10
280. 280.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace
     0:53
281. 281.
     Götterdämmerung: Act I, Scene 3. “Höre mit Sinn, was ich dir sage!” (Waltraute)
     9:51
282. 282.
     Die Walküre: Act II, Scene 2. “Ein andres ist's” (Wotan, Brünnhilde)
     10:56
283. 283.
     Fidelio, op. 72: Act I. Trio: “Gut, Söhnchen, gut” (Marzelline, Leonore, Rocco)
     7:23
284. 284.
     Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
     7:24
285. 285.
     Symphony no. 88 in G major, Hob. I:88: III. Menuetto
     4:21
286. 286.
     Matthäus-Passion, BWV 244: Second Part. No. 69 Recitative: “Golgatha, unselges Golgatha!” (alto)
     2:33
287. 287.
     Fidelio, op. 72: Act II. Quartet: “Er sterbe!” (Leonore, Florestan, Pizarro, Rocco, Jaquino)
     5:22
288. 288.
     Symphony in D minor, FWV 48: II. Allegretto
     10:34
289. 289.
     Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
     3:30
290. 290.
     Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst!” (Brünnhilde)
     6:38
291. 291.
     Matthäus-Passion, BWV 244: First Part. No. 5 Chorus: “Ja nicht auf das Fest” (chorus)
     0:17
292. 292.
     Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst” (Brünnhilde)
     6:52
293. 293.
     Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile
     19:39
294. 294.
     Die Walküre: Act I, Scene 3. “Ein Schwert verhiess mir der Vater” (Siegmund)
     6:13
295. 295.
     Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
     6:45
296. 296.
     Wilhelm Furtwängler - A Memoir: Philharmonia Orchestra - Methods, Impact and Results
     13:46
297. 297.
     Leonore Overture no. 2, op. 72a
     15:58
298. 298.
     Till Eulenspiegels (Rehearsal)
     8:57
299. 299.
     Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
     12:09
300. 300.
     Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VI. Tema con variazioni
     8:54
301. 301.
     Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”)
     3:48
302. 302.
     Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto
     13:26
303. 303.
     Rosamunde: Entracte no. 3 (Single take made in the Grosser Saal, Musikverein)
     4:48
304. 304.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace
     1:26
305. 305.
     Die Walküre: Act II, Scene 2. “O sag, künde, was soll nun dein Kind?” (Wotan, Brünnhilde)
     7:33
306. 306.
     Serenade in C major, op. 48: IV. Finale: Tema russo
     7:52
307. 307.
     Parsifal: Act I. Prelude
     14:10
308. 308.
     Má Vlast: No. 2. Vltava “The Moldau”
     12:35
309. 309.
     Wilhelm Furtwängler - A Memoir: Artistic Relationships with Soloists
     6:51
310. 310.
     Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning
     6:59
311. 311.
     Symphony no. 88 in G major, Hob. I:88: IV. Allegro con spirito
     3:38
312. 312.
     Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht
     4:18
313. 313.
     Götterdämmerung: Act II, Scene 4. “Glaub, mehr zümt es mich als dich” (Siegfried)
     2:28
314. 314.
     Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro
     5:58
315. 315.
     Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess ich dich” (Wotan, Brünnhilde)
     2:54
316. 316.
     Götterdämmerung: Act I, Scene 3. “Welch banger Träume Mären” (Brünnhilde, Waltraute)
     5:39
317. 317.
     Symphony in D minor, FWV 48: III. Allegro non troppo
     10:44
318. 318.
     Orchestral Suite no. 3, BWV 1068: II. Air
     5:07
319. 319.
     Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess' ich dich” (Wotan, Brünnhilde)
     2:32
320. 320.
     Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso
     6:18
321. 321.
     Matthäus-Passion, BWV 244: First Part. No. 6 Recitative: “Da nun Jesus war zu Bethanien” (Evangelist)
     0:38
322. 322.
     Matthäus-Passion, BWV 244: Second Part. No. 45 Recitative: “Petrus aber saß draußen im Palast” (Evangelist, First and second Maid)
     1:21
323. 323.
     Matthäus-Passion, BWV 244: Second Part. No. 71 “Und von der sechsten Stunde an” (Evangelist, Jesus, chorus)
     2:50
324. 324.
     Tristan und Isolde: Act I, Scene 5. “Herr Tristan trete nah!” (Tristan, Isolde)
     9:39
325. 325.
     Tristan und Isolde: Act II, Scene 2. “Einsam wachend in der Nacht” (Brangäne)
     3:27
326. 326.
     Der Freischütz, op. 77: Act III. Prelude
     3:21
327. 327.
     Tristan und Isolde: Act III, Scene 1. “Isolde kommt!” (Tristan)
     3:23
328. 328.
     Fidelio, op. 72: Act I. March
     2:16
329. 329.
     La gazza ladra: Overture
     9:18
330. 330.
     Fidelio, op. 72: Act II. Duet: “O namenlose Freude!” (Leonore, Florestan)
     2:48
331. 331.
     Die Walküre: Act I, Scene 3. “Schläfst du, Gast?” (Siegmund, Sieglinde)
     6:54
332. 332.
     Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VII. Finale: Molto allegro (Rondo)
     3:27
333. 333.
     Symphony no. 2 in D major, op. 73: II. 12083-1 (alternate take)
     3:43
334. 334.
     The Hebrides, op. 26 “Fingal's Cave”
     10:12
335. 335.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace
     1:22
336. 336.
     Pizzicato Polka (with glockenspiel)
     2:51
337. 337.
     Götterdämmerung: Act II, Scene 5. “Welches Unholds List” (Brünnhilde)
     3:25
338. 338.
     Matthäus-Passion, BWV 244: Second Part. No. 46 Recitative: “Da hub er an, sich zu verfluchen und zu schwören” (Evangelist, Peter)
     1:35
339. 339.
     Götterdämmerung: Act I, Scene 3. “Blitz und Gewölk” (Brünnhilde)
     3:07
340. 340.
     Die Walküre: Act I, Scene 3. “Winterstürme wichen dem Wonnemond” (Siegmund, Sieglinde)
     10:13
341. 341.
     Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…”
     3:51
342. 342.
     Fidelio, op. 72: Act II. Leonore Overture no. 3
     15:19
343. 343.
     Rosamunde, D. 797: Entracte no. 3
     5:16
344. 344.
     Hungarian Dances: No. 1 in G minor
     2:54
345. 345.
     Symphony no. 40 in G minor, K. 550: I. Molto allegro
     7:03
346. 346.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso
     3:17
347. 347.
     Matthäus-Passion, BWV 244: First Part. No. 7 Chorus: “Wozu dienet dieser Unrat?” (chorus)
     0:37
348. 348.
     Matthäus-Passion, BWV 244: Second Part. No. 72 Chorus: “Wenn ich einmal soll scheiden” (chorus)
     2:34
349. 349.
     Symphony no. 2 in D major, op. 73: III. 12086-1 (alternate take)
     4:47
350. 350.
     Fidelio, op. 72: Act I. Aria: “Ha! Welch ein Augenblick!” (Pizarro, chorus)
     3:24
351. 351.
     Wilhelm Furtwängler - A Memoir: Orchestra Balancing and Recording
     1:49
352. 352.
     Serenade in C major, op. 48: III. Elegia (Elegy). Larghetto elegiaco (Play-through - test recording)
     9:02
353. 353.
     Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End
     4:05
354. 354.
     Die Walküre: Act III, Scene 3. “Leb wohl, du kühnes, herrliches Kind!” (Wotan)
     8:07
355. 355.
     Tristan und Isolde: Act I, Scene 5. “War Morold dir so wert” (Tristan, Isolde, chorus)
     11:25
356. 356.
     Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
     4:21
357. 357.
     Die Walküre: Act III, Scene 3. “Lebwohl, du kühnes, herrliches Kind!” (Wotan)
     8:01
358. 358.
     Lieder eines fahrenden Gesellen: II. Ging heut' Morgen übers Feld
     4:49
359. 359.
     Tristan und Isolde: Act II, Scene 2. “Lausch, Geliebter!” (Tristan, Isolde)
     7:57
360. 360.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso
     3:47
361. 361.
     Parsifal: Act III. Karfreitagszauber
     10:47
362. 362.
     Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro
     4:08
363. 363.
     Die Walküre: Act II, Scene 3. “Raste nun hier; gönne dir Ruh'!” (Siegmund, Sieglinde)
     11:47
364. 364.
     Tristan und Isolde: Act III, Scene 1. “Noch ist kein Schiff zu sehn!” (Kurwenal, Tristan)
     11:19
365. 365.
     Götterdämmerung: Act I, Scene 3. “Brünnhild'! Ein Freier kam” (Brünnhilde)
     6:06
366. 366.
     Matthäus-Passion, BWV 244: First Part. No. 8 Recitative: “Da das Jesus merkete, sprach er zu ihnen” (Evangelist, Jesus)
     1:57
367. 367.
     Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto
     9:23
368. 368.
     Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan)
     7:39
369. 369.
     Fidelio, op. 72: Act I. Duet: “Jetzt, Alter” (Pizarro, chorus)
     4:59
370. 370.
     Götterdämmerung: Act II, Scene 5. “Vertraue mir, betrog' ne Frau!” (Brünnhilde, Hagen)
     3:11
371. 371.
     Tristan und Isolde: Act III, Scene 1. “Meine Herre! Tristan!” (Kurwenal, Tristan)
     8:35
372. 372.
     Matthäus-Passion, BWV 244: Second Part. No. 73 Recitative: “Und siehe da” (Evangelist, chorus)
     2:50
373. 373.
     Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer
     3:31
374. 374.
     Matthäus-Passion, BWV 244: Second Part. No. 47 Aria: “Erbarme dich” (alto)
     9:00
375. 375.
     Symphony no. 40 in G minor, K. 550: II. Andante
     8:31
376. 376.
     Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze. Andante
     5:50
377. 377.
     Pizzicato Polka (without glockenspiel)
     2:46
378. 378.
     Die Walküre: Act I, Scene 3. “Wehwalt heisst du fürwahr?” (Siegmund, Sieglinde)
     5:13
379. 379.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo
     1:04
380. 380.
     Rosamunde, D. 797: Ballet no. 2
     5:15
381. 381.
     Tristan und Isolde: Act II, Scene 2. “So starben wir, um ungetrennt” (Tristan, Isolde, Brangäne)
     8:42
382. 382.
     Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”)
     4:00
383. 383.
     Fidelio, op. 72: Act II. Finale: “Heil sei dem Tag!” (chorus)
     2:00
384. 384.
     Hungarian Dances: No. 10 in E major
     2:01
385. 385.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo
     0:58
386. 386.
     Tuning, buzzers and false starts
     4:38
387. 387.
     Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan)
     7:24
388. 388.
     Wilhelm Furtwängler - A Memoir: Vulnerability and Insecurity
     6:24
389. 389.
     Die Zauberflöte (Arias of the Queen of the Night): Act I. “O zittre nicht, mein lieber Sohn!”
     4:42
390. 390.
     Matthäus-Passion, BWV 244: Second Part. No. 52 Recitative: “Jesus aber stund vor dem Landpfleger” (Evangelist, Jesus, Pilate)
     1:06
391. 391.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante
     3:56
392. 392.
     Matthäus-Passion, BWV 244: First Part. No. 9 Arioso: “Du lieber Heiland du” (alto)
     1:24
393. 393.
     Matthäus-Passion, BWV 244: Second Part. No. 74 Recitative: “Am Abend, da es kühle war” (bass)
     2:37
394. 394.
     Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto. Allegretto - Trio
     2:01
395. 395.
     Tristan und Isolde: Act II, Scene 3. “Rette dich, Tristan!” (Tristan, Kurwenal, Melot)
     2:10
396. 396.
     Götterdämmerung: Act I, Scene 3. “Jetzt bist du mein” (Siegfried, Brünnhilde)
     2:50
397. 397.
     Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante
     4:03
398. 398.
     Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen
     5:52
399. 399.
     Aufforderung zum Tanz (orch. Berlioz: “Invitation à la valse”)
     8:24
400. 400.
     Wilhelm Furtwängler - A Memoir: Final appearances
     4:05
401. 401.
     Götterdämmerung: Act II, Scene 5. “Und dort trifft ihn mein Speer!” (Brünnhilde, Hagen)
     5:28
402. 402.
     Fidelio, op. 72: Act I. Recitative and aria: “Abscheulicher!” (Leonore)
     7:59
403. 403.
     Fidelio, op. 72: Act II. Finale: “Des besten Königs Wink und Wille” (Don Fernando, Leonore, Marzelline, Pizarro, Rocco, chorus)
     4:43
404. 404.
     Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso
     5:59
405. 405.
     Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto
     4:27
406. 406.
     Fidelio, op. 72: Act I, Finale. “O welche Lust” (chorus, 1st Prisoner, 2nd Prisoner)
     7:25
407. 407.
     Matthäus-Passion, BWV 244: First Part. No. 10 Aria: “Buß und Reu” (alto)
     5:18
408. 408.
     Matthäus-Passion, BWV 244: Second Part. No. 53 Chorus: “Befiehl du deine Wege” (chorus)
     2:00
409. 409.
     Matthäus-Passion, BWV 244: Second Part. No. 76 Recitative: “Und Joseph nahm den Leib” (Evangelist)
     0:39
410. 410.
     Götterdämmerung: Act II, Scene 5. “So soll es sein!” (Gunther, Brünnhilde, Hagen)
     2:19
411. 411.
     Die Zauberflöte (Arias of the Queen of the Night): Act II. “Der Hölle Rache”
     2:59
412. 412.
     Die Walküre: Act III. Ride of the Walkyries
     5:20
413. 413.
     Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo
     11:26
414. 414.
     Fidelio, op. 72: Act II. Finale: “O Gott! Welch'ein Augenblick!” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus)
     3:01
415. 415.
     Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End and applause
     4:19
416. 416.
     Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro
     3:01
417. 417.
     Symphony no. 40 in G minor, K. 550: IV. Allegro assai
     4:38
418. 418.
     Die Fledermaus: Overture
     8:20
419. 419.
     La Damnation de Faust, op. 24: Marche hongroise
     4:28
420. 420.
     Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto
     13:58
421. 421.
     Fidelio, op. 72: Act I, Finale. “Nun sprecht, wie ging's” (Leonore, Rocco)
     6:00
422. 422.
     Matthäus-Passion, BWV 244: First Part. No. 11 Recitative: “Da ging hin der Zwölfen einer” (Evangelist, Judas)
     0:43
423. 423.
     Fidelio, op. 72: Act II. Finale: “Wer ein holdes Weib errungen” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus)
     4:03
424. 424.
     Götterdämmerung: Act III, Scene 3. “Schweigt eures Jammers jauchzenden Schwall!” (Gutrune, Brünnhilde)
     3:57
425. 425.
     Matthäus-Passion, BWV 244: Second Part. No. 54 Recitative: “Auf das Fest aber hatte der Landpfleger Gewohnheit” (Evangelist, Jesus, Pilate, Pilate's wife)
     2:52
426. 426.
     Matthäus-Passion, BWV 244: Second Part. No. 77 Recitative: “Nun ist der Herr zur Ruh gebracht” (soprano, alto, tenor, bass, chorus)
     2:40
427. 427.
     Götterdämmerung: Act III, Scene 3. “Starke Scheite schichtet mir dort” (Brünnhilde)
     2:24
428. 428.
     Fidelio, op. 72: Act I, Finale. “Ach, Vater, Vater eilt” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus)
     2:45
429. 429.
     Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
     4:21
430. 430.
     Matthäus-Passion, BWV 244: Second Part. No. 56 Recitative: “Der Landpfleger sagte” (Evangelist, Pilate)
     0:14
431. 431.
     Matthäus-Passion, BWV 244: First Part. No. 12 Aria: “Blute nur, du liebes Herz!” (soprano)
     5:40
432. 432.
     Matthäus-Passion, BWV 244: Second Part. No. 78 Chorus: “Wir setzen uns mit Tränen nieder” (chorus)
     8:33
433. 433.
     Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro
     5:47
434. 434.
     Matthäus-Passion, BWV 244: First Part. No. 13 Recitative: “Aber am ersten Tage der süßen Brot” (Evangelist, chorus)
     0:16
435. 435.
     Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze - Andante
     4:49
436. 436.
     Fidelio, op. 72: Act I, Finale. “Leb'wohl, du warmest Sonnenlicht” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus)
     4:47
437. 437.
     Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro
     3:56
438. 438.
     Matthäus-Passion, BWV 244: Second Part. No. 57 Recitative: “Er hat uns allen wohlgetan” (soprano)
     1:42
439. 439.
     Götterdämmerung: Act III, Scene 3. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde)
     2:22
440. 440.
     Matthäus-Passion, BWV 244: First Part. No. 14 Chorus: “Wo willst du, dass wir dir bereiten” (chorus)
     0:28
441. 441.
     Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto - Allegretto
     2:12
442. 442.
     Götterdämmerung: Act III, Scene 3. “O ihr, der Eide ewige Hüter!” (Brünnhilde)
     3:46
443. 443.
     Matthäus-Passion, BWV 244: Second Part. No. 58 Aria: “Aus Liebe will mein Heiland sterben” (soprano)
     5:11
444. 444.
     Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto
     9:15
445. 445.
     Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo - Allegro
     3:06
446. 446.
     Götterdämmerung: Act III, Scene 3. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde)
     2:26
447. 447.
     Matthäus-Passion, BWV 244: First Part. No. 15 Recitative: “Er sprach” (Evangelist, Jesus, chorus)
     2:01
448. 448.
     Matthäus-Passion, BWV 244: Second Part. No. 59 Recitative: “Sie schrieen aber noch mehr und sprachen” (Evangelist, Pilate, chorus)
     2:21
449. 449.
     Götterdämmerung: Act III, Scene 3. “Fliegt heim, ihr Raben!” (Brünnhilde)
     1:12
450. 450.
     Matthäus-Passion, BWV 244: First Part. No. 16 Chorus: “Ich bin's, ich sollte büßen” (chorus)
     1:31
451. 451.
     Matthäus-Passion, BWV 244: Second Part. No. 60 Recitative: “Erbarm es Gott!” (alto)
     1:46
452. 452.
     Hungarian Dances: No. 1 in G major
     3:07
453. 453.
     Hungarian Dances: No. 3 in F major
     2:32
454. 454.
     Matthäus-Passion, BWV 244: Second Part. No. 62 Recitative: “Da nahmen die Kriegsknechte des Landpflegers” (Evangelist, chorus)
     1:23
455. 455.
     Matthäus-Passion, BWV 244: First Part. No. 17 Recitative: “Er antwortete und sprach” (Evangelist, Jesus, Judas)
     4:09
456. 456.
     Götterdämmerung: Act III, Scene 3. “Grane, mein Ross, sei mir gegrüßt!” (Brünnhilde)
     6:14
457. 457.
     Hungarian Dances: No. 10 in E major
     1:54
458. 458.
     Matthäus-Passion, BWV 244: Second Part. No. 63 Chorus: “O Haupt voll Blut und Wunden” (chorus)
     2:19
459. 459.
     Matthäus-Passion, BWV 244: First Part. No. 18 Recitative: “Wiewohl mein Herz in Tränen schwimmt” (soprano)
     1:53
460. 460.
     Matthäus-Passion, BWV 244: First Part. No. 20 Recitative: “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus)
     1:32
461. 461.
     Die Meistersinger von Nürnberg: Act I. Prelude
     9:44
462. 462.
     Die Meistersinger von Nürnberg: Act III. Dance of the Apprentices
     2:45
463. 463.
     Matthäus-Passion, BWV 244: First Part. No. 21 Chorus: “Erkenne mich, mein Hüter” (chorus)
     1:56
464. 464.
     Matthäus-Passion, BWV 244: First Part. No. 22 Recitative: “Petrus aber antwortete und sprach zu ihm” (Evangelist, Jesus, Peter)
     1:18
465. 465.
     Matthäus-Passion, BWV 244: First Part. No. 24 Recitative: “Da kam Jesus mit ihnen zu einem Hofe” (Evangelist, Jesus)
     2:12
466. 466.
     Matthäus-Passion, BWV 244: First Part. No. 25 Recitative: “O Schmerz” (Evangelist, chorus)
     3:07
467. 467.
     Matthäus-Passion, BWV 244: First Part. No. 26 Aria: “Ich will bei meinem Jesu wachen” (tenor, chorus)
     6:24
468. 468.
     Matthäus-Passion, BWV 244: First Part. No. 27 Recitative: “Und ging hin ein wenig” (Evangelist, Jesus)
     0:57
469. 469.
     Matthäus-Passion, BWV 244: First Part. No. 28 Recitative: “Der Heiland fällt vor seinem Vater nieder” (bass)
     1:33
470. 470.
     Matthäus-Passion, BWV 244: First Part. No. 30 Recitative: “Und er kam zu seinen Jüngern” (Evangelist, Jesus)
     1:36
471. 471.
     Matthäus-Passion, BWV 244: First Part. No. 31 Chorus: “Was mein Gott will, das g'scheh allzeit” (chorus)
     2:03
472. 472.
     Matthäus-Passion, BWV 244: First Part. No. 32 Recitative: “Da kam er zu seinen Jüngern und sprach” (Evangelist, Jesus, Judas)
     2:41
473. 473.
     Matthäus-Passion, BWV 244: First Part. No. 33 Duo: “So ist mein Jesus nun gefangen” (soprano, alto, chorus)
     4:43
474. 474.
     Matthäus-Passion, BWV 244: First Part. No. 34 Recitative: “Zu der Stund sprach Jesus zu den Scharen” (Evangelist, Jesus)
     1:21
475. 475.
     Matthäus-Passion, BWV 244: First Part. No. 35 Chorus: “O Mensch, bewein dein Sünde groß” (chorus)
     8:27