How to Listen to and Understand Great Music

Lecture 1.1 - Introduction

Lecture 1.2 - Introduction

Lecture 1.3 - Introduction

Lecture 1.4 - Introduction

Lecture 1.5 - Introduction

Lecture 1.6 - Introduction

Lecture 1.7 - Introduction

Lecture 1.8 - Introduction

Lecture 1.9 - Introduction

Lecture 2.1 - Sources - The Ancient World And The Early Church

Lecture 2.2 - Sources - The Ancient World And The Early Church

Lecture 2.3 - Sources - The Ancient World And The Early Church

Lecture 2.4 - Sources - The Ancient World And The Early Church

Lecture 2.5 - Sources - The Ancient World And The Early Church

Lecture 2.6 - Sources - The Ancient World And The Early Church

Lecture 2.7 - Sources - The Ancient World And The Early Church

Lecture 2.8 - Sources - The Ancient World And The Early Church

Lecture 3.1 - The Middle Ages - Darkness, Change, And Diversity

Lecture 3.2 - The Middle Ages - Darkness, Change, And Diversity

Lecture 3.3 - The Middle Ages - Darkness, Change, And Diversity

Lecture 3.4 - The Middle Ages - Darkness, Change, And Diversity

Lecture 3.5 - The Middle Ages - Darkness, Change, And Diversity

Lecture 3.6 - The Middle Ages - Darkness, Change, And Diversity

Lecture 3.7 - The Middle Ages - Darkness, Change, And Diversity

Lecture 3.8 - The Middle Ages - Darkness, Change, And Diversity

Lecture 3.9 - The Middle Ages - Darkness, Change, And Diversity

Lecture 4.1 - Introduction to the Renaissence

Lecture 4.2 - Introduction to the Renaissence

Lecture 4.3 - Introduction to the Renaissence

Lecture 4.4 - Introduction to the Renaissence

Lecture 4.5 - Introduction to the Renaissence

Lecture 4.6 - Introduction to the Renaissence

Lecture 4.7 - Introduction to the Renaissence

Lecture 4.8 - Introduction to the Renaissence

Lecture 4.9 - Introduction to the Renaissence

Lecture 5.1 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation

Lecture 5.2 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation

Lecture 5.3 - The Renaissance Mass - Josquin Des Prez, Palestrina, and The Counter-Reformation

Lecture 5.4 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation

Lecture 5.5 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation

Lecture 5.6 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation

Lecture 5.7 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation

Lecture 5.8 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation

Lecture 5.9 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation

Lecture 6.1 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal

Lecture 6.2 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal

Lecture 6.3 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal

Lecture 6.4 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal

Lecture 6.5 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal

Lecture 6.6 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal

Lecture 6.7 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal

Lecture 6.8 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal

Lecture 6.9 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal

Lecture 7.1 - Introduction To The Baroque

Lecture 7.2 - Introduction To The Baroque

Lecture 7.3 - Introduction To The Baroque

Lecture 7.4 - Introduction To The Baroque

Lecture 7.5 - Introduction To The Baroque

Lecture 7.6 - Introduction To The Baroque

Lecture 7.7 - Introduction To The Baroque

Lecture 7.8 - Introduction To The Baroque

Lecture 7.9 - Introduction To The Baroque

Lecture 8.1 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture

Lecture 8.2 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture

Lecture 8.3 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture

Lecture 8.4 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture

Lecture 8.5 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture

Lecture 8.6 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture

Lecture 8.7 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture

Lecture 8.8 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture

Lecture 8.9 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture

Lecture 9.1 - National Styles - Italy and Germany

Lecture 9.2 - National Styles - Italy and Germany

Lecture 9.3 - National Styles - Italy and Germany

Lecture 9.4 - National Styles - Italy and Germany

Lecture 9.5 - National Styles - Italy and Germany

Lecture 9.6 - National Styles - Italy and Germany

Lecture 9.7 - National Styles - Italy and Germany

Lecture 9.8 - National Styles - Italy and Germany

Lecture 9.9 - National Styles - Italy and Germany

Lecture 10.1 - Fugue

Lecture 10.2 - Fugue

Lecture 10.3 - Fugue

Lecture 10.4 - Fugue

Lecture 10.5 - Fugue

Lecture 10.6 - Fugue

Lecture 10.7 - Fugue

Lecture 10.8 - Fugue

Lecture 10.9 - Fugue

Lecture 11.1 - Baroque Opera, Part 1

Lecture 11.2 - Baroque Opera, Part 1

Lecture 11.3 - Baroque Opera, Part 1

Lecture 11.4 - Baroque Opera, Part 1

Lecture 11.5 - Baroque Opera, Part 1

Lecture 11.6 - Baroque Opera, Part 1

Lecture 11.7 - Baroque Opera, Part 1

Lecture 11.8 - Baroque Opera, Part 1

Lecture 11.9 - Baroque Opera, Part 1

Lecture 12.1 - Baroque Opera, Part 2

Lecture 12.2 - Baroque Opera, Part 2

Lecture 12.3 - Baroque Opera, Part 2

Lecture 12.4 - Baroque Opera, Part 2

Lecture 12.5 - Baroque Opera, Part 2

Lecture 12.6 - Baroque Opera, Part 2

Lecture 12.7 - Baroque Opera, Part 2

Lecture 12.8 - Baroque Opera, Part 2

Lecture 12.9 - Baroque Opera, Part 2

Lecture 13.1- Baroque Sacred Music, Part 1 - The Oratorio

Lecture 13.2- Baroque Sacred Music, Part 1 - The Oratorio

Lecture 13.3- Baroque Sacred Music, Part 1 - The Oratorio

Lecture 13.4- Baroque Sacred Music, Part 1 - The Oratorio

Lecture 13.5- Baroque Sacred Music, Part 1 - The Oratorio

Lecture 13.6- Baroque Sacred Music, Part 1 - The Oratorio

Lecture 13.7- Baroque Sacred Music, Part 1 - The Oratorio

Lecture 13.8- Baroque Sacred Music, Part 1 - The Oratorio

Lecture 13.9- Baroque Sacred Music, Part 1 - The Oratorio

Lecture 14.1 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata

Lecture 14.2 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata

Lecture 14.3 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata

Lecture 14.4 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata

Lecture 14.5 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata

Lecture 14.6 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata

Lecture 14.7 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata

Lecture 14.8 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata

Lecture 14.9 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata

Lecture 15.1 - Baroque Instrumental Forms, Part 1--Passacaglia

Lecture 15.2 - Baroque Instrumental Forms, Part 1--Passacaglia

Lecture 15.3 - Baroque Instrumental Forms, Part 1--Passacaglia

Lecture 15.4 - Baroque Instrumental Forms, Part 1--Passacaglia

Lecture 15.5 - Baroque Instrumental Forms, Part 1--Passacaglia

Lecture 15.6 - Baroque Instrumental Forms, Part 1--Passacaglia

Lecture 15.7 - Baroque Instrumental Forms, Part 1--Passacaglia

Lecture 15.8 - Baroque Instrumental Forms, Part 1--Passacaglia

Lecture 15.9 - Baroque Instrumental Forms, Part 1--Passacaglia

Lecture 16.1: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto

Lecture 16.2: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto

Lecture 16.3: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto

Lecture 16.4: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto

Lecture 16.5: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto

Lecture 16.6: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto

Lecture 16.7: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto

Lecture 16.8: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto

Lecture 16.9: Baroque Instrumental Forms, Part 2--Ritornello Form & The Baroque Concerto

Lecture 17.1 - The Enlightenment and the Introduction to the Classical Era

Lecture 17.2 - The Enlightenment and the Introduction to the Classical Era

Lecture 17.3 - The Enlightenment and the Introduction to the Classical Era

Lecture 17.4 - The Enlightenment and the Introduction to the Classical Era

Lecture 17.5 - The Enlightenment and the Introduction to the Classical Era

Lecture 17.6 - The Enlightenment and the Introduction to the Classical Era

Lecture 17.7 - The Enlightenment and the Introduction to the Classical Era

Lecture 17.8 - The Enlightenment and the Introduction to the Classical Era

Lecture 17.9 - The Enlightenment and the Introduction to the Classical Era

Lecture 18.1 - The Viennese Classical Style, Homophony, and the Cadence

Lecture 18.2 - The Viennese Classical Style, Homophony, and the Cadence

Lecture 18.3 - The Viennese Classical Style, Homophony, and the Cadence

Lecture 18.4 - The Viennese Classical Style, Homophony, and the Cadence

Lecture 18.5 - The Viennese Classical Style, Homophony, and the Cadence

Lecture 18.6 - The Viennese Classical Style, Homophony, and the Cadence

Lecture 18.7 - The Viennese Classical Style, Homophony, and the Cadence

Lecture 18.8 - The Viennese Classical Style, Homophony, and the Cadence

Lecture 18.9 - The Viennese Classical Style, Homophony, and the Cadence

Lecture 19.1 - Classical-Era Form - Theme and Variations

Lecture 19.2 - Classical-Era Form - Theme and Variations

Lecture 19.3 - Classical-Era Form - Theme and Variations

Lecture 19.4 - Classical-Era Form - Theme and Variations

Lecture 19.5 - Classical-Era Form - Theme and Variations

Lecture 19.6 - Classical-Era Form - Theme and Variations

Lecture 19.7 - Classical-Era Form - Theme and Variations

Lecture 19.8 - Classical-Era Form - Theme and Variations

Lecture 19.9 - Classical-Era Form - Theme and Variations

Lecture 20.1 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents

Lecture 20.2 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents

Lecture 20.3 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents

Lecture 20.4 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents

Lecture 20.5 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents

Lecture 20.6 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents

Lecture 20.7 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents

Lecture 20.8 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents

Lecture 20.9 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents

Lecture 21.1 - Classical-Era Form - Minuet and Trio II

Lecture 21.2 - Classical-Era Form - Minuet and Trio II

Lecture 21.3 - Classical-Era Form - Minuet and Trio II

Lecture 21.4 - Classical-Era Form - Minuet and Trio II

Lecture 21.5 - Classical-Era Form - Minuet and Trio II

Lecture 21.6 - Classical-Era Form - Minuet and Trio II

Lecture 21.7 - Classical-Era Form - Minuet and Trio II

Lecture 21.8 - Classical-Era Form - Minuet and Trio II

Lecture 21.9 - Classical-Era Form - Minuet and Trio II

Lecture 22.1 - Classical-Era Form - Rondo

Lecture 22.2 - Classical-Era Form - Rondo

Lecture 22.3 - Classical-Era Form - Rondo

Lecture 22.4 - Classical-Era Form - Rondo

Lecture 22.5 - Classical-Era Form - Rondo

Lecture 22.6 - Classical-Era Form - Rondo

Lecture 22.7 - Classical-Era Form - Rondo

Lecture 22.8 - Classical-Era Form - Rondo

Lecture 22.9 - Classical-Era Form - Rondo

Lecture 23.1 - Classical-Era Form - Sonata-Allegro Form I, Part 1

Lecture 23.2 - Classical-Era Form - Sonata-Allegro Form I, Part 1

Lecture 23.3 - Classical-Era Form - Sonata-Allegro Form I, Part 1

Lecture 23.4 - Classical-Era Form - Sonata-Allegro Form I, Part 1

Lecture 23.5 - Classical-Era Form - Sonata-Allegro Form I, Part 1

Lecture 23.6 - Classical-Era Form - Sonata-Allegro Form I, Part 1

Lecture 23.7 - Classical-Era Form - Sonata-Allegro Form I, Part 1

Lecture 23.8 - Classical-Era Form - Sonata-Allegro Form I, Part 1

Lecture 23.9 - Classical-Era Form - Sonata-Allegro Form I, Part 1

Lecture 24.1 - Classical-Era Form - Sonata-Allegro Form I, Part 2

Lecture 24.2 - Classical-Era Form - Sonata-Allegro Form I, Part 2

Lecture 24.3 - Classical-Era Form - Sonata-Allegro Form I, Part 2

Lecture 24.4 - Classical-Era Form - Sonata-Allegro Form I, Part 2

Lecture 24.5 - Classical-Era Form - Sonata-Allegro Form I, Part 2

Lecture 24.6 - Classical-Era Form - Sonata-Allegro Form I, Part 2

Lecture 24.7 - Classical-Era Form - Sonata-Allegro Form I, Part 2

Lecture 24.8 - Classical-Era Form - Sonata-Allegro Form I, Part 2

Lecture 24.9 - Classical-Era Form - Sonata-Allegro Form I, Part 2