Simon Rattle: The CBSO Years

Mša glagolskaja: I. Úvod

Mša glagolskaja: II. Gospodi pomiluj

Mša glagolskaja: III. Slava

Mša glagolskaja: IV. Vĕruju

Mša glagolskaja: V. Svet

Mša glagolskaja: VI. Agneče Božij

Mša glagolskaja: VII. Postludium: Varhany sólo

Mša glagolskaja: VIII. Intrada

War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam dona esi Domine (chorus/boys)

War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? (tenor)

War Requiem, op. 66: I. Requiem aeternam: Kyrie eleison (chorus)

War Requiem, op. 66: II. Dies irae. Dies irae, dies illa (chorus)

War Requiem, op. 66: II. Dies irae. Bugles sang, saddening the evening air (baritone)

War Requiem, op. 66: II. Dies irae. Liber scriptus proferetur (soprano/semi-chorus)

War Requiem, op. 66: II. Dies irae. Out there, we've walked quite friendly up to Death (tenor/baritone)

War Requiem, op. 66: II. Dies irae. Recordare Jesu pie (chorus)

War Requiem, op. 66: II. Dies irae. Be slowly lifted up, thou long black arm (baritone)

War Requiem, op. 66: II. Dies irae. Dies irae, dies illa (chorus)

War Requiem, op. 66: II. Dies irae. Lacrimosa dies illa (soprano/chorus)

War Requiem, op. 66: II. Dies irae. Move him into the sun (tenor/soprano/chorus) / Pie Jesu (chorus)

War Requiem, op. 66: III. Offertorium. Domine Jesu Christe (boys/chorus)

War Requiem, op. 66: III. Offertorium. So Abram rose, and clave the wood, and went (tenor/baritone/boys)

War Requiem, op. 66: IV. Sanctus. Sanctus, sanctus, sanctus (soprano/chorus)

War Requiem, op. 66: IV. Sanctus. Benedictus qui venit in nomine Domini (soprano/chorus)

War Requiem, op. 66: IV. Sanctus. After the blast of lightning from the East (baritone)

War Requiem, op. 66: V. Agnus Dei (tenor/chorus)

War Requiem, op. 66: VI. Libera me. Libera me, Domine, de morte aeterna (soprano/chorus)

War Requiem, op. 66: VI. Libera me. It seemed that out of battle I escaped (tenor/baritone)

War Requiem, op. 66: VI. Libera me. "Let us sleep now...In paradisum" (tenor/baritone/boys/soprano/chorus)

An American Overture

Ballad of Heroes, op. 14: I. Funeral March (Swingler) -

Ballad of Heroes, op. 14: II. Scherzo (Auden) -

Ballad of Heroes, op. 14: III. Recitative and Choral (Auden/Swingler)

Diversions, op. 21 for Piano (left hand) and Orchestra: Theme -

Diversions, op. 21 for Piano (left hand) and Orchestra: Var I: Recitative -

Diversions, op. 21 for Piano (left hand) and Orchestra: Var. II: Romance -

Diversions, op. 21 for Piano (left hand) and Orchestra: Var III. Variation 3: March -

Diversions, op. 21 for Piano (left hand) and Orchestra: Var IV: Arabesque -

Diversions, op. 21 for Piano (left hand) and Orchestra: Var V: Chant -

Diversions, op. 21 for Piano (left hand) and Orchestra: Var VI: Nocturne -

Diversions, op. 21 for Piano (left hand) and Orchestra: Var VII: Badinerie -

Diversions, op. 21 for Piano (left hand) and Orchestra: Var VIII: Burlesque -

Diversions, op. 21 for Piano (left hand) and Orchestra: Var IX: Toccata I - Toccata II - Cadenza -

Diversions, op. 21 for Piano (left hand) and Orchestra: Var X: Adagio -

Diversions, op. 21 for Piano (left hand) and Orchestra: Var XI: Finale (Tarantella)

The Building of the House, op. 79

Praise We Great Men (ed. & orch. by Colin Matthews): Praide we great men -

Praise We Great Men (ed. & orch. by Colin Matthews): Praise we the just -

Praise We Great Men (ed. & orch. by Colin Matthews): (Coda)

Suite on English Folk Tunes "A Time There Was", op. 90: I. Cakes and Ale

Suite on English Folk Tunes "A Time There Was", op. 90: II. The Bitter Withy

Suite on English Folk Tunes "A Time There Was", op. 90: III. Hankin Booby

Suite on English Folk Tunes "A Time There Was", op. 90: IV. Hunt the Squirrel

Suite on English Folk Tunes "A Time There Was", op. 90: V. Lord Melbourne

Canadian Carnival, op. 19

Young Apollo, op. 16

Quatre Chansons françaises: No. 1. Les Nuits de Juin

Quatre Chansons françaises: No. 2. Sagesse

Quatre Chansons françaises: No. 3. L'Enfance

Quatre Chansons françaises: No. 4. Chanson d'automne

Scottish Ballad, op. 26

Occasional Overture, op. 38

Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben marcato -

Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -

Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo

Die sieben Todsünden: Prolog

Die sieben Todsünden: I. Faulheit (Family)

Die sieben Todsünden: II. Stolz (Anna I / Family)

Die sieben Todsünden: III. Zorn (Anna I & II / Family)

Die sieben Todsünden: IV. Völlerei (Family)

Die sieben Todsünden: V. Unzucht (Anna I & II / Family)

Die sieben Todsünden: VI. Habsucht (Family)

Die sieben Todsünden: VII. Neid (Anna I / Family)

Die sieben Todsünden: Epilog (Anna I & II)

On Wenlock Edge: No. 1. On Wenlock Edge

On Wenlock Edge: No. 2. From Far, From Eve and Morning

On Wenlock Edge: No. 3. Is My Team Ploughing

On Wenlock Edge: No. 4. Oh, When I Was in Love With You

On Wenlock Edge: No. 5. Bredon Hill

On Wenlock Edge: No. 6. Clun

Song of Travel: No. 1. The Vagabond

Song of Travel: No. 2. Let Beauty Awake

Song of Travel: No. 3. The Roadside Fire

Song of Travel: No. 4. Youth and Love

Song of Travel: No. 5. In Dreams

Song of Travel: No. 6. The Infinite Shining Heavens

Song of Travel: No. 7. Whither Must I Wander

Song of Travel: No. 8. Bright Is the Ring of Words

Song of Travel: No. 9. I Have Trod the Upward and Downward Slope

Symphonic Dances, op. 45: I. Non allegro

Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse)

Symphonic Dances, op. 45: III. Lento assai - Allegro vivace

Vocalise, op. 34 no. 14

Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso

Symphony no. 2 in C minor “Resurrection”: II. Andante moderato

Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung

Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht

Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -

Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -

Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -

Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -

Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -

Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -

Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -

Das klagende Lied: I. Waldmärchen

Das klagende Lied: II. Der Spielmann

Das klagende Lied: III. Hochzeitsstück

Piano Quartet no. 1 in G minor, op. 25: I. Allegro

Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo

Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto

Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese: Presto

Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig

Symphony no. 6 in A minor: II. Andante moderato

Symphony no. 6 in A minor: III. Scherzo: Wuchtig

Symphony no. 6 in A minor: IV. Finale: Allegro moderato

Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico

Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento

Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro

Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia: Andante - Allegro molto

Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato - Presto

Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto

Symphony no. 5 in E-flat, op. 82: III. Allegro molto - Un pochettino largamente

Symphony no. 2 in D, op. 43: I. Allegretto

Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato

Symphony no. 2 in D, op. 43: III. Vivacissimo

Symphony no. 2 in D, op. 43: IV. Finale: Allegro moderato

Symphony no. 3 in C, op. 52: I. Allegro moderato

Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto

Symphony no. 3 in C, op. 52: III. Moderato - Allegro (ma non tanto)

Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio

Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace

Symphony no. 4 in A minor, op. 63: III. Il tempo largo

Symphony no. 4 in A minor, op. 63: IV. Allegro

Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato

Symphony no. 6 in D minor, op. 104: II. Allegretto moderato

Symphony no. 6 in D minor, op. 104: III. Poco vivace

Symphony no. 6 in D minor, op. 104: IV. Allegro - Allegro assai

The Oceanides, op. 73

Symphony no. 7 in C, op. 105: I. Adagio -

Symphony no. 7 in C, op. 105: II. Un pochettino meno allegro - Vivacissimo - Adagio -

Symphony no. 7 in C, op. 105: III. Allegro molto moderato -

Symphony no. 7 in C, op. 105: IV. Vivace - Presto - Adagio

Kuolema, op. 44: Scene with Cranes

Pan and Syrinx, op. 49

Symphony no. 4, op. 29 "The Inextinquishable": I. Allegro -

Symphony no. 4, op. 29 "The Inextinquishable": II. Poco allegretto -

Symphony no. 4, op. 29 "The Inextinquishable": III. Poco adagio quasi andante -

Symphony no. 4, op. 29 "The Inextinquishable": IV. Allegro

Turangalîla-Symphonie: I. Introduction

Turangalîla-Symphonie: II. Chant d'amour I

Turangalîla-Symphonie: III. Turangalîla I

Turangalîla-Symphonie: IV. Chant d'amour II

Turangalîla-Symphonie: V. Joie du sang des étoiles

Turangalîla-Symphonie: VI. Jardin du sommeil d'amour

Turangalîla-Symphonie: VII. Turangalîla II

Turangalîla-Symphonie: VIII. Développement de l'amour

Turangalîla-Symphonie: IX. Turangalîla III

Turangalîla-Symphonie: X. Final

The Dream of Gerontius, op. 38: Part I. Prelude: Lento, mistico - Moderato - Andantino - Come prima

The Dream of Gerontius, op. 38: Part I. Jesu, Maria - I am near to death (Gerontius)

The Dream of Gerontius, op. 38: Part I. So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus)

The Dream of Gerontius, op. 38: Part I. Rouse thee, my fainting soul... Be merciful (Gerontius, chorus)

The Dream of Gerontius, op. 38: Part I. Sanctus fortis, Sanctus Deus (Gerontius)

The Dream of Gerontius, op. 38: Part I. I can no more (Gerontius)

The Dream of Gerontius, op. 38: Part I. Rescue him, O Lord (chorus)

The Dream of Gerontius, op. 38: Part I. Novissima hora est (semi-chorus, chorus, Gerontius)

The Dream of Gerontius, op. 38: Part I. Proficiscere, anima Christiana (Priest)

The Dream of Gerontius, op. 38: Part I. Go in the name of Angels (chorus, Priest, semi-chorus)

The Dream of Gerontius, op. 38: Part I. Go forth upon thy Journey (chorus, Priest, semi-chorus)

The Dream of Gerontius, op. 38: Part II. (Andantino)

The Dream of Gerontius, op. 38: Part II. I went to sleep (Soul of Gerontius)

The Dream of Gerontius, op. 38: Part II. Another marvel

The Dream of Gerontius, op. 38: Part II. My work is done (Angel, Soul)

The Dream of Gerontius, op. 38: Part II. It is a member of that family... A presage falls upon thee (Angel, Soul)

The Dream of Gerontius, op. 38: Part II. But hark! Upon my senses (Soul)

The Dream of Gerontius, op. 38: Part II. Low-born clods of brute earth (chorus)

The Dream of Gerontius, op. 38: Part II. Dispossessed, aside thrust (chorus)

The Dream of Gerontius, op. 38: Part II. The mind bold and independent (chorus)

The Dream of Gerontius, op. 38: Part II. I see not those false spirits (Soul)

The Dream of Gerontius, op. 38: Part II. There was a mortal (Angel)

The Dream of Gerontius, op. 38: Part II. Praise to the Holiest (semi-chorus, chorus, Angel)

The Dream of Gerontius, op. 38: Part II. The Sound is like the rushing of the wind (Soul)

The Dream of Gerontius, op. 38: Part II. Glory to Him (semi-chorus, chorus)

The Dream of Gerontius, op. 38: Part II. They sing of thy approaching agony (Soul, Angel, chorus)

The Dream of Gerontius, op. 38: Part II. But hark! a grand mysterious harmony (Soul, Angel, chorus)

The Dream of Gerontius, op. 38: Part II. And now on the threshold (Angel)

The Dream of Gerontius, op. 38: Part II. Praise to the Holiest (chorus)

The Dream of Gerontius, op. 38: Part II. Thy judgment now is near (Angel, Soul)

The Dream of Gerontius, op. 38: Part II. Jesu! by that shuddering dread (Angel of the Agony, Soul)

The Dream of Gerontius, op. 38: Part II. Be merciful, be gracious (semi-chorus, chorus)

The Dream of Gerontius, op. 38: Part II. Praise to His Name! (Angel)

The Dream of Gerontius, op. 38: Part II. Take me away (Soul)

The Dream of Gerontius, op. 38: Part II. Lord, Thou hast been our refuge (chorus)

The Dream of Gerontius, op. 38: Part II. Softly and gently (Angel, chorus, semi-chorus)

Petrushka (1947 version): Tableau I. Fete populaire de la semaine grasse

Petrushka (1947 version): Tableau I. Le tour de passe-passe - Danse russe

Petrushka (1947 version): Tableau II. Chez Petrushka

Petrushka (1947 version): Tableau III. Chez le maure - Danse de la ballerine

Petrushka (1947 version): Tableau III. Valse - La ballerine et le maure

Petrushka (1947 version): Tableau IV. Fête populaire de la semaine grasse

Petrushka (1947 version): Tableau IV. Danse des nounous

Petrushka (1947 version): Tableau IV. Paysan et l'ours

Petrushka (1947 version): Tableau IV. Bohémien et marchand malhonnête

Petrushka (1947 version): Tableau IV. Danse des cochers et des palefreniers

Petrushka (1947 version): Tableau IV. Les déguisés

Petrushka (1947 version): Tableau IV. Le rixe: Le maure et Petrushka

Petrushka (1947 version): Tableau IV. Mort de Petrushka

Petrushka (1947 version):Tableau IV. Police et l'enchanteur - Vocifération du double de Petrushka

Symphony In Three Movements: I. [Crotchet: 160]

Symphony In Three Movements: II. Andante - Interlude (L'istesso tempo)

Symphony in Three Movements: III. Con moto

L'Oiseau de feu (1947 version): Introduction

L'Oiseau de feu (1947 version): Tableau I. Le jardin enchanté de Kachtcheï - Apparition de l'Oiseau de feu poursuivi par Ivan Tsarévitch

L'Oiseau de feu (1947 version): Tableau I. Danse de l'Oiseau de feu - Capture de l'Oiseau de feu par Ivan Tsarévitch - Supplications de l'Oiseau de feu - Apparition des treize princesses enchantées

L'Oiseau de feu (1947 version): Tableau I. Brusque apparition d'Ivan Tsarévitch - Khorovode des princesses (Ronde) - Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtcheï - Carillon féerique - Apparition des monstres-gardiens de Kachtcheï - Capture d'Ivan Tsarévitch - Arrivée de Kachtcheï l'Immortel - Dialogue de Kachtcheï avec Ivan Tsarévitch - Intercession des princesses - Apparition de l'Oiseau de feu

L'Oiseau de feu (1947 version): Tableau I. Danse de la suite de Kachtcheî enchantée par l'Oiseau de feu - Danse infernale de tous les sujets de Kachtcheï

L'Oiseau de feu (1947 version): Tableau I. Berceuse (L'Oiseau de feu) - Réveil de Kachtcheï - Mort de Kachtcheï - Profonds ténébres

L'Oiseau de feu (1947 version): Tableau II. Disparation de palais et des sortilèges de Kachtcheï - Animation des chevaliers pétrifiés - Allégresse générale

Scherzo à la Russe (jazz band version)

Four Studies: I. Danse

Four Studies: II. Excentrique

Four Studies: III. Cantique

Four Studies: IV. Madrid

Scherzo à la Russe (orchestral version)

Apollo: Tableau I. Naissance d'Apollon

Apollo: Tableau II. Variation d'Apollon (Apollon et les Muses)

Apollo: Tableau II. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore)

Apollo: Tableau II. Variation de Calliope (l'Alexandrin)

Apollo: Tableau II. Variation de Polymnie

Apollo: Tableau II. Variation de Terpsichore

Apollo: Tableau II. Variation d'Apollon

Apollo: Tableau II. Pas de deux (Apollon et Terpsichore)

Apollo: Tableau II. Coda (Apollon et les Muses)

Apollo: Tableau II. Apothéose

Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Introduction - Les augures printaniers - Danses des adolescents - Jeu du rapt

Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Rondes printaniéres - Jeux des cités rivales - Cortège du sage

Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Le sage - Danse de la terre

Le Sacre du printemps: Seconde Partie: Le Sacrifice: Introduction

Le Sacre du printemps: Seconde Partie: Le Sacrifice: Cercles mystérieux des adolescents

Le Sacre du printemps: Seconde Partie: Le Sacrifice: Glorification de l´élue - Èvocation des ancêtres - Action rituelle des ancêtres

Le Sacre du printemps: Seconde Partie: Le Sacrifice: Danse sacrale (L'élue)

Five Orchestral Pieces, op. 16: I. Vorgefühle: Sehr rasch

Five Orchestral Pieces, op. 16: II. Vergangenes: Mässige Viertel

Five Orchestral Pieces, op. 16: III. Farben: Mässige Viertel

Five Orchestral Pieces, op. 16: IV. Peripetie: Sehr rasch

Five Orchestral Pieces, op. 16: V. Das obligate Rezitativ: Bewegte Achtel

Six Orchestral Pieces, op. 6: I. Langsam

Six Orchestral Pieces, op. 6: II. Bewegt

Six Orchestral Pieces, op. 6: III. Mässig

Six Orchestral Pieces, op. 6: IV. Sehr mässig

Six Orchestral Pieces, op. 6: V. Sehr langsam

Six Orchestral Pieces, op. 6: VI. Langsam

Lulu Suite: I. Rondo: Andante und Hymne

Lulu Suite: II. Ostinato: Allegro

Lulu Suite: III. Lied der Lulu: Comodo

Lulu Suite: IV. Variationen: Moderato

Lulu Suite: V. Adagio

Le Roi Lear (orch. by Roger-Ducasse): Fanfare d’ouverture

Le Roi Lear (orch. by Roger-Ducasse): Le Sommeil de Lear

Jeux ("Poème dansé")

Images: I. Gigues

Images: II. Ibéria: 1. Par les rues et par les chemins

Images: II. Ibéria: 2. Les Parfums de la nuit -

Images: II. Ibéria: 3. Le matin de jour de fête

Images: III. Gigues

The Creation, Hob. XXI:2: Part I. Overture: Representation of Chaos (orchestra)

The Creation, Hob. XXI:2: Part I, no. 1. In the beginning (Raphael/chorus/Uriel)

The Creation, Hob. XXI:2: Part I, no. 2. Now vanish before the holy beams (Uriel/chorus)

The Creation, Hob. XXI:2: Part I, no. 3. And God made the firmament (Raphael)

The Creation, Hob. XXI:2: Part I, no. 4. The marvellous work (Gabriel/chorus)

The Creation, Hob. XXI:2: Part I, no. 5. And God said, Let the waters (Raphael)

The Creation, Hob. XXI:2: Part I, no. 6. Rolling in foaming billows (Raphael)

The Creation, Hob. XXI:2: Part I, no. 7. And God said, Let the earth (Gabriel)

The Creation, Hob. XXI:2: Part I, no. 8. With verdure clad (Gabriel)

The Creation, Hob. XXI:2: Part I, no. 9. And the heavenly host (Uriel)

The Creation, Hob. XXI:2: Part I, no. 10. Awake the harp (chorus)

The Creation, Hob. XXI:2: Part I, no. 11. And God said, Let there be lights (Uriel)

The Creation, Hob. XXI:2: Part I, no. 12. In splendour bright (Uriel)

The Creation, Hob. XXI:2: Part I, no. 13. The heavens are telling (chorus/Gabgiel/Uriel/Raphael)

The Creation, Hob. XXI:2: Part II, no. 14. And God said, Let the waters (chorus/Gabriel/Uriel/Raphael)

The Creation, Hob. XXI:2: Part II, no. 15. On mighty pens (Gabriel)

The Creation, Hob. XXI:2: Part II, no. 16. And God created great whales (Raphael)

The Creation, Hob. XXI:2: Part II, no. 17. And the angels (Raphael)

The Creation, Hob. XXI:2: Part II, no. 18. Most beautiful appear (Gabriel/Uriel/Raphael)

The Creation, Hob. XXI:2: Part II, no. 19. The Lord is great (chorus/Gabriel/Uriel/Raphael)

The Creation, Hob. XXI:2: Part II, no. 20. And God said, Let the earth (Raphael)

The Creation, Hob. XXI:2: Part II, no. 21. Straight opening her fertile womb (Raphael)

The Creation, Hob. XXI:2: Part II, no. 22. Now heaven in all her glory shines (Raphael)

The Creation, Hob. XXI:2: Part II, no. 23. So God created Man (Uriel)

The Creation, Hob. XXI:2: Part II, no. 24. In native worth (Raphael)

The Creation, Hob. XXI:2: Part II, no. 25. And God saw everything (Raphael)

The Creation, Hob. XXI:2: Part II, no. 26. Achieved is the glorious work (chorus)

The Creation, Hob. XXI:2: Part II, no. 27. On thee each living soul (Gabriel/Uriel/Raphael)

The Creation, Hob. XXI:2: Part II, no. 28. Achieved is the glorious work (chorus)

The Creation, Hob. XXI:2: Part III, no. 29. In rosy mantle (Uriel)

The Creation, Hob. XXI:2: Part III, no. 30. The Creation: By thee with bliss (Adam/Eve/chorus)

The Creation, Hob. XXI:2: Part III, no. 30. The Creation: Of stars the fairest (Adam/Eve/chorus)

The Creation, Hob. XXI:2: Part III, no. 30. Hail! bounteous Lord! (chorus)

The Creation, Hob. XXI:2: Part III, no. 31. Our duty we have now performed (Adam)

The Creation, Hob. XXI:2: Part III, no. 32. Graceful consort (Adam/Eve)

The Creation, Hob. XXI:2: Part III, no. 32. The dew-dropping morn (Adam/Eve)

The Creation, Hob. XXI:2: Part III, no. 33. O happy pair (Uriel)

The Creation, Hob. XXI:2: Part III, no. 34. Sing the Lord (chorus and soloists)

Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto

Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante

Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio

Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto

Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione)

Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo)

Symphony no. 70 in D, Hob. I:70: I. Vivace con brio

Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante)

Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio

Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio)

Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai

Symphony no. 90 in C, Hob. I:90: II. Andante

Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio

Symphony no. 90 in C, Hob. I:90: IV. Finale

Fanfare (for the ballet L'Éventail de Jeanne)

Shéhérazade: I. Asie

Shéhérazade: II. La Flûte enchantée

Shéhérazade: III. L'Indifférent

Alborada del gracioso

Miroirs - La Vallée des cloches

Ma Mère l'Oye: Prélude -

Ma Mère l'Oye: Danse du Rouet et Scène -

Ma Mère l'Oye: Pavane de la Belle au bois dormant -

Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -

Ma Mère l'Oye: (Interlude) - Petit poucet -

Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -

Ma Mère l'Oye: Le Jardin Féerique

La Valse ("Poème chorégraphique")

Daphnis et Chloé: Première Partie. Introduction et Danse religieuse...

Daphnis et Chloé: Première Partie. Les jeunes filles attirent Daphnis et l'entourent de leurs danses / Danse générale -

Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon

Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis

Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense... / Danse de Lyceion

Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte

Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint

Daphnis et Chloé: Première Partie. Interlude

Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé

Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus

Daphnis et Chloé: Troisiéme Partie. Lever du jour

Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx

Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale

Boléro

Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo

Symphony no. 7 in E minor: II. Nachtmusik I: Allegro Moderato

Symphony no. 7 in E minor: III. Scherzo: Schattenhaft

Symphony no. 7 in E minor: IV. Nachtmusik II: Andante Amoroso

Symphony no. 7 in E minor: V. Rondo - Finale

Blumine

Symphony no. 1 in D: I. Langsam. Schleppend - Im Anfang sehr gemächlich

Symphony no. 1 in D: II. Kräftig bewegt, doch nicht zu schnell

Symphony no. 1 in D: III. Feierlich und gemessen, ohne zu schleppen -

Symphony no. 1 in D: IV. Stürmisch bewegt

Symphony no. 5 in B-flat, op. 100: I. Andante

Symphony no. 5 in B-flat, op. 100: II. Allegro marcato

Symphony no. 5 in B-flat, op. 100: III. Adagio

Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso

Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce

Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto

Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino

Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun

Barcarola

Symphony no. 7: I. Tanz - Lebhaft und beseelt

Symphony no. 7: II. Ruhig bewegt

Symphony no. 7: III. Unablässig in Bewegung

Symphony no. 7: IV. Ruhig, verhalten

The Young Person's Guide to the Orchestra, op. 34: Theme (Allegro maestoso e largamente)

The Young Person's Guide to the Orchestra, op. 34: Variation A: Flutes and piccolo (PrestO)

The Young Person's Guide to the Orchestra, op. 34: Variation B: Oboes (Lento)

The Young Person's Guide to the Orchestra, op. 34: Variation C: Clarinets (Moderato)

The Young Person's Guide to the Orchestra, op. 34: Variation D: Bassoons (Allegro alla marcia)

The Young Person's Guide to the Orchestra, op. 34: Variation E: Violins Brillante: alla polacca)

The Young Person's Guide to the Orchestra, op. 34: Variation F: Violas (Meno mosso)

The Young Person's Guide to the Orchestra, op. 34: Variation G: Cellos

The Young Person's Guide to the Orchestra, op. 34: Variation H: Double basses (Comminciando lento ma poco a poco accel. al Allegro)

The Young Person's Guide to the Orchestra, op. 34: Variation I: Harp (Maestoso)

The Young Person's Guide to the Orchestra, op. 34: Variation J: Horns (L'istesso tempo)

The Young Person's Guide to the Orchestra, op. 34: Variation K: Trumpets (Vivace)

The Young Person's Guide to the Orchestra, op. 34: Variation L: Trombones and bass tuba (Allegro pomposo)

The Young Person's Guide to the Orchestra, op. 34: Variation M: Percussion (Moderato)

The Young Person's Guide to the Orchestra, op. 34: Fugue (Allegro molto)

Odyssey: Introduction

Odyssey: Part I

Odyssey: Part II

Odyssey: Part III

Odyssey: Part IV

Odyssey: Part V

Variations on an Original Theme, op. 36 "Enigma": Theme

Variations on an Original Theme, op. 36 "Enigma": I. C.A.E. (the composer's wife)

Variations on an Original Theme, op. 36 "Enigma": II. H.D.S.P. (Hed David Steuart-Powell)

Variations on an Original Theme, op. 36 "Enigma": III. R.B.T. (Richard Baxter Townshend)

Variations on an Original Theme, op. 36 "Enigma": IV. W.M.B. (William Meath Baker)

Variations on an Original Theme, op. 36 "Enigma": V. R.P.A. (Richard Penrose Arnold)

Variations on an Original Theme, op. 36 "Enigma": VI. Ysobel (Isabel Fitton)

Variations on an Original Theme, op. 36 "Enigma": VII. Troyte (Troyte Griffit)

Variations on an Original Theme, op. 36 "Enigma": VIII. W.N. (Winifred Norbury)

Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod (A.J. Jaeger)

Variations on an Original Theme, op. 36 "Enigma": X. Intermezzo: Dorabella (Dora Penny)

Variations on an Original Theme, op. 36 "Enigma": XI. G.R.S. (George Robertson Sinclair)

Variations on an Original Theme, op. 36 "Enigma": XII. B.G.N. (Basil G. Nevinson)

Variations on an Original Theme, op. 36 "Enigma": XIII. Romanza: *** (Lady Mary Lygon)

Variations on an Original Theme, op. 36 "Enigma": XIV. Finale: E.D.U. (the composer)

Grania and Diarmid, op. 42: Incidental Music

Grania and Diarmid, op. 42: Funeral March

Falstaff - Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry

Falstaff - Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head. Revelry and Sleep -

Falstaff - Symphonic Study in C minor, op. 68: Dream Interlude (Poco allegretto): "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk"

Falstaff - Symphonic Study in C minor, op. 68: III. Falstaff's March - The Return

Falstaff - Symphonic Study in C minor, op. 68: Interlude: Gloucestershire. Shallow's Orchard (Allegretto) - The New King - The Hurried Ride to London

Falstaff - Symphonic Study in C minor, op. 68: IV. King Henry V's progress - The Repudiation of Falstaff, And His Death

Harmonielehre: Part I

Harmonielehre: Part II: The Anfortas Wound

Harmonielehre: Part III: Meister Eckhardt and Quackie

The Chairman Dances "Foxtrot for Orchestra"

Two Fanfares: Tromba lontana

Two Fanfares: Short Ride in a Fast Machine

Drowned Out

Three Screaming Popes

Momentum

Asyla, op. 17: I.

Asyla, op. 17: II.

Asyla, op. 17: III. Ecstasio

Asyla, op. 17: IV.

The Miraculous Mandarin, op. 19: The Beginning

The Miraculous Mandarin, op. 19: First Seduction Game

The Miraculous Mandarin, op. 19: Second Seduction Game

The Miraculous Mandarin, op. 19: Third Seduction Game - The Mandarin Enters

The Miraculous Mandarin, op. 19: Dance of the Girl

The Miraculous Mandarin, op. 19: The Chase

The Miraculous Mandarin, op. 19: Suddenly the Mandarin's Head Appears,

The Miraculous Mandarin, op. 19: The Mandarin Falls to the Floor

Concerto for Orchestra, Sz. 116: Introduzione: Andante non troppo - Allegro vivace

Concerto for Orchestra, Sz. 116: Giuoco delle coppie: Allegretto scherzando

Concerto for Orchestra, Sz. 116: Elegia: Andante non troppo

Concerto for Orchestra, Sz. 116: Intermezzo interrotto: Allegretto

Concerto for Orchestra, Sz. 116: Finale: Pesante - Presto

Erwartung, op. 17: I. Szene: Hier hinein? Man sieht den Weg nicht...

Erwartung, op. 17: II. Szene: Ist das noch der Weg? Hier ist es eben.

Erwartung, op. 17: III. Szene: Da kommt ein Licht!

Erwartung, op. 17: IV. Szene: Er ist auch nicht da...

Erwartung, op. 17: IV. Szene: Das Mondlicht... nein, dort...

Erwartung, op. 17: IV. Szene: Was soll ich tun...

Erwartung, op. 17: IV. Szene: Aber so seltsam ist dein Auge...

Erwartung, op. 17: IV. Szene: Du siehst wieder dort hin?...

Erwartung, op. 17: IV. Szene: Oh! Nicht einmal die Gnade...

Erwartung, op. 17: IV. Szene: Liebster, Liebster, der Morgen kommt...

Variations for Orchestra: Introduction and Theme -

Variations for Orchestra: Variation I: Moderato

Variations for Orchestra: Variation II: Adagio

Variations for Orchestra: Variation III: Mässig

Variations for Orchestra: Variation IV: Walzer - Tempo

Variations for Orchestra: Variation V: Bewegt

Variations for Orchestra: Variation VI: Andante

Variations for Orchestra: Variation VII: Langsam

Variations for Orchestra: Variation VIII: Sehr rasch

Variations for Orchestra: Variation IX: L'istesso tempo

Variations for Orchestra: Finale

Stabat Mater, op. 53: I. Stała Matka bolejąca (Stabat Mater dolorosa)

Stabat Mater, op. 53: II. I któż widział tak cierpiącą (Quis est homo qui non fleret)

Stabat Mater, op. 53: III. O Matko Źródło Wszechmiłości (Eia Mater, fons amoris)

Stabat Mater, op. 53: IV. Spraw niech płaczę z Tobą razem (Fac me tecum pie flere)

Stabat Mater, op. 53: V. Panno słodka racz mozołem (Virgo virginum praeclare)

Stabat Mater, op. 53: VI. Chrystus niech mi będzie grodem (Christe, cum sit hinc exire)

Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro

Litany to the Virgin Mary, op. 59: II. Jak krzak skarlały

Symphony no. 3, op. 27 "Song of the Night": I. Moderato assai

Symphony no. 3, op. 27 "Song of the Night": II. Vivace, scherzando

Symphony no. 3, op. 27 "Song of the Night": III. Largo

Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": I. Adagio

Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": II. Presto

Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": III. Menuetto & Trio

Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": IV. Finale: Presto

Symphony no. 102 in B-flat, Hob. I:102: I. Largo - Vivace

Symphony no. 102 in B-flat, Hob. I:102: II. Adagio

Symphony no. 102 in B-flat, Hob. I:102: III. Menuet: Allegro & Trio

Symphony no. 102 in B-flat, Hob. I:102: IV. Finale: Presto

Symphony no. 86 in D: I. Adagio - Allegro spiritoso

Symphony no. 86 in D: II. Capriccio: Largo

Symphony no. 86 in D: III. Menuet (Allegretto) & Trio

Symphony no. 86 in D: IV. Finale: Allegro con spirito

Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I)

Symphony no. 4 in C minor, op. 43: II. Moderato con moto

Symphony no. 4 in C minor, op. 43: III. Largo - Allegro

Russian Funeral: Andante alla marcia - Un pochissimo animando - Tempo primo più maestoso

Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde

Das Lied von der Erde: II. Der Einsame im Herbst

Das Lied von der Erde: III. Von der Jugend

Das Lied von der Erde: IV. Von der Schönheit

Das Lied von der Erde: V. Der Trunkene im Frühling

Das Lied von der Erde: VI. Der Abschied

Symphony no. 7 in E: I. Allegro moderato

Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam)

Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo

Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell

In a Nutshell: I. Arrival Platform Humlet

In a Nutshell: II. “Gay but Wistful” (Tune in a Popular London Style)

In a Nutshell: III. Pastoral

In a Nutshell: IV. “The Gum-Suckers” March

Train Music

Country Gardens

La Vallée des cloches

A Lincolnshire Posy: I. Lisbon (Sailor’s Song)

A Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - a local tragedy)

A Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song)

A Lincolnshire Posy: IV. The Brisk Young Sailor (who returned to wed his True Love)

A Lincolnshire Posy: V. Lord Melbourne (War Song)

A Lincolnshire Posy: VI. The Lost Lady Found (Dance Song)

Pagodes

The Warriors (Music to an Imaginary Ballet)

Symphony no. 4 in G: I. Bedächtig. Nicht eilen

Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast

Symphony no. 4 in G: III. Ruhevoll

Symphony no. 4 in G: IV. Sehr behaglich

Symphony no. 1 in B-flat minor: I. Allegro assai

Symphony no. 1 in B-flat minor: II. Presto, con malizia

Symphony no. 1 in B-flat minor: III. Andante con malinconia

Symphony no. 1 in B-flat minor: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso

Belshazzar's Feast: Thus Spake Isaiah: Maestoso -

Belshazzar's Feast: Babylon Was a Great City: Quasi recitativo -

Belshazzar's Feast: Thus in Babylon, the Mighty City: Allegro molto -

Belshazzar's Feast: And in That Same Hour as They Feasted: Quasi recitativo -

Belshazzar's Feast: Then Sing Aloud to God Our Strength: Lento - Allegro giocoso

Belshazzar's Feast: Then Sing Aloud to God Our Strength: Allegro

Symphony no. 3 in D minor: I. Kräftig. Entschieden

Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig

Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast

Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso, Durchaus ppp

Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck

Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden

Des Knaben Wunderhorn: Der Schildewache Nactlied

Des Knaben Wunderhorn: Verlor'ne Muüh'

Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht

Des Knaben Wunderhorn: Wo die schönen Trompeten blasen

Des Knaben Wunderhorn: Revelge

Des Knaben Wunderhorn: Der Tambourg'sell

Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt

Des Knaben Wunderhorn: Ablösung im Sommer (Orch. L. Berio)

Król Roger, op. 46: Act I. "Hagios! Hagios!"

Król Roger, op. 4: Act I. "Boże pobłogosław Panie praodwieczny"

Król Roger, op. 4: Act I. "Czyś słyszał?"

Król Roger, op. 4: Act I. "Oto bluźnierca!"

Król Roger, op. 4: Act I. "Mój Bóg jest piękny jako ja"

Król Roger, op. 4: Act I. "W jego uśmiechu!"

Król Roger, op. 4: Act I. "Niech odejdzie Pasterz"

Król Roger, op. 4: Act II. (Orchestra)

Król Roger, op. 4: Act II. "Niepokój bladych gwiazd"

Król Roger, op. 4: Act II. "A ...!...Roksana! Jej śpiew!"

Król Roger, op. 4: Act II. "Ktoś mglisty przeszedł między strażą!"

Król Roger, op. 4: Act II. "O przychodzę sam, jako kazałeś, Królu"

Król Roger, op. 4: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!"

Król Roger, op. 4: Act II. "Tajemnych głębin życia żar wszechmocną"

Król Roger, op. 4: Act II. Dance of the Shepherd's followers

Król Roger, op. 4: Act II. Roxana's Entrance. "A...! W radosnym tańcu"

Król Roger, op. 4: Act II. "Kto śmie mój czar łańcuchem pętać rabów?"

Król Roger, op. 4: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie"

Król Roger, op. 4: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!"

Król Roger, op. 4: Act III. (Orchestra)

Król Roger, op. 4: Act III. "Wokół martwota głazów"

Król Roger, op. 4: Act III. "Rogerze! Rogerze!"

Król Roger, op. 4: Act III. "Na sąd, na sąd staw się Królu"

Król Roger, op. 4: Act III. "Syć ofiarny"

Król Roger, op. 4: Act III. "Edrisi, już świt!"

Król Roger, op. 4: Act III. "Słońce! Słońce! Edrisi!"

Symphony no. 4 (Symphonie Concertante), op. 60: I. Moderato. Tempo comodo

Symphony no. 4 (Symphonie Concertante), op. 60: II. Andante molto sostenuto

Symphony no. 4 (Symphonie Concertante), op. 60: III. Allegro non troppo, ma agitato ed ansioso

Symphony no. 8 in E-flat major: Erster Teil. Veni, creator spiritus

Symphony no. 8 in E-flat major: Erster Teil. Imple superna gratia

Symphony no. 8 in E-flat major: Erster Teil. Infirma nostri corporis

Symphony no. 8 in E-flat major: Erster Teil. [Tempo I: Allegro, etwas hastig]

Symphony no. 8 in E-flat major: Erster Teil. Infirma nostri corporis

Symphony no. 8 in E-flat major: Erster Teil. Accende lumen sensibus

Symphony no. 8 in E-flat major: Erster Teil. Qui paraclitus diceris

Symphony no. 8 in E-flat major: Erster Teil. Gloria patri domino

Symphony no. 8 in E-flat major: Zweiter Teil. [Poco adagio]

Symphony no. 8 in E-flat major: Zweiter Teil. [Più mosso: Allegro moderato]

Symphony no. 8 in E-flat major: Zweiter Teil. Waldung, sie schwankt heran (chorus and echo)

Symphony no. 8 in E-flat major: Zweiter Teil. Ewiger Wonnebrand (Pater Ecstaticus)

Symphony no. 8 in E-flat major: Zweiter Teil. Wie Felsenabgrund mir zu Füßen (Pater Profundus)

Symphony no. 8 in E-flat major: Zweiter Teil. Gerettet ist das edle Glied (chorus of angels)

Symphony no. 8 in E-flat major: Zweiter Teil. Uns bleibt ein Erdenrest (chorus of angels)

Symphony no. 8 in E-flat major: Zweiter Teil. Ich spür' soeben (chorus of young angels)

Symphony no. 8 in E-flat major: Zweiter Teil. Höchste Herrscherin der Welt! (Doctor Marianus)

Symphony no. 8 in E-flat major: Zweiter Teil. Dir, der Unberührbaren (chorus)

Symphony no. 8 in E-flat major: Zweiter Teil. Bei der Liebe, die den Füßen (Magna Peccatrix)

Symphony no. 8 in E-flat major: Zweiter Teil. Neige, neige, du Ohnegleiche (Una Poenitentium (Gretchen))

Symphony no. 8 in E-flat major: Zweiter Teil. Er überwächst uns schon (chorus of blessed boys)

Symphony no. 8 in E-flat major: Zweiter Teil. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa/chorus)

Symphony no. 8 in E-flat major: Zweiter Teil. Blicket auf zum Retterblick (Doctor Marianus/chorus)

Symphony no. 8 in E-flat major: Zweiter Teil. Alles Vergängliche ist nur ein Gleichnis (chorus mysticus)

Symphony no. 8 in E-flat major: Zweiter Teil. Alles Vergängliche ist nur ein Gleichnis (chorus mysticus)

Songs of a Fairy-tale Princess, op. 31: The Lonely Moon

Songs of a Fairy-tale Princess, op. 31: The Nightingale

Songs of a Fairy-tale Princess, op. 31: Dance

Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 1. Driving the Sheep

Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 2. Mimed Scene (Courtship)

Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 3. The Tatra Robbers' March

Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 4. Mimed Scene (The Harnaś and the girl)

Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 5. The Tatra Robbers' Dance. Finale

Harnasie, op. 55: Tableau II "In the Inn": No. 6a. The Wedding

Harnasie, op. 55: Tableau II "In the Inn": No. 6b. Entry of the Bride

Harnasie, op. 55: Tableau II "In the Inn": No. 6c. Drinking Song

Harnasie, op. 55: Tableau II "In the Inn": No. 7. The Tatra Highlanders' Dance

Harnasie, op. 55: Tableau II "In the Inn": No. 8. Raid of the Harnasie. Dance

Harnasie, op. 55: Tableau II "In the Inn": No. 9. Epilogue

Love Songs of Hafiz, op. 26: Desires

Love Songs of Hafiz, op. 26: The Infatuated East Wind

Love Songs of Hafiz, op. 26: Dance

Love Songs of Hafiz, op. 26: Pearls of My soul

Love Songs of Hafiz, op. 26: Eternal Youth

Love Songs of Hafiz, op. 26: Your Voice

Love Songs of Hafiz, op. 26: Drinking Song

Love Songs of Hafiz, op. 26: Hafiz' Grave