Anechoic Orchestral Music Recording

Album by Various Artists

ClassicalField Recording

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  1. 1.
    "Le Nozze di Figaro" - Overture
    4:19
  2. 2.
    Symphony No.3 In A Minor, Op.56 "Scottish", 4th Mov. - Bars 396-490
    2:20
  3. 3.
    "L'Arlesienne", Suite No.2 - Menuet
    4:13
  4. 4.
    Pizzicate-Polka
    2:35
  5. 5.
    "Ruslan And Lyudmila" - Overture
    5:22
  6. 6.
    "La Traviata" - Prelude To Act 1
    3:27
  7. 7.
    Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 517-573
    1:41
  8. 8.
    Prelude A L'Apres-Midi D'un Faune, Bars 1-20
    1:55
  9. 9.
    Water Music Suite, No.6 - Bars 1-11
    0:21
  10. 10.
    "Le Nozze di Figaro", Overture - Bars 1-18
    0:16
  11. 11.
    Symphony No.9 In D Minor, Op.125 "Choral", 4th Mov. - Bars 1-7
    0:10
  12. 12.
    Symphony No.4 In E Minor, Op.98, 1st Mov. - Bars 354- 362
    0:17
  13. 13.
    Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573
    0:28
  14. 14.
    Symphony No.4 In F Minor, Op.36, 1st Mov. - Bars 1-6
    0:20
  15. 15.
    Symphony No.5, 4th Mov. - Bars 1-3
    0:25
  16. 16.
    Prelude A L'Apres-Midi D'un Faune, Bars 1-3
    0:22
  17. 17.
    "Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Wien Musikvereinssaal's Reverberation
    0:17
  18. 18.
    "Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Amsterdam Concertgebouw's Reverberation
    0:17
  19. 19.
    "Le Nozze di Figaro", Overture - Bars 1-18 - Addition Of Boston Symphony Hall's Reverberation
    0:17
  20. 20.
    Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Wien Musikvereinssaal's Reverberation
    0:29
  21. 21.
    Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Amsterdam Concertgebouw's Reverberation
    0:28
  22. 22.
    Symphony No.4 In E-flat Major "Romantic", 1st Mov. - Bars 560-573 - Addition Of Boston Symphony Hall's Reverberation
    0:28
  23. 23.
    Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Wien Musikvereinssaal's Reverberation
    0:23
  24. 24.
    Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Amsterdam Concertgebouw's Reverberation
    0:23
  25. 25.
    Prelude A L'Apres-Midi D'un Faune, Bars 1-3 - Addition Of Boston Symphony Hall's Reverberation
    0:23
  26. 26.
    Symphony No.4, 1st Mov. - Bars 386-407 - Full Orchestra (Timp. + Hrn. + Trp. + Fl. + Ob. +Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II + Vln. I]
    0:33
  27. 27.
    Symphony No.4, 1st Mov. - Bars 386-407 - Timpani
    0:32
  28. 28.
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp.
    0:31
  29. 29.
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg.
    0:32
  30. 30.
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb.
    0:32
  31. 31.
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc.
    0:32
  32. 32.
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla.
    0:32
  33. 33.
    Symphony No.4, 1st Mov. - Bars 386-407 - Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II
    0:33
  34. 34.
    Symphony No.4, 1st Mov. - Bars 386-407 - Full Orch. (Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II + Vln. I)
    0:33
  35. 35.
    "Le Nozze di Figaro", Overture - Bars 1-50 - Omni-directional Single-point Pickup Recording
    0:53
  36. 36.
    "Le Nozze di Figaro", Overture - Bars 1-50 - Omni-directional Single-point Pickup + Time-coherent Recording
    0:53
  37. 37.
    "Le Nozze di Figaro", Overture - Bars 1-50 - Uni-directional Single-point Pickup Recording
    0:53
  38. 38.
    "Le Nozze di Figaro", Overture - Bars 1-50 - Multi-mike Setup Recording
    0:53
  39. 39.
    "Le Nozze di Figaro", Overture - Bars 1-50 - Multi-mike Setup + Time-coherent Recording
    0:53
  40. 40.
    Symphony No.4 In E-flat - 1st Mov. - Omni-directional Single-point Pickup Recording
    0:48
  41. 41.
    Symphony No.4 In E-flat - 1st Mov. - Omni-directional Single-point Pickup + Time-coherent Recording
    0:48
  42. 42.
    Symphony No.4 In E-flat - 1st Mov. - Uni-directional Single-point Pickup Recording
    0:47
  43. 43.
    Symphony No.4 In E-flat - 1st Mov. - Multi-mike Setup Recording
    0:48
  44. 44.
    Symphony No.4 In E-flat - 1st Mov. - Multi-mike Setup + Time-coherent Recording
    0:48
  45. 45.
    1001 Hz - Sine Wave Channel Check (L-R) -15 dB
    0:29
  46. 46.
    1001 Hz - Sine Wave -15 dB
    0:29
  47. 47.
    1 kHz - 5 Hz / 22.05 kHz Sweep -20 dB
    1:07
  48. 48.
    1001 Hz Toneburst (EIJ) 0 dB
    0:29
  49. 49.
    1001 Hz Toneburst (EIAJ) 0 dB
    0:29
  50. 50.
    Impulse I (I Sample) 100 ms ±20% (random) cycle. 256 times 0 dB
    0:29
  51. 51.
    Impulse II (I Sample) 4 sec ±20% (random) cycle, 8 times 0 dB
    0:27
  52. 52.
    Pulsive Signal (40ms) 7 sec ±20% (random) cycle, 4 times 0 dB
    0:30
  53. 53.
    White Noise Uniformly Distributed Noise in the M-Sequence 0 dB
    2:02
  54. 54.
    L: 25 Hz, 31.5 Hz, 40 Hz -20 dB / R: 31.5 Hz -16 dB
    0:16
  55. 55.
    L: 50 Hz, 63 Hz, 80 Hz -20 dB / R: 63 Hz -16 dB
    0:13
  56. 56.
    L: 100 Hz, 125 Hz, 160 Hz -20 dB / R: 125 Hz -16 dB
    0:13
  57. 57.
    L: 200 Hz, 250 Hz, 315 Hz -20 dB / R: 250 Hz -16 dB
    0:13
  58. 58.
    L: 400 Hz, 500 Hz, 630 Hz -20 dB / R: 500 Hz -16 dB
    0:13
  59. 59.
    L: 800 Hz, 1 kHz, 1.25 kHz -20 dB / R: 1 kHz -16 dB
    0:13
  60. 60.
    L: 1.6 kHz, 2 kHz, 2.5 kHz -20 dB / R: 2 kHz -16 dB
    0:13
  61. 61.
    L: 3.15 kHz, 4 kHz, 5 kHz -20 dB / R: 4 kHz -16 dB
    0:13
  62. 62.
    L: 6.3 kHz, 8 kHz, 10 kHz -20 dB / R: 8 kHz -16 dB
    0:13
  63. 63.
    L: 12.5 kHz, 16 kHz, -20 dB / R: 16 kHz -16 dB
    0:10
  64. 64.
    Pink Noise -14 dB
    0:27

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