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Disc 1

  1. 1.
    Excerpt of Symphony no. 5 movement 1 (1954): Principal theme [bar 1-5]
    0:16
  2. 2.
    Excerpt of Symphony no. 5 movement 1 (1937,43,54): Entry into the Recapitulation (ff) [bar 240-252]
    0:57
  3. 3.
    Excerpt of Symphony no. 5 movement 1 (1937,43,54): Ending of Recapitulation (ff) [bar 469-482]
    1:04
  4. 4.
    Excerpt of Symphony no. 5 movement 1 (1937,43,54): Comparison of basic tempo [bar 6-24]
    1:11
  5. 5.
    Excerpt of Symphony no. 5 movement 1 (1937,43,54): [bar 25-62]
    1:25
  6. 6.
    Excerpt of Symphony no. 5 movement 1 (1937,43,54): The rush into the abyss (development) [bar 158-193]
    1:16
  7. 7.
    Excerpt of Symphony no. 5 movement 1 (1937,43,54): Peak of the movement (before the final peroration) [bar 365-397]
    1:12
  8. 8.
    Excerpt of Symphony no. 5 movement 1 (1937,43,54): [bar 398-455]
    1:53
  9. 9.
    Excerpt of Symphony no. 5 movement 1 (1937,43,54): Second theme [bar 59-90]
    1:14
  10. 10.
    Excerpt of Symphony no. 5 movement 1 (1937,43,54): Adagio solo of the oboe [bar 253-268]
    1:25
  11. 11.
    Excerpt of Symphony no. 5 movement 1 (1954): Silence following last recurrence of main theme [bar 469-end]
    0:45
  12. 12.
    5th symphony
    1:14
  13. 13.
    here is the theme 1937
    0:32
  14. 14.
    37-43-54: now the wonderful theme that Berlioz called "l'idée fixe" shall always be tinted with a definite lyrical shade
    1:44
  15. 15.
    Here is l'idée fixe 1937
    0:17
  16. 16.
    37-43-54: The tutti, acutely exhibit the fundamental differences between the three performances
    0:53
  17. 17.
    37-43-54: 1st fortissimo
    1:46
  18. 18.
    37: lyrical, noble-43: unbearably tense-54: senza espressione
    1:34
  19. 19.
    54: martellato, tempo of 3rd movement
    0:41
  20. 20.
    1954
    0:36
  21. 21.
    3rd Movement: 37-43-54 1st fortissimo
    1:11
  22. 22.
    2nd fortissimi 1954
    0:31
  23. 23.
    Fugato: 37-beautifully sustained flight-43-vehement rebellion-54-supreme grandeur
    1:46
  24. 24.
    4th movement 37-43-54
    0:56
  25. 25.
    37: young and noble conqueror-43: magnificent stride-54: Roman conqueror
    2:02
  26. 26.
    37-43-54: Furt constant is crescendo which he always asks for twelve bars before the end of the development
    3:17
  27. 27.
    1954: The recapitulation by Furt is taken at a slightly faster tempo than the initial one.
    0:58
  28. 28.
    Recurrence of Allegro / 1943: the initial Allegro
    1:21
  29. 29.
    37: great pace and arch-clear melodic line-43: sheer divine madness-54: the great farewell
    3:05
  30. 30.
    Symphony no. 5 in C minor, op. 67: I. Allegro con brio
    7:44
  31. 31.
    Symphony no. 5 in C minor, op. 67: II. Andante con moto
    10:20
  32. 32.
    Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
    5:50
  33. 33.
    Symphony no. 5 in C minor, op. 67: IV. Allegro
    8:08

Disc 2

  1. 2.
    Symphony no. 5 in C minor, op. 67: I. Allegro con brio
    8:16
  2. 3.
    Symphony no. 5 in C minor, op. 67: II. Andante con moto
    11:16
  3. 4.
    Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
    6:02
  4. 5.
    Symphony no. 5 in C minor, op. 67: IV. Allegro
    8:22
  5. 6.
    Symphony no. 5 in C minor, op. 67: I. Allegro con brio
    8:31
  6. 7.
    Symphony no. 5 in C minor, op. 67: II. Andante con moto
    11:20
  7. 8.
    Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
    6:14
  8. 9.
    Symphony no. 5 in C minor, op. 67: IV. Allegro
    8:48

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