Furtwängler conducts Beethoven's Fifth Symphony
Album by Ludwig van Beethoven & Berliner Philharmoniker & Wilhelm Furtwängler & Sami Habra

First released: 1998
About
Disc 1
- 1.Excerpt of Symphony no. 5 movement 1 (1954): Principal theme [bar 1-5]0:16
- 2.Excerpt of Symphony no. 5 movement 1 (1937,43,54): Entry into the Recapitulation (ff) [bar 240-252]0:57
- 3.Excerpt of Symphony no. 5 movement 1 (1937,43,54): Ending of Recapitulation (ff) [bar 469-482]1:04
- 4.Excerpt of Symphony no. 5 movement 1 (1937,43,54): Comparison of basic tempo [bar 6-24]1:11
- 5.Excerpt of Symphony no. 5 movement 1 (1937,43,54): [bar 25-62]1:25
- 6.Excerpt of Symphony no. 5 movement 1 (1937,43,54): The rush into the abyss (development) [bar 158-193]1:16
- 7.Excerpt of Symphony no. 5 movement 1 (1937,43,54): Peak of the movement (before the final peroration) [bar 365-397]1:12
- 8.Excerpt of Symphony no. 5 movement 1 (1937,43,54): [bar 398-455]1:53
- 9.Excerpt of Symphony no. 5 movement 1 (1937,43,54): Second theme [bar 59-90]1:14
- 10.Excerpt of Symphony no. 5 movement 1 (1937,43,54): Adagio solo of the oboe [bar 253-268]1:25
- 11.Excerpt of Symphony no. 5 movement 1 (1954): Silence following last recurrence of main theme [bar 469-end]0:45
- 12.5th symphony1:14
- 13.here is the theme 19370:32
- 14.37-43-54: now the wonderful theme that Berlioz called "l'idée fixe" shall always be tinted with a definite lyrical shade1:44
- 15.Here is l'idée fixe 19370:17
- 16.37-43-54: The tutti, acutely exhibit the fundamental differences between the three performances0:53
- 17.37-43-54: 1st fortissimo1:46
- 18.37: lyrical, noble-43: unbearably tense-54: senza espressione1:34
- 19.54: martellato, tempo of 3rd movement0:41
- 20.19540:36
- 21.3rd Movement: 37-43-54 1st fortissimo1:11
- 22.2nd fortissimi 19540:31
- 23.Fugato: 37-beautifully sustained flight-43-vehement rebellion-54-supreme grandeur1:46
- 24.4th movement 37-43-540:56
- 25.37: young and noble conqueror-43: magnificent stride-54: Roman conqueror2:02
- 26.37-43-54: Furt constant is crescendo which he always asks for twelve bars before the end of the development3:17
- 27.1954: The recapitulation by Furt is taken at a slightly faster tempo than the initial one.0:58
- 28.Recurrence of Allegro / 1943: the initial Allegro1:21
- 29.37: great pace and arch-clear melodic line-43: sheer divine madness-54: the great farewell3:05
- 30.Symphony no. 5 in C minor, op. 67: I. Allegro con brio7:44
- 31.Symphony no. 5 in C minor, op. 67: II. Andante con moto10:20
- 32.Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro5:50
- 33.Symphony no. 5 in C minor, op. 67: IV. Allegro8:08
Disc 2
- 2.Symphony no. 5 in C minor, op. 67: I. Allegro con brio8:16
- 3.Symphony no. 5 in C minor, op. 67: II. Andante con moto11:16
- 4.Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro6:02
- 5.Symphony no. 5 in C minor, op. 67: IV. Allegro8:22
- 6.Symphony no. 5 in C minor, op. 67: I. Allegro con brio8:31
- 7.Symphony no. 5 in C minor, op. 67: II. Andante con moto11:20
- 8.Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro6:14
- 9.Symphony no. 5 in C minor, op. 67: IV. Allegro8:48






