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Oskar Sala

Oskar Sala

Releases

Electronics / Five Improvisations on Magnetic Tape
Electronics / Five Improvisations on Magnetic Tape
Electronic Virtuosity
Electronic Virtuosity
Électronique et stéréophonie: Musique spatiale
Électronique et stéréophonie: Musique spatiale
Elektronische Impressionen
Elektronische Impressionen
My Fascinating Instrument
My Fascinating Instrument
Synthesizer von Gestern Vol. 2
Synthesizer von Gestern Vol. 2
Synthesizer von Gestern Vol. 3
Synthesizer von Gestern Vol. 3
Trautonium-Konzerte
Trautonium-Konzerte
Subharmonic Mixtures
Subharmonic Mixtures
Subharmonische MixturenNo artwork
Subharmonische Mixturen
Satie: Relâche / Vexations / Musique d’ameublement / Hindemith: Concertpiece for Trautonium & Strings
Satie: Relâche / Vexations / Musique d’ameublement / Hindemith: Concertpiece for Trautonium & Strings
Hindemith: 7 Triostücke für 3 Trautonien / Konzertstück für Trautonium / Sala: Elektronische ImpressionenNo artwork
Hindemith: 7 Triostücke für 3 Trautonien / Konzertstück für Trautonium / Sala: Elektronische Impressionen

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    Oskar Sala (1910–2002) was a German composer and electronic-instrument innovator who began his career in the late 1920s and specialised in electronic and experimental music centred on the Trautonium. He developed and refined the Mixtur-Trautonium to create a wide palette of timbres and worked in concert and film contexts, supplying electronically generated soundtracks and sound effects including material used in the 1963 film The Birds.