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HomeArtistsVladimir Vladimirovich Sofronitsky

Vladimir Vladimirovich Sofronitsky

Владимир Владимирович Софроницкий

Releases

Les Douze Études, op. 8 / Les Vingt Quatre Préludes, op. 11
Les Douze Études, op. 8 / Les Vingt Quatre Préludes, op. 11
Sofronitsky plays ProkofievNo artwork
Sofronitsky plays Prokofiev
Russian Piano School, Volume 5No artwork
Russian Piano School, Volume 5
Liszt / Schubert / Schubert/LisztNo artwork
Liszt / Schubert / Schubert/Liszt
Scriabin Recital
Scriabin Recital
The Art of Sofronitsky
The Art of Sofronitsky
Complete Piano Sonatas
Complete Piano Sonatas
Scriabin chez Scriabin
Scriabin chez Scriabin
Liszt Piano Works (Live)
Liszt Piano Works (Live)
The Moscow Conservatory – Tribute to Rachmaninov. Archive Recordings
The Moscow Conservatory – Tribute to Rachmaninov. Archive Recordings
Scriabine par Scriabine, Goldenweiser, Feinberg, Neuhaus, Sofronitski
Scriabine par Scriabine, Goldenweiser, Feinberg, Neuhaus, Sofronitski
Vladimir Sofronitsky Edition, Volume 11: Borodin / Lyadov / Glazunov / Scriabin / KabalevskyNo artwork
Vladimir Sofronitsky Edition, Volume 11: Borodin / Lyadov / Glazunov / Scriabin / Kabalevsky
Great Pianists of the 20th Century, Volume 91: Vladimir Sofronitsky
Great Pianists of the 20th Century, Volume 91: Vladimir Sofronitsky
Historical Russian Archives: Vladimir Sofronitzky Edition
Historical Russian Archives: Vladimir Sofronitzky Edition
Le Monde du Piano, vol. 38No artwork
Le Monde du Piano, vol. 38
The Russian Archives: Vladimir Sofronitzky Plays Russian Piano MusicNo artwork
The Russian Archives: Vladimir Sofronitzky Plays Russian Piano Music
Sonates pour piano n° 3, 5 et 9. / Préludes Op. 11 / Vers la flamme / Poème de l'extase
Sonates pour piano n° 3, 5 et 9. / Préludes Op. 11 / Vers la flamme / Poème de l'extase
Scriabin: 150th Anniversary – Piano Works
Scriabin: 150th Anniversary – Piano Works
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    Vladimir Vladimirovich Sofronitsky was a Russian Soviet classical pianist born in Saint Petersburg in 1901 who trained at the Petrograd Conservatory and began his concert career in the 1920s. He specialised in late-Romantic and early 20th-century repertoire, emphasising nuanced phrasing, expansive sonority and flexible rubato in performances of Scriabin, Chopin and Russian composers, and his interpretations influenced subsequent generations of Soviet pianists.