1.
Polarity Check: 0 dBFS swept sine waves
2:40
2.
Swept sine waves at -30, -60 and -90 dBFS
1:03
3.
Pink noise at 0, -30, -60 and -90 dBFS
0:38
4.
Linear progression of tones in 2 kHz steps
1:00
5.
Octave progression of tones
1:04
6.
Octave bands of pink noise
1:14
7.
Relative levels with pink noise and sine wave
2:57
8.
Phase shift of a sine wave, in stereo and mono
2:00
9.
Complex wave demonstration
0:40
10.
First 16 harmonics of a sawtooth wave
0:43
11.
Simple harmonic ratios
0:51
12.
Equal-tempered equivalents of simple harmonic ratios
0:29
13.
Filter sweep of a square wave
0:25
14.
Filter sweep of a sawtooth wave
0:31
15.
Aperiodic sounds
1:06
16.
Square wave in infrasonic range
0:28
17.
Power across spectrum
0:30
18.
Frequency, amplitude and spectral modulation
1:25
19.
3-path and 7-path early reflection simulations
1:15
20.
Pitch vs. loudness demonstration
0:31
21.
Beating demonstration
1:26
22.
Critical band demonstration
2:21
23.
Square wave crossing 20 Hz/50 ms boundary
1:26
24.
Pitch perception demonstration
2:54
25.
Effect of Equal Loudness Contours
6:09
26.
The sound of A, B and C weighting curves
1:07
27.
20 Hz/50 ms boundary
0:22
28.
Tempered versus just intonation in a major triad
0:20
29.
Phantom image location vs. amplitude differences
1:25
30.
Phantom image location vs. time differences
1:15
31.
Stereo moving source demonstration
2:01
32.
Additive synthesis demonstration
1:45
33.
Psychological effect of loudness
0:44
34.
Comb filtering demonstration
2:09
35.
Masking demonstration
5:36
36.
Demonstration of three types of pink noise
0:46
37.
Mono compatibility demonstration
1:00
38.
Compression demonstration
13:19