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Flip Phillips

Flip Phillips

Releases

Red Norvo's Fabulous Jam Session
Red Norvo's Fabulous Jam Session
The Flip Phillips Quintet
The Flip Phillips Quintet
Your Place Or Mine?No artwork
Your Place Or Mine?
Flip Philips - RevisitedNo artwork
Flip Philips - Revisited
John & Joe
John & Joe
A Sound Investment
A Sound Investment
A Real Swinger
A Real Swinger
Mood Indigo
Mood Indigo
Spanish EyesNo artwork
Spanish Eyes
Swing Is The Thing!
Swing Is The Thing!
Mayhem In ManhattanNo artwork
Mayhem In Manhattan
FlipensteinNo artwork
Flipenstein
No NoiseNo artwork
No Noise
The Claw: Live At The Floating Jazz FestivalNo artwork
The Claw: Live At The Floating Jazz Festival
Jazz At The Philarmonic-Frankfurt 1952
Jazz At The Philarmonic-Frankfurt 1952
Spanish Eyes - Live At The 1995 Floating Jazz FestivalNo artwork
Spanish Eyes - Live At The 1995 Floating Jazz Festival
At the Helm - Live at the 1993 Floating Jazz Festival
At the Helm - Live at the 1993 Floating Jazz Festival
Flip Philllips Celebrates His 80th Birthday At The March of Jazz 1995No artwork
Flip Philllips Celebrates His 80th Birthday At The March of Jazz 1995
Live At The Beowulf
Live At The Beowulf
Flip Wails: The Best Of The Verve YearsNo artwork
Flip Wails: The Best Of The Verve Years
The Complete Verve-Clef Charlie Ventura & Flip Phillips Studio Sessions
The Complete Verve-Clef Charlie Ventura & Flip Phillips Studio Sessions
Keep On Flippin’ (Vol. III 1952)
Keep On Flippin’ (Vol. III 1952)
Complete 1947-1951 Verve Master TakesNo artwork
Complete 1947-1951 Verve Master Takes
Crazy 'bout Flip (Vol. I 1947-1949)No artwork
Crazy 'bout Flip (Vol. I 1947-1949)
Flippin' The Blues (Vol. II 1949-1951)No artwork
Flippin' The Blues (Vol. II 1949-1951)
Four Classic Albums: Flip / The Flip Phillips-Buddy Rich Trio / Flip Wails / Swinging With Flip
Four Classic Albums: Flip / The Flip Phillips-Buddy Rich Trio / Flip Wails / Swinging With Flip
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    Flip Phillips was an American jazz saxophonist and clarinettist from Brooklyn who began his professional career in the 1930s, working in big bands and later leading his own small groups within the swing and early bebop traditions. Across subsequent decades he moved between big-band and small-group contexts, appeared on concert tours and recordings, and his playing bridged swing phrasing with the faster rhythms and improvisational approaches of bebop, reflecting shifts in mid-20th-century American jazz.